Thirtyfour Parking Lots (signed)
by Takashi Homma
Photographs: Takashi Homma
Publisher: limArt
48 pages
Pictures: 31 (b/w)
Year: 2015
Comments: Softcover, first limited edition of 240, 20 × 25 cm
Published by limArt and produced by Yusuke Nakajima and Yoshihisa Tanaka (one part of artist duo Nerhol) in 2015, Takashi Homma's THIRTYFOUR PARKING LOTS is a photographic tribute to Ed Ruscha's artist books created in the late 60s and early 70s. Presenting a collection of photographs which attempt at capturing the same referencial motives of Ruscha's Los Angeles, Takashi Homma's THIRTYFOUR PARKING LOTS brings together a collection of images which capture parking lots from around the world. From Japan, Brazil, Australia and Iceland, Homma's portrayal is a wonderful reminder of the influences and impact of Ruscha's artworks.
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Thirtyfour Parking Lots (signed)
by Takashi Homma
Photographs: Takashi Homma
Publisher: limArt
48 pages
Pictures: 31 (b/w)
Year: 2015
Comments: Softcover, first limited edition of 240, 20 × 25 cm
Published by limArt and produced by Yusuke Nakajima and Yoshihisa Tanaka (one part of artist duo Nerhol) in 2015, Takashi Homma's THIRTYFOUR PARKING LOTS is a photographic tribute to Ed Ruscha's artist books created in the late 60s and early 70s. Presenting a collection of photographs which attempt at capturing the same referencial motives of Ruscha's Los Angeles, Takashi Homma's THIRTYFOUR PARKING LOTS brings together a collection of images which capture parking lots from around the world. From Japan, Brazil, Australia and Iceland, Homma's portrayal is a wonderful reminder of the influences and impact of Ruscha's artworks.
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;jpg?c=0375dbdc9a8eebd432f9cd0f30998365)
Thirtyfour Parking Lots (signed)
by Takashi Homma
Photographs: Takashi Homma
Publisher: limArt
48 pages
Pictures: 31 (b/w)
Year: 2015
Comments: Softcover, first limited edition of 240, 20 × 25 cm
Published by limArt and produced by Yusuke Nakajima and Yoshihisa Tanaka (one part of artist duo Nerhol) in 2015, Takashi Homma's THIRTYFOUR PARKING LOTS is a photographic tribute to Ed Ruscha's artist books created in the late 60s and early 70s. Presenting a collection of photographs which attempt at capturing the same referencial motives of Ruscha's Los Angeles, Takashi Homma's THIRTYFOUR PARKING LOTS brings together a collection of images which capture parking lots from around the world. From Japan, Brazil, Australia and Iceland, Homma's portrayal is a wonderful reminder of the influences and impact of Ruscha's artworks.
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