Kosmos (signed - last copy)
by Joji Morita
Photographs: Joji Morita
Publisher: Sokyu-sha
56 pages
Pictures: 49 black and white images
Year: 2014
Comments: edition of 550, softcover with slipcase. slightly bent on the backside of the slipcase.
It is said that Pythagoras was the first philosopher in ancient Greece to use the term “Kosmos” in reference to the universe. The word “kosmos” in ancient Greek refers to a congruent balance or order. A state of harmony present in a garden, in societal law or the human spirit may be described as “Kata Kosmon,” that is, “in accord with the cosmos.”
Looking down below from higher ground, you perceive the city as a physical cluster, a sense you cannot get while walking within it. The roads have a sensation of speed, like blood vessels circulating vital energy to conduct that power to the farthest ends, while jumbled layers of elevated roads and pedestrian overpasses are reminiscent of the intertwined bundles of muscular fiber. Portions of ground excavated for construction are as open wounds, not meant to be seen.
And in each of these parts are the subtle movements of small human beings, like red blood cells. Contrasted, the uniform buildings aligned in regular rows appear like beautiful inorganic crystals. In the details here too, are signs and traces of human activity, everywhere. Each of these activities together mount to a limitless multitude, forming a harmonious eddy, or a beautiful crystallization, growing into yet another, different, cluster
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Kosmos (signed - last copy)
by Joji Morita
Photographs: Joji Morita
Publisher: Sokyu-sha
56 pages
Pictures: 49 black and white images
Year: 2014
Comments: edition of 550, softcover with slipcase. slightly bent on the backside of the slipcase.
It is said that Pythagoras was the first philosopher in ancient Greece to use the term “Kosmos” in reference to the universe. The word “kosmos” in ancient Greek refers to a congruent balance or order. A state of harmony present in a garden, in societal law or the human spirit may be described as “Kata Kosmon,” that is, “in accord with the cosmos.”
Looking down below from higher ground, you perceive the city as a physical cluster, a sense you cannot get while walking within it. The roads have a sensation of speed, like blood vessels circulating vital energy to conduct that power to the farthest ends, while jumbled layers of elevated roads and pedestrian overpasses are reminiscent of the intertwined bundles of muscular fiber. Portions of ground excavated for construction are as open wounds, not meant to be seen.
And in each of these parts are the subtle movements of small human beings, like red blood cells. Contrasted, the uniform buildings aligned in regular rows appear like beautiful inorganic crystals. In the details here too, are signs and traces of human activity, everywhere. Each of these activities together mount to a limitless multitude, forming a harmonious eddy, or a beautiful crystallization, growing into yet another, different, cluster
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CAMP 1979
by Keizo Kitajima
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by Masahito Agake
sold out -
Silent Histories
by Kazuma Obara
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SANRIZUKA 1972
by Tenmei Kanoh
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Yusurika
by Yoshinori Mizutani
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Hibi
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Kosmos (signed - last copy)
by Joji Morita
Photographs: Joji Morita
Publisher: Sokyu-sha
56 pages
Pictures: 49 black and white images
Year: 2014
Comments: edition of 550, softcover with slipcase. slightly bent on the backside of the slipcase.
It is said that Pythagoras was the first philosopher in ancient Greece to use the term “Kosmos” in reference to the universe. The word “kosmos” in ancient Greek refers to a congruent balance or order. A state of harmony present in a garden, in societal law or the human spirit may be described as “Kata Kosmon,” that is, “in accord with the cosmos.”
Looking down below from higher ground, you perceive the city as a physical cluster, a sense you cannot get while walking within it. The roads have a sensation of speed, like blood vessels circulating vital energy to conduct that power to the farthest ends, while jumbled layers of elevated roads and pedestrian overpasses are reminiscent of the intertwined bundles of muscular fiber. Portions of ground excavated for construction are as open wounds, not meant to be seen.
And in each of these parts are the subtle movements of small human beings, like red blood cells. Contrasted, the uniform buildings aligned in regular rows appear like beautiful inorganic crystals. In the details here too, are signs and traces of human activity, everywhere. Each of these activities together mount to a limitless multitude, forming a harmonious eddy, or a beautiful crystallization, growing into yet another, different, cluster
more books tagged »Japanese« | >> see all
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CAMP 1979
by Keizo Kitajima
Euro 50 -
Namekuji Soshi Gaiden (signed)
by Masahito Agake
sold out -
Silent Histories
by Kazuma Obara
sold out -
SANRIZUKA 1972
by Tenmei Kanoh
sold out -
Yusurika
by Yoshinori Mizutani
sold out -
Hibi
by Masahisa Fukase
Euro 55
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East End Dancers and Chancers
by David Hoffman
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An Album: The Everlasting Story
by Shoji Ueda
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Inner Mongolia (signed - last copy)
by Ekaterina Anokhina
sold out -
Imperfections (Collector's Portfolio - last copy)
by Regina Anzenberger
Euro 2500 -
Zine Collection N°6: Business as Usual (signed + print)
by Brian Griffin
sold out -
1973
by Keiichi Tahara
Euro 44
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