A
by Alejandro Marote
Photographs: Alejandro Marote
Text: Alberto Salván Zulueta
Publisher: RM
216 pages
Pictures: 180
Year: 2016
ISBN: 978-84-16282-34-0
Price: 50 €
Comments: Flexibinder,16,4 x 24 cm, Spanish
This book gathers the results of a study carried out from 2008 to 2014 that explores the ties of dependency that human beings have created with their urban environment and the way in which, after becoming aware of this oppressive relationship that alienates them from their own essence, they free themselves from it in order to return to a primitive state, in direct contact with nature. This evolution is articulated in four complementary blocks:
The man, the city, the collapse of the straight line, and the return to nature.
The man, uniformed in dark suits, possesses the creative power but remains subject to the very surroundings he has designed and domesticated in order to feel sheltered from potential external threats. This illusory sense of safety leads him to lose contact with himself and wander disoriented within his own labyrinth.
The city becomes a prison in which the crosswalks represent the final and most perfect distillation of the urban sign, capable of articulating and musicalizing the daily transit of the man. The collapse happens when the man realizes that the straight lines used to build his refuge have become the very bars that confine him. In order to escape, he surrenders to the weight of the matter that condemns him to reality, blending into the asphalt. The journey home, the journey back to nature, begins.
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A
by Alejandro Marote
Photographs: Alejandro Marote
Text: Alberto Salván Zulueta
Publisher: RM
216 pages
Pictures: 180
Year: 2016
ISBN: 978-84-16282-34-0
Price: 50 €
Comments: Flexibinder,16,4 x 24 cm, Spanish
This book gathers the results of a study carried out from 2008 to 2014 that explores the ties of dependency that human beings have created with their urban environment and the way in which, after becoming aware of this oppressive relationship that alienates them from their own essence, they free themselves from it in order to return to a primitive state, in direct contact with nature. This evolution is articulated in four complementary blocks:
The man, the city, the collapse of the straight line, and the return to nature.
The man, uniformed in dark suits, possesses the creative power but remains subject to the very surroundings he has designed and domesticated in order to feel sheltered from potential external threats. This illusory sense of safety leads him to lose contact with himself and wander disoriented within his own labyrinth.
The city becomes a prison in which the crosswalks represent the final and most perfect distillation of the urban sign, capable of articulating and musicalizing the daily transit of the man. The collapse happens when the man realizes that the straight lines used to build his refuge have become the very bars that confine him. In order to escape, he surrenders to the weight of the matter that condemns him to reality, blending into the asphalt. The journey home, the journey back to nature, begins.
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Touch - World Press Photo
by Joop Swart Masterclass 2009
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Discordia (signed - last copy)
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The Waiting Game (signed - last copy)
by Txema Salvans
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by Xavier Miserachs
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Skin Memories
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Photography 227 Months
by Cecilia Edefalk
Euro 44 -
Sobras
by Geraldo de Barros
Euro 56 -
Lines & Tapes
by Hervé Tullet
Euro 18 -
Humanity
by Kazuto Ishikawa
Euro 54
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The Black Rose (last copies)
by Trent Parke
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Nature of Los Angeles 2008-2013
by Bruce Davidson
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by John Bulmer
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by Regina Anzenberger
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Random selection from the Virtual bookshelf josefchladek.com
A
by Alejandro Marote
Photographs: Alejandro Marote
Text: Alberto Salván Zulueta
Publisher: RM
216 pages
Pictures: 180
Year: 2016
ISBN: 978-84-16282-34-0
Price: 50 €
Comments: Flexibinder,16,4 x 24 cm, Spanish
This book gathers the results of a study carried out from 2008 to 2014 that explores the ties of dependency that human beings have created with their urban environment and the way in which, after becoming aware of this oppressive relationship that alienates them from their own essence, they free themselves from it in order to return to a primitive state, in direct contact with nature. This evolution is articulated in four complementary blocks:
The man, the city, the collapse of the straight line, and the return to nature.
The man, uniformed in dark suits, possesses the creative power but remains subject to the very surroundings he has designed and domesticated in order to feel sheltered from potential external threats. This illusory sense of safety leads him to lose contact with himself and wander disoriented within his own labyrinth.
The city becomes a prison in which the crosswalks represent the final and most perfect distillation of the urban sign, capable of articulating and musicalizing the daily transit of the man. The collapse happens when the man realizes that the straight lines used to build his refuge have become the very bars that confine him. In order to escape, he surrenders to the weight of the matter that condemns him to reality, blending into the asphalt. The journey home, the journey back to nature, begins.
More books by Alejandro Marote
more books tagged »Spanish« | >> see all
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Touch - World Press Photo
by Joop Swart Masterclass 2009
sold out -
Discordia (signed - last copy)
by Moises Saman
sold out -
The Waiting Game (signed - last copy)
by Txema Salvans
sold out -
Miserachs Barcelona
by Xavier Miserachs
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Muchismo (signed)
by Cristina de Middel
Euro 39 19.50 -
Infinito (signed)
by David Jiménez
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Asylum of the Birds (signed)
by Roger Ballen
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Skin Memories
by Thomas Mailaender
sold out -
Photography 227 Months
by Cecilia Edefalk
Euro 44 -
Sobras
by Geraldo de Barros
Euro 56 -
Lines & Tapes
by Hervé Tullet
Euro 18 -
Humanity
by Kazuto Ishikawa
Euro 54
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-
The Black Rose (last copies)
by Trent Parke
sold out -
Nature of Los Angeles 2008-2013
by Bruce Davidson
sold out -
Hartlepool 1960s
by John Bulmer
Euro 9.50 -
The Dirty Dozen
by Patrick Ward
sold out -
My Golf Diary (signed + print)
by Regina Anzenberger
Euro 350 -
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by Pierre Boulat
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