Not Natasha
by Dana Popa
Photographs: Dana Popa
Text: Mark Sealy, Emma Boyd
Publisher: Autograph
96 pages
Year: 2009
ISBN: 978-1899282081
A chair seat that has broken away from the frame, telling a tale of falling off one’s chair onto a false floor. A face hiding behind a brunette wig, telling the story of people disappearing behind a tissue of lies. An arm showing the marks that a belt wielded in anger can leave behind. Still visible now, but even after they disappear they remain forever. A white bed sheet. If one thinks of a wedding, death may be the bridegroom. And a terse newspaper ad, circled in black. One suspects the circle will reveal itself to be a noose, or as a tunnel from which there is no escape. More likely the entrance to hell itself. These are subtle signs that appear next to the women or in rooms that they have long since left behind. Other girls will follow, and with them the same delicate fragility that provides the basic motif for this essay. Moldova, the poorhouse of Europe, is a hub for an industry that is just as illegal as it is profitable: the trade in sex slaves. The later stages of suffering are well known: prompt delivery to the meat market a bordello, rape, beatings, confiscation of passports, the pressure towards drug addiction. Often schizophrenia is the result, followed by AIDS. A vicious circle that the Romanian photographer Irina Dana Popa has analysed in all its subtlety. Her pictures are of a screaming silence, of women for whom only one pathway to flight remains: the ghastly realm of inner emigration.
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Not Natasha
by Dana Popa
Photographs: Dana Popa
Text: Mark Sealy, Emma Boyd
Publisher: Autograph
96 pages
Year: 2009
ISBN: 978-1899282081
A chair seat that has broken away from the frame, telling a tale of falling off one’s chair onto a false floor. A face hiding behind a brunette wig, telling the story of people disappearing behind a tissue of lies. An arm showing the marks that a belt wielded in anger can leave behind. Still visible now, but even after they disappear they remain forever. A white bed sheet. If one thinks of a wedding, death may be the bridegroom. And a terse newspaper ad, circled in black. One suspects the circle will reveal itself to be a noose, or as a tunnel from which there is no escape. More likely the entrance to hell itself. These are subtle signs that appear next to the women or in rooms that they have long since left behind. Other girls will follow, and with them the same delicate fragility that provides the basic motif for this essay. Moldova, the poorhouse of Europe, is a hub for an industry that is just as illegal as it is profitable: the trade in sex slaves. The later stages of suffering are well known: prompt delivery to the meat market a bordello, rape, beatings, confiscation of passports, the pressure towards drug addiction. Often schizophrenia is the result, followed by AIDS. A vicious circle that the Romanian photographer Irina Dana Popa has analysed in all its subtlety. Her pictures are of a screaming silence, of women for whom only one pathway to flight remains: the ghastly realm of inner emigration.
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Random selection from the Virtual bookshelf josefchladek.com
Not Natasha
by Dana Popa
Photographs: Dana Popa
Text: Mark Sealy, Emma Boyd
Publisher: Autograph
96 pages
Year: 2009
ISBN: 978-1899282081
A chair seat that has broken away from the frame, telling a tale of falling off one’s chair onto a false floor. A face hiding behind a brunette wig, telling the story of people disappearing behind a tissue of lies. An arm showing the marks that a belt wielded in anger can leave behind. Still visible now, but even after they disappear they remain forever. A white bed sheet. If one thinks of a wedding, death may be the bridegroom. And a terse newspaper ad, circled in black. One suspects the circle will reveal itself to be a noose, or as a tunnel from which there is no escape. More likely the entrance to hell itself. These are subtle signs that appear next to the women or in rooms that they have long since left behind. Other girls will follow, and with them the same delicate fragility that provides the basic motif for this essay. Moldova, the poorhouse of Europe, is a hub for an industry that is just as illegal as it is profitable: the trade in sex slaves. The later stages of suffering are well known: prompt delivery to the meat market a bordello, rape, beatings, confiscation of passports, the pressure towards drug addiction. Often schizophrenia is the result, followed by AIDS. A vicious circle that the Romanian photographer Irina Dana Popa has analysed in all its subtlety. Her pictures are of a screaming silence, of women for whom only one pathway to flight remains: the ghastly realm of inner emigration.
more books tagged »Moldova« | >> see all
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Let's sit down before we go (signed- last copy)
by Bertien van Manen
sold out -
Bertien van Manen in Moldova (signed)
by Bertien van Manen
sold out -
Soviet Passport (signed)
by Tatiana Fiodorova
Euro 60 -
Let's sit down before we go (last copy)
by Bertien van Manen
Euro 195
more books tagged »Romanian« | >> see all
-
east (signed)
by Regina Maria Anzenberger
Euro 99 49.50 -
The Saxons of Transylvania
by Pascual Martínez & Vincent Sáez
Euro 49 -
Pride and Concrete (signed - last copy)
by Petrut Calinescu
Euro 39 -
For Birds' Sake (signed)
by Maria Sturm | Cemre Yesil
sold out -
east
by Regina Maria Anzenberger
Euro 56 44.80 -
Transsilvanien (signed)
by Horatiu Sava
sold out
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Distant Place
by Sputnik Photos
Euro 75 -
Balkan Pank (collectors' edition)
by Joze Suhadolnik
sold out -
Post-war Stories
by Claudia Heinermann / Michael Iwanowski / Indre Serpytyte
sold out -
Barricade (signed)
by Julia Polunina-But
sold out -
Grimaces of the weary village 1976 - 2001 (signed- last copy)
by Rimaldas Viksraitis
Euro 195 -
New Slovak Photography
by Group
Euro 15
more books tagged »prostitution« | >> see all
more books tagged »post-Soviet« | >> see all
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DKDANCE (signed)
by Dmitry Lookianov
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Mühit (signed)
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sold out -
7 Rooms (last copy)
by Rafal Milach
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Land ohne Mitte (signiert)
by Anne Morgenstern
Euro 44 -
PROMISING WATERS (signed)
by Mila Tshaieva
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Random selection from the Virtual bookshelf josefchladek.com