KARCZEBY
by Adam Panczuk
Photographs: Adam Panczuk
Text: Kazimierz Kusznierow
Publisher: self-published
80 pages
Pictures: 23
Year: 2013
Comments: first edition of 550 copies including 50 collector's editions with print. size: 30 x 30 cm. design by Ania Nalecka /TBD
Karczebs
In one of the dialects spoken in the east of Poland, which is a mixture of Polish and Belorussian, people strongly attached to the soil they had been cultivating for generetations were called "Karczebs". With their bare hands Karczebs cleared forests in order to grow crops. The word Karczeb was also used to describe what remains after a tree is cut down - a trunk with roots, which remains stuck in the ground. This also applied to people - it was not easy for the authorities to root them out from their land, even in the Stalinism times. The price they paid for their attachment to their soil was often their freedom or life. After death, hurried nearby their farmland, a Karczeb himself became the soil, later cultivated by his descendants.
Awards:
Magnum Expression Award 1st Honorable Mention
National Geographic Photography Contest I prize in category Culture
Newsweek Poland Photo Awards II prize for picture story in category Culture
Grand Press Photo I prize for picture story in category People
Adam Panczuk is a member of the Sputnik Photos collective.
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Random selection from the Virtual bookshelf josefchladek.com
KARCZEBY
by Adam Panczuk
Photographs: Adam Panczuk
Text: Kazimierz Kusznierow
Publisher: self-published
80 pages
Pictures: 23
Year: 2013
Comments: first edition of 550 copies including 50 collector's editions with print. size: 30 x 30 cm. design by Ania Nalecka /TBD
Karczebs
In one of the dialects spoken in the east of Poland, which is a mixture of Polish and Belorussian, people strongly attached to the soil they had been cultivating for generetations were called "Karczebs". With their bare hands Karczebs cleared forests in order to grow crops. The word Karczeb was also used to describe what remains after a tree is cut down - a trunk with roots, which remains stuck in the ground. This also applied to people - it was not easy for the authorities to root them out from their land, even in the Stalinism times. The price they paid for their attachment to their soil was often their freedom or life. After death, hurried nearby their farmland, a Karczeb himself became the soil, later cultivated by his descendants.
Awards:
Magnum Expression Award 1st Honorable Mention
National Geographic Photography Contest I prize in category Culture
Newsweek Poland Photo Awards II prize for picture story in category Culture
Grand Press Photo I prize for picture story in category People
Adam Panczuk is a member of the Sputnik Photos collective.
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more books tagged »portrait« | >> see all
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autoportrait (signed - last copy)
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Random selection from the Virtual bookshelf josefchladek.com
KARCZEBY
by Adam Panczuk
Photographs: Adam Panczuk
Text: Kazimierz Kusznierow
Publisher: self-published
80 pages
Pictures: 23
Year: 2013
Comments: first edition of 550 copies including 50 collector's editions with print. size: 30 x 30 cm. design by Ania Nalecka /TBD
Karczebs
In one of the dialects spoken in the east of Poland, which is a mixture of Polish and Belorussian, people strongly attached to the soil they had been cultivating for generetations were called "Karczebs". With their bare hands Karczebs cleared forests in order to grow crops. The word Karczeb was also used to describe what remains after a tree is cut down - a trunk with roots, which remains stuck in the ground. This also applied to people - it was not easy for the authorities to root them out from their land, even in the Stalinism times. The price they paid for their attachment to their soil was often their freedom or life. After death, hurried nearby their farmland, a Karczeb himself became the soil, later cultivated by his descendants.
Awards:
Magnum Expression Award 1st Honorable Mention
National Geographic Photography Contest I prize in category Culture
Newsweek Poland Photo Awards II prize for picture story in category Culture
Grand Press Photo I prize for picture story in category People
Adam Panczuk is a member of the Sputnik Photos collective.
More books by Adam Panczuk
more books tagged »portrait« | >> see all
-
autoportrait (signed - last copy)
by Martin Parr
sold out -
Beryl Chen (signed)
by Rene Groebli
Euro 65 -
Afterword
by Masahisa Fukase
sold out -
Radicalia (signed)
by Piero Martinello
sold out -
Etan & Me (signed)
by Viviane Sassen
sold out -
Alive
by Mario Testino
Euro 165
more books tagged »Eastern Europe« | >> see all
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Belgrade Raw
by Belgrade Raw collective
Euro 32 -
Kitchen Stories from the Balkans (signed - last copies)
by Eugenia Maximova
sold out -
Stigma (signed)
by Adam Lach
sold out -
Associated Nostalgia (signed)
by Eugenia Maximova
Euro 35 -
BRUTAL (signed - last copy)
by Michal Luczak
sold out -
Simply a Line (signed)
by Vesselina Nikolaeva
sold out
more books tagged »black and white« | >> see all
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No Joke
by Asger Carlsen and Roger Ballen
Euro 58 -
Magie der Schiene
by Rene Groebli
Euro 49.90 -
Christopher Street, 1976 (signed)
by Sunil Gupta
sold out -
Chizu (signed)
by Kikuji Kawada
sold out -
Tuareg Women
by Christine de Grancy
Euro 44 -
Big Champ
by Thomas Hoepker
sold out
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Frowst
by Joanna Piotrowska
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7 Rooms (signed + print)
by Rafal Milach
Euro 770 -
In the Car with R (signed + print - last copy)
by Rafal Milach
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Witty Kiwi Mag: Issue 1
by various photographers
sold out -
American Dream (signed)
by Agnieszka Rayss
Euro 40 -
Side Effects (book + print - last copies)
by Kacper Kowalski
Euro 750
more books tagged »tradition« | >> see all
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Pikin Slee
by Viviane Sassen
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Grimaces of the Weary Villages (signed)
by Rimaldas Viksraitis
sold out -
Wandertage (signed)
by Chiara Dazi
Euro 48 38.40 -
THIS IS WHAT HATRED DID (signed - last copy)
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Random selection from the Virtual bookshelf josefchladek.com
