The Spirit of Avant-Garde Photography: Transforming "Nothing Much"
by Takiguchi Shuzo
Photographs: Takiguchi Shuzo, Abe Nobuya, Otsuji Kiyoji, Gocho Shigeo
Publisher: Akaaka Art Publishing
240 pages
Year: 2023
ISBN: 9784865411690
Price: 29.90 €
Comments: 180 × 255 × 20 mm, Softcover
During the 1930s, a large number of works influenced by Surrealism were shown in Japan under the heading of "avant-garde photography." Among these were works by Takiguchi Shuzo (1903-1979) who, based on his view of the photographic medium as "a deep fold in everyday reality," explored the potential of the surreal. In 1938, Takiguchi provided theoretical support for the Zen'ei Shashin Kyokai (Avant-garde Photography Association), which he formed with a group of photographers and painters.
One of the association's founding members, Abe Nobuya (1913-1971) created works in response to statements that Takiguchi had published in Photo Times magazine. Abe's works displayed a rapid shift away from the poetic sensibilities of Surrealism to photographs that documented a "new unembellished harmony" in "landscapes that have been abandoned as a useless part of the city and country." After the Second World War, Abe went on to inspire young photographers with his criticism, while exploring his own avant-garde expressions in photographs taken at various travel destinations.
Otsuji Kiyoji (1923-2001) had been involved with Photo Times during the late 1930s at the height of the Zen'ei Shashin Kyokai's activities. In about 1940, under the direct influence of Takiguchi and Abe, he began pursuing a career as a photographer. In 1958, while continuing to follow this path, Otsuji also began teaching at the Kuwasawa Design School. There, he encountered the new experimental approaches of his young students. As an educator, Otsuji broadened his perspective to include everything from his predecessors to photographers of the same era, while at the same time using his experiences as a first-hand observer of art journalism as a foundation for his work. His Experimental Workshop of Photography series signaled a dramatic change in direction with its emphasis on "Photo of Nothing Much" that focused on the commonplace.
Gocho Shigeo (1946-1983) was one of the students that Otsuji discovered at the Kuwasawa Design School. In 1967, Gocho began to major in photography on Otsuji's strong recommendation, and gradually set his sights on a career as a photographer. Otsuji also wrote forewords for two photo books that Gocho published after graduating from the school, and he keep a close eye on his former student's activities. As Gocho himself put it, he strove to make works that were "just barely photographs, something that might be overlooked," bringing a unique viewpoint to ordinary landscapes that were familiar to anyone.
This year, 2023, marks the 120th anniversary of Takiguchi Shuzo's birth, the 110th anniversary of Abe Nobuya's birth, the 100th anniversary of Otsuji Kiyoji's birth, and the 40th anniversary of Gocho Shigeo's death. While tracing the relationship between these four artists and their work, in this exhibition we hope to convey the actuality of the avant-garde photographic spirit championed by Takiguchi.
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The Spirit of Avant-Garde Photography: Transforming "Nothing Much"
by Takiguchi Shuzo
Photographs: Takiguchi Shuzo, Abe Nobuya, Otsuji Kiyoji, Gocho Shigeo
Publisher: Akaaka Art Publishing
240 pages
Year: 2023
ISBN: 9784865411690
Price: 29.90 €
Comments: 180 × 255 × 20 mm, Softcover
During the 1930s, a large number of works influenced by Surrealism were shown in Japan under the heading of "avant-garde photography." Among these were works by Takiguchi Shuzo (1903-1979) who, based on his view of the photographic medium as "a deep fold in everyday reality," explored the potential of the surreal. In 1938, Takiguchi provided theoretical support for the Zen'ei Shashin Kyokai (Avant-garde Photography Association), which he formed with a group of photographers and painters.
One of the association's founding members, Abe Nobuya (1913-1971) created works in response to statements that Takiguchi had published in Photo Times magazine. Abe's works displayed a rapid shift away from the poetic sensibilities of Surrealism to photographs that documented a "new unembellished harmony" in "landscapes that have been abandoned as a useless part of the city and country." After the Second World War, Abe went on to inspire young photographers with his criticism, while exploring his own avant-garde expressions in photographs taken at various travel destinations.
Otsuji Kiyoji (1923-2001) had been involved with Photo Times during the late 1930s at the height of the Zen'ei Shashin Kyokai's activities. In about 1940, under the direct influence of Takiguchi and Abe, he began pursuing a career as a photographer. In 1958, while continuing to follow this path, Otsuji also began teaching at the Kuwasawa Design School. There, he encountered the new experimental approaches of his young students. As an educator, Otsuji broadened his perspective to include everything from his predecessors to photographers of the same era, while at the same time using his experiences as a first-hand observer of art journalism as a foundation for his work. His Experimental Workshop of Photography series signaled a dramatic change in direction with its emphasis on "Photo of Nothing Much" that focused on the commonplace.
Gocho Shigeo (1946-1983) was one of the students that Otsuji discovered at the Kuwasawa Design School. In 1967, Gocho began to major in photography on Otsuji's strong recommendation, and gradually set his sights on a career as a photographer. Otsuji also wrote forewords for two photo books that Gocho published after graduating from the school, and he keep a close eye on his former student's activities. As Gocho himself put it, he strove to make works that were "just barely photographs, something that might be overlooked," bringing a unique viewpoint to ordinary landscapes that were familiar to anyone.
This year, 2023, marks the 120th anniversary of Takiguchi Shuzo's birth, the 110th anniversary of Abe Nobuya's birth, the 100th anniversary of Otsuji Kiyoji's birth, and the 40th anniversary of Gocho Shigeo's death. While tracing the relationship between these four artists and their work, in this exhibition we hope to convey the actuality of the avant-garde photographic spirit championed by Takiguchi.
more books tagged »documentary« | >> see all
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King, Commoner, Citizen
by Prashant Panjiar
Euro 28 -
Living Room (signed)
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Our Ancestral Home (signed)
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Random selection from the Virtual bookshelf josefchladek.com
The Spirit of Avant-Garde Photography: Transforming "Nothing Much"
by Takiguchi Shuzo
Photographs: Takiguchi Shuzo, Abe Nobuya, Otsuji Kiyoji, Gocho Shigeo
Publisher: Akaaka Art Publishing
240 pages
Year: 2023
ISBN: 9784865411690
Price: 29.90 €
Comments: 180 × 255 × 20 mm, Softcover
During the 1930s, a large number of works influenced by Surrealism were shown in Japan under the heading of "avant-garde photography." Among these were works by Takiguchi Shuzo (1903-1979) who, based on his view of the photographic medium as "a deep fold in everyday reality," explored the potential of the surreal. In 1938, Takiguchi provided theoretical support for the Zen'ei Shashin Kyokai (Avant-garde Photography Association), which he formed with a group of photographers and painters.
One of the association's founding members, Abe Nobuya (1913-1971) created works in response to statements that Takiguchi had published in Photo Times magazine. Abe's works displayed a rapid shift away from the poetic sensibilities of Surrealism to photographs that documented a "new unembellished harmony" in "landscapes that have been abandoned as a useless part of the city and country." After the Second World War, Abe went on to inspire young photographers with his criticism, while exploring his own avant-garde expressions in photographs taken at various travel destinations.
Otsuji Kiyoji (1923-2001) had been involved with Photo Times during the late 1930s at the height of the Zen'ei Shashin Kyokai's activities. In about 1940, under the direct influence of Takiguchi and Abe, he began pursuing a career as a photographer. In 1958, while continuing to follow this path, Otsuji also began teaching at the Kuwasawa Design School. There, he encountered the new experimental approaches of his young students. As an educator, Otsuji broadened his perspective to include everything from his predecessors to photographers of the same era, while at the same time using his experiences as a first-hand observer of art journalism as a foundation for his work. His Experimental Workshop of Photography series signaled a dramatic change in direction with its emphasis on "Photo of Nothing Much" that focused on the commonplace.
Gocho Shigeo (1946-1983) was one of the students that Otsuji discovered at the Kuwasawa Design School. In 1967, Gocho began to major in photography on Otsuji's strong recommendation, and gradually set his sights on a career as a photographer. Otsuji also wrote forewords for two photo books that Gocho published after graduating from the school, and he keep a close eye on his former student's activities. As Gocho himself put it, he strove to make works that were "just barely photographs, something that might be overlooked," bringing a unique viewpoint to ordinary landscapes that were familiar to anyone.
This year, 2023, marks the 120th anniversary of Takiguchi Shuzo's birth, the 110th anniversary of Abe Nobuya's birth, the 100th anniversary of Otsuji Kiyoji's birth, and the 40th anniversary of Gocho Shigeo's death. While tracing the relationship between these four artists and their work, in this exhibition we hope to convey the actuality of the avant-garde photographic spirit championed by Takiguchi.
more books tagged »documentary« | >> see all
-
King, Commoner, Citizen
by Prashant Panjiar
Euro 28 -
Living Room (signed)
by Nick Waplington
Euro 99 -
Our Ancestral Home (signed)
by Rob Hornstra
Euro 9.50 -
Portugal 1975 (book + print, signed)
by Fausto Giaccone
Euro 165 -
The World Is Where You Stop (signed)
by Tomasz Tomaszewski
Euro 130 -
Kim Jong Il Looking at Things
by Joao Rocha
Euro 65
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The Cliff (book + signed print)
by Yukihito Kono
Euro 77 -
KURAYAMI - In Darkness, The Light (book + vinyl)
by Yamamoto Masao
sold out -
And, do you still hear the peacocks?
by Miho Kajioka
Euro 229 -
Intimacy of Paradise
by Tomoko Kawai
Euro 34 -
Chizu (Maquette Edition - signed) - last copy)
by Kikuji Kawada
Euro 250 -
The Humanness of Our Lonely Selves
by Awoiska Van Der Molen
Euro 68.80
more books tagged »black and white« | >> see all
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Rivers Run Through It
by Mark Ruwedel
Euro 55 -
dots on paper (signed)
by Andreas H. Bitesnich
Euro 100 -
Der Grazer Gehfotograf
by Mila Palm
Euro 45 -
Allah O Akbar: a journey through militant Islam
by Abbas
Euro 165 -
Zakir Hussain Maquette
by Dayanita Singh
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Box of Illusions (signed)
by Re’gis de Gasperi
Euro 25
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Manufactured Landscapes
by Edward Burtynsky
sold out -
The National Park Service Photographs
by Ansel Adams
sold out -
Los Angeles Springs (last copy)
by Robert Adams
Euro 185 -
One Picture Book #54: Doctrine of an Axe (book + print)
by Raymond Meeks
Euro 189 -
Nagi (signed)
by Yoshikatsu Fujii
sold out -
Half a Chisel to the Earth
by Tommy Nease
sold out
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by Hajime Kimura
Euro 300 -
Correspondence (signed)
by Hajime Kimura
Euro 70 -
Sasuke
by Masahisa Fukase
Euro 55 -
Absentee
by Sayuri Ichida
Euro 94 -
So it goes, so it goes
by Miho Kajioka
sold out -
KURAYAMI - In Darkness, The Light (book only)
by Yamamoto Masao
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Random selection from the Virtual bookshelf josefchladek.com