Half a Chisel to the Earth
by Tommy Nease
Photographs: Tommy Nease
Text: Poem by Zachary Zalman Green
Publisher: underlife editions
52 pages
Pictures: 26
Year: 2022
ISBN: 978-1-7356724-1-0
Comments: Digital offset (toner) on uncoated paper; Stab-bound; First edition, 50 copies. 38 x 24 cm.
Tommy Nease’s collection of photographs detail landscape in constant flux. The Earth is broken and burning, fickle as the format with which he displays his awe and sharp eye. Though photographed in the Western parts of the United States and North America, the images are void of the conversations and conventions that this setting usually demands. The focus here is narrow, surgical. Simply watch the forms, in a revolving door, reflect a metamorphic land.
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Half a Chisel to the Earth
by Tommy Nease
Photographs: Tommy Nease
Text: Poem by Zachary Zalman Green
Publisher: underlife editions
52 pages
Pictures: 26
Year: 2022
ISBN: 978-1-7356724-1-0
Comments: Digital offset (toner) on uncoated paper; Stab-bound; First edition, 50 copies. 38 x 24 cm.
Tommy Nease’s collection of photographs detail landscape in constant flux. The Earth is broken and burning, fickle as the format with which he displays his awe and sharp eye. Though photographed in the Western parts of the United States and North America, the images are void of the conversations and conventions that this setting usually demands. The focus here is narrow, surgical. Simply watch the forms, in a revolving door, reflect a metamorphic land.
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SO IT GOES, SO IT GOES, SO IT GOES (signed)
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Thirty Six Views of Mount Fuji
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Half a Chisel to the Earth
by Tommy Nease
Photographs: Tommy Nease
Text: Poem by Zachary Zalman Green
Publisher: underlife editions
52 pages
Pictures: 26
Year: 2022
ISBN: 978-1-7356724-1-0
Comments: Digital offset (toner) on uncoated paper; Stab-bound; First edition, 50 copies. 38 x 24 cm.
Tommy Nease’s collection of photographs detail landscape in constant flux. The Earth is broken and burning, fickle as the format with which he displays his awe and sharp eye. Though photographed in the Western parts of the United States and North America, the images are void of the conversations and conventions that this setting usually demands. The focus here is narrow, surgical. Simply watch the forms, in a revolving door, reflect a metamorphic land.
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Indosso la Montagna Come L'uccello le Piume (signed)
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