Furze (last copy)
by Jack Whitefield
Photographs: Jack Whitefield
Text: Jack Whitefield
Publisher: Tarmac Press
64 pages
Pictures: 40
Year: 2020
Price: 95 €
Comments: Single colour Risograph on newsprint, Staple bound, 23.5 x 20 cm
A study of charred gorse on paper.
"These earthworks are the result of movement through burnt gorse, the accidental interaction of stick on cloth and skin, and subsequent compulsion to index the marks on paper. Sculptural and photographic, the sheets are torn by the wind and projected by sunlight, gorse branches scratched past incidental stains morphed from inconvenience to involvement. Pulled by the eternal draw of smoke and fire, the work is a synch to primal humanity." - Jack Whitefield.
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Furze (last copy)
by Jack Whitefield
Photographs: Jack Whitefield
Text: Jack Whitefield
Publisher: Tarmac Press
64 pages
Pictures: 40
Year: 2020
Price: 95 €
Comments: Single colour Risograph on newsprint, Staple bound, 23.5 x 20 cm
A study of charred gorse on paper.
"These earthworks are the result of movement through burnt gorse, the accidental interaction of stick on cloth and skin, and subsequent compulsion to index the marks on paper. Sculptural and photographic, the sheets are torn by the wind and projected by sunlight, gorse branches scratched past incidental stains morphed from inconvenience to involvement. Pulled by the eternal draw of smoke and fire, the work is a synch to primal humanity." - Jack Whitefield.
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Rubble (signed - last copy)
by Jack Whitefield
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Motor (signed - last copy)
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THE HOUSE THAT BURNS EVERYDAY
by Marina Gadonneix
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PANOPTICON (signed)
by Riccardo Dogana
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by Gabriela Morawetz
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Furze (last copy)
by Jack Whitefield
Photographs: Jack Whitefield
Text: Jack Whitefield
Publisher: Tarmac Press
64 pages
Pictures: 40
Year: 2020
Price: 95 €
Comments: Single colour Risograph on newsprint, Staple bound, 23.5 x 20 cm
A study of charred gorse on paper.
"These earthworks are the result of movement through burnt gorse, the accidental interaction of stick on cloth and skin, and subsequent compulsion to index the marks on paper. Sculptural and photographic, the sheets are torn by the wind and projected by sunlight, gorse branches scratched past incidental stains morphed from inconvenience to involvement. Pulled by the eternal draw of smoke and fire, the work is a synch to primal humanity." - Jack Whitefield.
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by Gabriela Morawetz
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