Box of Illusions (signed)
by Re’gis de Gasperi
Photographs: Re’gis de Gasperi
Text: Re’gis de Gasperi
Publisher: Self-Published
60 pages
Year: 2021
ISBN: 978-65-00-26806-5
Price: 25 €
Comments: 23 x 34 cm, soft cover (masterblank 270grs and munken 120grs)
Box of Illusions, by the Brazilian photographer Re’gis de Gasperi, emerged from enchantment close by, through relationships and life, in a suspended time where fact and fiction blend. The visual appeal of black and white, of chiaroscuro, plays a role representing possible choices arising among life-cycle counterpoints. The inner struggle is exposed: acclamation x annihilation.
The ‘home box’ is no longer a physical (real) place, with openings that let in light to form shadows (illusion). Real and illusion merge, as in high contrast. There is no clarity about what is inside or outside. It is life and its heartbeat. This is why the home is memories and portraits. The world appears, unmasked. This does not ease emotional stresses, desperation, and pain, or even attempts at survival during certain dark days. This leads to repetition, inaccuracy, fragility, and the corrosion of images. The choice still remains, through plaudits and praise, through dance, and the raw yielding of bodies and feelings.
Images crafted over a brief period of less than two years, in almost a single setting (the stage, the stage of the home) are not limited to scenes of isolation. Instead, they become universal, representing the maturation of a process and different research paths during almost a decade.
The book also includes a short story titled Forty-six (46), where we can read:
”We soon climbed back up to the inn, and my girls went to their rooms. But I was unwilling for all that to end. From that same wooden deck by the pool, I could see the beginning of the beach. Deserted, there were only footprints in the sand. I gazed at the stage down there, now empty. Although that unique afternoon was ending, my thoughts and feelings still whirled. The dream continued to swirl around me. I poured myself some wine, sat down and stretched out my legs. For a moment, I glanced at my feet, and there was: the same narrator-bird, right there alongside me on the ground, really close, almost leaning on my foot, gazing silently at me. A different silence that was almost embarrassing. I closed my eyes. There was no lack of love.
There were few certainties for me that day. I have no clue whether my body really floated. I don't know if time actually stood still. I don't even know if I drifted out of my illusions box.”
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Box of Illusions (signed)
by Re’gis de Gasperi
Photographs: Re’gis de Gasperi
Text: Re’gis de Gasperi
Publisher: Self-Published
60 pages
Year: 2021
ISBN: 978-65-00-26806-5
Price: 25 €
Comments: 23 x 34 cm, soft cover (masterblank 270grs and munken 120grs)
Box of Illusions, by the Brazilian photographer Re’gis de Gasperi, emerged from enchantment close by, through relationships and life, in a suspended time where fact and fiction blend. The visual appeal of black and white, of chiaroscuro, plays a role representing possible choices arising among life-cycle counterpoints. The inner struggle is exposed: acclamation x annihilation.
The ‘home box’ is no longer a physical (real) place, with openings that let in light to form shadows (illusion). Real and illusion merge, as in high contrast. There is no clarity about what is inside or outside. It is life and its heartbeat. This is why the home is memories and portraits. The world appears, unmasked. This does not ease emotional stresses, desperation, and pain, or even attempts at survival during certain dark days. This leads to repetition, inaccuracy, fragility, and the corrosion of images. The choice still remains, through plaudits and praise, through dance, and the raw yielding of bodies and feelings.
Images crafted over a brief period of less than two years, in almost a single setting (the stage, the stage of the home) are not limited to scenes of isolation. Instead, they become universal, representing the maturation of a process and different research paths during almost a decade.
The book also includes a short story titled Forty-six (46), where we can read:
”We soon climbed back up to the inn, and my girls went to their rooms. But I was unwilling for all that to end. From that same wooden deck by the pool, I could see the beginning of the beach. Deserted, there were only footprints in the sand. I gazed at the stage down there, now empty. Although that unique afternoon was ending, my thoughts and feelings still whirled. The dream continued to swirl around me. I poured myself some wine, sat down and stretched out my legs. For a moment, I glanced at my feet, and there was: the same narrator-bird, right there alongside me on the ground, really close, almost leaning on my foot, gazing silently at me. A different silence that was almost embarrassing. I closed my eyes. There was no lack of love.
There were few certainties for me that day. I have no clue whether my body really floated. I don't know if time actually stood still. I don't even know if I drifted out of my illusions box.”
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Random selection from the Virtual bookshelf josefchladek.com
Box of Illusions (signed)
by Re’gis de Gasperi
Photographs: Re’gis de Gasperi
Text: Re’gis de Gasperi
Publisher: Self-Published
60 pages
Year: 2021
ISBN: 978-65-00-26806-5
Price: 25 €
Comments: 23 x 34 cm, soft cover (masterblank 270grs and munken 120grs)
Box of Illusions, by the Brazilian photographer Re’gis de Gasperi, emerged from enchantment close by, through relationships and life, in a suspended time where fact and fiction blend. The visual appeal of black and white, of chiaroscuro, plays a role representing possible choices arising among life-cycle counterpoints. The inner struggle is exposed: acclamation x annihilation.
The ‘home box’ is no longer a physical (real) place, with openings that let in light to form shadows (illusion). Real and illusion merge, as in high contrast. There is no clarity about what is inside or outside. It is life and its heartbeat. This is why the home is memories and portraits. The world appears, unmasked. This does not ease emotional stresses, desperation, and pain, or even attempts at survival during certain dark days. This leads to repetition, inaccuracy, fragility, and the corrosion of images. The choice still remains, through plaudits and praise, through dance, and the raw yielding of bodies and feelings.
Images crafted over a brief period of less than two years, in almost a single setting (the stage, the stage of the home) are not limited to scenes of isolation. Instead, they become universal, representing the maturation of a process and different research paths during almost a decade.
The book also includes a short story titled Forty-six (46), where we can read:
”We soon climbed back up to the inn, and my girls went to their rooms. But I was unwilling for all that to end. From that same wooden deck by the pool, I could see the beginning of the beach. Deserted, there were only footprints in the sand. I gazed at the stage down there, now empty. Although that unique afternoon was ending, my thoughts and feelings still whirled. The dream continued to swirl around me. I poured myself some wine, sat down and stretched out my legs. For a moment, I glanced at my feet, and there was: the same narrator-bird, right there alongside me on the ground, really close, almost leaning on my foot, gazing silently at me. A different silence that was almost embarrassing. I closed my eyes. There was no lack of love.
There were few certainties for me that day. I have no clue whether my body really floated. I don't know if time actually stood still. I don't even know if I drifted out of my illusions box.”
More books by Re’gis de Gasperi
more books tagged »mixedmedia« | >> see all
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Some Collages
by Jim Jarmusch
sold out -
AlchemistTarot deck
by Julia Borissova
Euro 65 -
Shifting Roots (signed)
by Regina Anzenberger
Euro 65 -
The Timeless Art - MIA Photo Fair catalogue 2009
by Isabella Accenti
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Fifteen Artists - Galerie Raum mit Licht
by various photographers
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Serpe Velenosa (signed)
by Valentino Barachini
Euro 49
more books tagged »black and white« | >> see all
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Sasuke
by Masahisa Fukase
sold out -
Garden
by Marta Zgierska & Mateusz Sarełło
Euro 95 -
Scenos (review copy)
by Algis Griskevicius
Euro 44 35.20 -
Das fotografische Werk
by Josef Dapra
Euro 28 -
Belfast
by Krass Clement
Euro 75 -
Los Angeles Springs (last copy)
by Robert Adams
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more books tagged »Brazil« | >> see all
more books tagged »Brazilian« | >> see all
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Cactoceae
by Claudia Jaguaribe
Euro 28 -
Valparaíso
by Pio Figueiroa
Euro 28 -
Sublimacao
by Ana Nitzan
Euro 65 -
Sobras
by Geraldo de Barros
Euro 56 -
Ramos
by Julio Bittencourt
sold out -
Hominini
by Lucas Lenci
Euro 28
more books tagged »conceptual« | >> see all
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Gstettn - The Reconquest of Nature
by Regina Anzenberger
Euro 25 -
padé püree (book+print)
by Hannah Kaufmann
Euro 100 -
Assembly (signed)
by Osamu Yokonami
Euro 95 -
The Artist's Books
by Francesca Woodman
Euro 88 -
Fachwerkhäuser
by Bernd & Hilla Becher
Euro 35 -
Rich and Poor (last copy)
by Jim Goldberg
sold out
Random selection from the Virtual bookshelf josefchladek.com