Mirror Image (book + signed print)
by Hannah Hughes
Photographs: Hannah Hughes
Publisher: Jane & Jeremy
66 pages
Comments: 145mm x 200mm. Foiled debossed front cover. Die-cut pages. With signed print. First edition of 200. Hand numbered
In Hannah Hughes’s Mirror Image series, she explores the relationship between image and sculpture, focusing on the potential of negative space, where value can be found on the sidelines.
As Elizabeth Fullerton writes, “the artist uses sculptural strategies to convey a sense of mass, volume and even physical sensation. The works begin life as the overlooked negative spaces cut from photographic images. Using her archive of cut-out negative spaces as props, Hughes creates new forms from their shadows by projecting light onto diverse backdrops. The negative form becomes a sort of double negative as the shadow is made material. Existing hierarchies of value are inverted, turning the marginalised lacunae or fragments around objects into positive forms that take centre stage.
…Within the liminal zone between photography and sculpture, Hughes has invented a language of her own with a distinctive vocabulary of glyphic forms, varied textures and subtle colours. She shows us the thrill of the unnoticed: fragments, gaps, edges and negative spaces become worthy subjects.”
Each book in this first edition of 200 includes a signed special edition print, and an introductory essay by Elizabeth Fullerton.
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Mirror Image (book + signed print)
by Hannah Hughes
Photographs: Hannah Hughes
Publisher: Jane & Jeremy
66 pages
Comments: 145mm x 200mm. Foiled debossed front cover. Die-cut pages. With signed print. First edition of 200. Hand numbered
In Hannah Hughes’s Mirror Image series, she explores the relationship between image and sculpture, focusing on the potential of negative space, where value can be found on the sidelines.
As Elizabeth Fullerton writes, “the artist uses sculptural strategies to convey a sense of mass, volume and even physical sensation. The works begin life as the overlooked negative spaces cut from photographic images. Using her archive of cut-out negative spaces as props, Hughes creates new forms from their shadows by projecting light onto diverse backdrops. The negative form becomes a sort of double negative as the shadow is made material. Existing hierarchies of value are inverted, turning the marginalised lacunae or fragments around objects into positive forms that take centre stage.
…Within the liminal zone between photography and sculpture, Hughes has invented a language of her own with a distinctive vocabulary of glyphic forms, varied textures and subtle colours. She shows us the thrill of the unnoticed: fragments, gaps, edges and negative spaces become worthy subjects.”
Each book in this first edition of 200 includes a signed special edition print, and an introductory essay by Elizabeth Fullerton.
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by Neil Drabble
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by Ellen Korth
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Random selection from the Virtual bookshelf josefchladek.com
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Mirror Image (book + signed print)
by Hannah Hughes
Photographs: Hannah Hughes
Publisher: Jane & Jeremy
66 pages
Comments: 145mm x 200mm. Foiled debossed front cover. Die-cut pages. With signed print. First edition of 200. Hand numbered
In Hannah Hughes’s Mirror Image series, she explores the relationship between image and sculpture, focusing on the potential of negative space, where value can be found on the sidelines.
As Elizabeth Fullerton writes, “the artist uses sculptural strategies to convey a sense of mass, volume and even physical sensation. The works begin life as the overlooked negative spaces cut from photographic images. Using her archive of cut-out negative spaces as props, Hughes creates new forms from their shadows by projecting light onto diverse backdrops. The negative form becomes a sort of double negative as the shadow is made material. Existing hierarchies of value are inverted, turning the marginalised lacunae or fragments around objects into positive forms that take centre stage.
…Within the liminal zone between photography and sculpture, Hughes has invented a language of her own with a distinctive vocabulary of glyphic forms, varied textures and subtle colours. She shows us the thrill of the unnoticed: fragments, gaps, edges and negative spaces become worthy subjects.”
Each book in this first edition of 200 includes a signed special edition print, and an introductory essay by Elizabeth Fullerton.
more books tagged »British« | >> see all
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Closer (signed)
by Neil Drabble
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Fashion Faux Parr (signed)
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Nature Morte - Stillleben in der zeitgenössischen Kunst
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Needles (signed)
by Txema Yeste
Euro 53 -
KURAYAMI - In Darkness, The Light (book + vinyl)
by Yamamoto Masao
sold out -
The Rustle of Touch (book + 2 prints, signed)
by Ellen Korth
Euro 145 -
KURAYAMI - In Darkness, The Light (book only)
by Yamamoto Masao
Euro 55 -
RECOLLECTION (numbered)
by Casper Faassen
Euro 77
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Demon Darlings
by Michael Nitsche
Euro 10 -
Fifteen Artists - Galerie Raum mit Licht
by various photographers
Euro 12 -
Wandlungen - Ereignis Skulptur / Transfigurations - A Sculptur...
by Christine de Grancy
Euro 30 -
Constructions (book + signed print)
by Monika Drabot
Euro 39 -
Materia Secunda (signed)
by Christoph Lingg
sold out -
No sleep 'til Ragnarök
by Michael Nitsche
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The House Project (signed - last copy)
by Roger Ballen
Euro 165 -
Two Thousand Light Years From Home
by Pietro Mattioli
Euro 350 -
ECHO
by Jungjin Lee
sold out -
Blumen
by Collier Schorr
sold out -
Best of British
by Horst A. Friedrichs, Simon Crompton, Toby Egelnick
sold out -
Lichtungen (review copy)
by Egon Straszer
Euro 32 19.20
Random selection from the Virtual bookshelf josefchladek.com
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