Rodina
by Irina Ruppert
Photographs: Irina Ruppert
Text: Aleksandar Hemon
Publisher: Peperoni Books
64 pages
Pictures: 29 color illustrations
Year: 2011
ISBN: 978-3-941825-32-1
Comments: clothbound hardcover, 21,5 x 23,5 cm, english, first edition
The desire for security and belonging is one of the dominant feelings. Everyone is longing for home, but when childhood is gone, one finds it only and mostly unexpectedly in the memory, it does not matter if one stayed or left.
Irina Ruppert came from Kazakhstan to Germany with her family at the age of seven. Now, decades later, she is drawn towards the east. Instinctively, over and over again. Because of the memory – or the idea of it.
The images in RODINA are just like the concept of home – inconceivable, ephemeral and radically subjective. Two boys coasting down the village street in their soapbox, the hilly, softly illuminated landscape shines in lush green. In a soup plate lies a chicken foot, a man swings the scythe on a field, a little girl stays in front of a small house with a big cross on the front, grandma sits in the dark, simply decorated living room, a boy interrupts his ride on a far too large bicycle, in order to commune with a goat. Thus we learn little about the present life in Eastern Europe in that book, but a lot about the fundamental impressions, experiences and encounters, which affect a life. I believe it is due to the special quality of Irina Ruppert’s photographs that the images become transparent in the observer’s eye and the frame fills with personal memories.
But the images still tell something about a region which often is associated with poverty, alcoholism and illness: There is beauty, dignity, confidence and hope. And the wheels of progress turn more slowly. Otherwise Irina Ruppert would not have found her images.
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Rodina
by Irina Ruppert
Photographs: Irina Ruppert
Text: Aleksandar Hemon
Publisher: Peperoni Books
64 pages
Pictures: 29 color illustrations
Year: 2011
ISBN: 978-3-941825-32-1
Comments: clothbound hardcover, 21,5 x 23,5 cm, english, first edition
The desire for security and belonging is one of the dominant feelings. Everyone is longing for home, but when childhood is gone, one finds it only and mostly unexpectedly in the memory, it does not matter if one stayed or left.
Irina Ruppert came from Kazakhstan to Germany with her family at the age of seven. Now, decades later, she is drawn towards the east. Instinctively, over and over again. Because of the memory – or the idea of it.
The images in RODINA are just like the concept of home – inconceivable, ephemeral and radically subjective. Two boys coasting down the village street in their soapbox, the hilly, softly illuminated landscape shines in lush green. In a soup plate lies a chicken foot, a man swings the scythe on a field, a little girl stays in front of a small house with a big cross on the front, grandma sits in the dark, simply decorated living room, a boy interrupts his ride on a far too large bicycle, in order to commune with a goat. Thus we learn little about the present life in Eastern Europe in that book, but a lot about the fundamental impressions, experiences and encounters, which affect a life. I believe it is due to the special quality of Irina Ruppert’s photographs that the images become transparent in the observer’s eye and the frame fills with personal memories.
But the images still tell something about a region which often is associated with poverty, alcoholism and illness: There is beauty, dignity, confidence and hope. And the wheels of progress turn more slowly. Otherwise Irina Ruppert would not have found her images.
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Rodina
by Irina Ruppert
Photographs: Irina Ruppert
Text: Aleksandar Hemon
Publisher: Peperoni Books
64 pages
Pictures: 29 color illustrations
Year: 2011
ISBN: 978-3-941825-32-1
Comments: clothbound hardcover, 21,5 x 23,5 cm, english, first edition
The desire for security and belonging is one of the dominant feelings. Everyone is longing for home, but when childhood is gone, one finds it only and mostly unexpectedly in the memory, it does not matter if one stayed or left.
Irina Ruppert came from Kazakhstan to Germany with her family at the age of seven. Now, decades later, she is drawn towards the east. Instinctively, over and over again. Because of the memory – or the idea of it.
The images in RODINA are just like the concept of home – inconceivable, ephemeral and radically subjective. Two boys coasting down the village street in their soapbox, the hilly, softly illuminated landscape shines in lush green. In a soup plate lies a chicken foot, a man swings the scythe on a field, a little girl stays in front of a small house with a big cross on the front, grandma sits in the dark, simply decorated living room, a boy interrupts his ride on a far too large bicycle, in order to commune with a goat. Thus we learn little about the present life in Eastern Europe in that book, but a lot about the fundamental impressions, experiences and encounters, which affect a life. I believe it is due to the special quality of Irina Ruppert’s photographs that the images become transparent in the observer’s eye and the frame fills with personal memories.
But the images still tell something about a region which often is associated with poverty, alcoholism and illness: There is beauty, dignity, confidence and hope. And the wheels of progress turn more slowly. Otherwise Irina Ruppert would not have found her images.
More books by Irina Ruppert
more books tagged »landscape« | >> see all
-
Jan Sagl
by Jan Sagl
Euro 19.90 -
Soviet Bus Stops
by Christopher Herwig
sold out -
CUBIC FEET/SEC. (signed)
by Andrew Phelps
Euro 30 -
Zonians
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Euro 36 -
System (signed)
by Jens Liebchen
sold out -
Etna (signed)
by Renato D'Agostin
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If I exorcise my devils my angels may leave too - Eclisse # 5 ...
by Nemanja Pančić & Marco Risović
sold out -
Boiko (signed + print)
by Jan Brykczynski
sold out -
east (signed)
by Regina Maria Anzenberger
Euro 99 49.50 -
not far (signed+print)
by Ildi Hermann
Euro 69 -
Cirkus - Eclisse #3
by Joze Suhadolnik
sold out -
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by Sputnik Photos
Euro 165
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Belgrade Raw
by Belgrade Raw collective
Euro 32 -
Balkan Pank (collectors' edition)
by Joze Suhadolnik
sold out -
Kitchen Stories from the Balkans (signed + print)
by Eugenia Maximova
Euro 220 -
ALEXANDER (signed)
by Michal Siarek
Euro 50 -
Somnambulism (signed)
by Lara Ciarabellini
sold out -
Balkanlarda (last copy)
by Nikos Economopoulos
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