Blumenstück (signed)
by Irina Ruppert
Photographs: Irina Ruppert
Text: Martin Roman Deppner
Publisher: hyperzine
24 pages
Pictures: 11
Year: 2012
ISBN: 978-3-938218-43-3
Price: 19.80 €
Comments: with a real pressed flower on the last page along with the signing
With *Blumenstück* I started when I was grieving for my father.
Flowers and plants, growing and blooming, withering and fading, are shining in rays of sunlight against a pitch-black background. They seem to be floating and are entirely raised out their surroundings, drawing the viewer’s gaze to their shapes and colours, onto their leaves and blossoms. Irina Ruppert’s “flower portraits” recall the lush arrangements of Dutch painter Rachel Ruysch during the baroque era, or Yoshihiko Ueda’s minimalistic flower photographs. What differentiates Irina Ruppert’s work from classical flower still lifes is her focus on the potted plant and its particular visual relation to its respective container. These improvised, typically Balkan, flower pots, the planting and re-potting, the arranging and photographing – all this reflects the Kazakh origin of the photographer and her bonds to Eastern Europe. The revival of this tradition becomes a sensual and symbolic debate on her own uprooting. A breath of melancholy, a tender hint of transience and loss, of vanitas and vulnerability, is expressed in the fading leaves and rusty tins. Irina Ruppert’s flower still lifes depict not only the beauty of the plants and pots but also her personal memories; they provide continuance and seem to call after the viewer in the manner of Goethe: “Ah, linger on, though art so fair!” Sophia Greiff 10/2010
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Blumenstück (signed)
by Irina Ruppert
Photographs: Irina Ruppert
Text: Martin Roman Deppner
Publisher: hyperzine
24 pages
Pictures: 11
Year: 2012
ISBN: 978-3-938218-43-3
Price: 19.80 €
Comments: with a real pressed flower on the last page along with the signing
With *Blumenstück* I started when I was grieving for my father.
Flowers and plants, growing and blooming, withering and fading, are shining in rays of sunlight against a pitch-black background. They seem to be floating and are entirely raised out their surroundings, drawing the viewer’s gaze to their shapes and colours, onto their leaves and blossoms. Irina Ruppert’s “flower portraits” recall the lush arrangements of Dutch painter Rachel Ruysch during the baroque era, or Yoshihiko Ueda’s minimalistic flower photographs. What differentiates Irina Ruppert’s work from classical flower still lifes is her focus on the potted plant and its particular visual relation to its respective container. These improvised, typically Balkan, flower pots, the planting and re-potting, the arranging and photographing – all this reflects the Kazakh origin of the photographer and her bonds to Eastern Europe. The revival of this tradition becomes a sensual and symbolic debate on her own uprooting. A breath of melancholy, a tender hint of transience and loss, of vanitas and vulnerability, is expressed in the fading leaves and rusty tins. Irina Ruppert’s flower still lifes depict not only the beauty of the plants and pots but also her personal memories; they provide continuance and seem to call after the viewer in the manner of Goethe: “Ah, linger on, though art so fair!” Sophia Greiff 10/2010
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Gstettn - Nature Planets
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Random selection from the Virtual bookshelf josefchladek.com
Blumenstück (signed)
by Irina Ruppert
Photographs: Irina Ruppert
Text: Martin Roman Deppner
Publisher: hyperzine
24 pages
Pictures: 11
Year: 2012
ISBN: 978-3-938218-43-3
Price: 19.80 €
Comments: with a real pressed flower on the last page along with the signing
With *Blumenstück* I started when I was grieving for my father.
Flowers and plants, growing and blooming, withering and fading, are shining in rays of sunlight against a pitch-black background. They seem to be floating and are entirely raised out their surroundings, drawing the viewer’s gaze to their shapes and colours, onto their leaves and blossoms. Irina Ruppert’s “flower portraits” recall the lush arrangements of Dutch painter Rachel Ruysch during the baroque era, or Yoshihiko Ueda’s minimalistic flower photographs. What differentiates Irina Ruppert’s work from classical flower still lifes is her focus on the potted plant and its particular visual relation to its respective container. These improvised, typically Balkan, flower pots, the planting and re-potting, the arranging and photographing – all this reflects the Kazakh origin of the photographer and her bonds to Eastern Europe. The revival of this tradition becomes a sensual and symbolic debate on her own uprooting. A breath of melancholy, a tender hint of transience and loss, of vanitas and vulnerability, is expressed in the fading leaves and rusty tins. Irina Ruppert’s flower still lifes depict not only the beauty of the plants and pots but also her personal memories; they provide continuance and seem to call after the viewer in the manner of Goethe: “Ah, linger on, though art so fair!” Sophia Greiff 10/2010
More books by Irina Ruppert
more books tagged »flowers« | >> see all
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Gstettn - Nature Planets
by Regina Anzenberger
Euro 25 -
Gstettn (signed)
by Regina Anzenberger
Euro 165 -
Gstettn (booklet 1)
by Regina Anzenberger
Euro 25 -
Gstettn - The Illusion of Summer (last copies)
by Regina Anzenberger
Euro 29 -
KINKY CITY & ARAKIMANIA
by Paweł Jaszczuk & Nobuyoshi Araki
Euro 29 -
Blossom
by Thomas Demand
sold out
more books tagged »plants« | >> see all
-
The Photography of Nature & The Nature of Photography
by Joan Fontcuberta
sold out -
Blütenstände (signed)
by Annabelle Fürstenau
sold out -
Poem as an Object # 5 (signed)
by Wypke Jannette Walen
Euro 17.50 -
Poem as an Object # 1 (signed)
by Wypke Jannette Walen
Euro 17.50 -
Nature of Los Angeles 2008-2013
by Bruce Davidson
sold out -
Nürnberg (signed - last copy)
by Jürgen Teller
sold out
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Let's sit down before we go (signed- last copy)
by Bertien van Manen
sold out -
Let's sit down before we go (last copy)
by Bertien van Manen
Euro 195
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One Third (signed)
by Klaus Pichler
Euro 22 -
Associated Nostalgia (signed)
by Eugenia Maximova
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by Martin Parr
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by Michael Wolf
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by Michael Wolf
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