Blumenstück (signed)
by Irina Ruppert
Photographs: Irina Ruppert
Text: Martin Roman Deppner
Publisher: hyperzine
24 pages
Pictures: 11
Year: 2012
ISBN: 978-3-938218-43-3
Price: 19.80 €
Comments: with a real pressed flower on the last page along with the signing
With *Blumenstück* I started when I was grieving for my father.
Flowers and plants, growing and blooming, withering and fading, are shining in rays of sunlight against a pitch-black background. They seem to be floating and are entirely raised out their surroundings, drawing the viewer’s gaze to their shapes and colours, onto their leaves and blossoms. Irina Ruppert’s “flower portraits” recall the lush arrangements of Dutch painter Rachel Ruysch during the baroque era, or Yoshihiko Ueda’s minimalistic flower photographs. What differentiates Irina Ruppert’s work from classical flower still lifes is her focus on the potted plant and its particular visual relation to its respective container. These improvised, typically Balkan, flower pots, the planting and re-potting, the arranging and photographing – all this reflects the Kazakh origin of the photographer and her bonds to Eastern Europe. The revival of this tradition becomes a sensual and symbolic debate on her own uprooting. A breath of melancholy, a tender hint of transience and loss, of vanitas and vulnerability, is expressed in the fading leaves and rusty tins. Irina Ruppert’s flower still lifes depict not only the beauty of the plants and pots but also her personal memories; they provide continuance and seem to call after the viewer in the manner of Goethe: “Ah, linger on, though art so fair!” Sophia Greiff 10/2010
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Blumenstück (signed)
by Irina Ruppert
Photographs: Irina Ruppert
Text: Martin Roman Deppner
Publisher: hyperzine
24 pages
Pictures: 11
Year: 2012
ISBN: 978-3-938218-43-3
Price: 19.80 €
Comments: with a real pressed flower on the last page along with the signing
With *Blumenstück* I started when I was grieving for my father.
Flowers and plants, growing and blooming, withering and fading, are shining in rays of sunlight against a pitch-black background. They seem to be floating and are entirely raised out their surroundings, drawing the viewer’s gaze to their shapes and colours, onto their leaves and blossoms. Irina Ruppert’s “flower portraits” recall the lush arrangements of Dutch painter Rachel Ruysch during the baroque era, or Yoshihiko Ueda’s minimalistic flower photographs. What differentiates Irina Ruppert’s work from classical flower still lifes is her focus on the potted plant and its particular visual relation to its respective container. These improvised, typically Balkan, flower pots, the planting and re-potting, the arranging and photographing – all this reflects the Kazakh origin of the photographer and her bonds to Eastern Europe. The revival of this tradition becomes a sensual and symbolic debate on her own uprooting. A breath of melancholy, a tender hint of transience and loss, of vanitas and vulnerability, is expressed in the fading leaves and rusty tins. Irina Ruppert’s flower still lifes depict not only the beauty of the plants and pots but also her personal memories; they provide continuance and seem to call after the viewer in the manner of Goethe: “Ah, linger on, though art so fair!” Sophia Greiff 10/2010
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by Wypke Jannette Walen
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by Bertien van Manen
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Blumenstück (signed)
by Irina Ruppert
Photographs: Irina Ruppert
Text: Martin Roman Deppner
Publisher: hyperzine
24 pages
Pictures: 11
Year: 2012
ISBN: 978-3-938218-43-3
Price: 19.80 €
Comments: with a real pressed flower on the last page along with the signing
With *Blumenstück* I started when I was grieving for my father.
Flowers and plants, growing and blooming, withering and fading, are shining in rays of sunlight against a pitch-black background. They seem to be floating and are entirely raised out their surroundings, drawing the viewer’s gaze to their shapes and colours, onto their leaves and blossoms. Irina Ruppert’s “flower portraits” recall the lush arrangements of Dutch painter Rachel Ruysch during the baroque era, or Yoshihiko Ueda’s minimalistic flower photographs. What differentiates Irina Ruppert’s work from classical flower still lifes is her focus on the potted plant and its particular visual relation to its respective container. These improvised, typically Balkan, flower pots, the planting and re-potting, the arranging and photographing – all this reflects the Kazakh origin of the photographer and her bonds to Eastern Europe. The revival of this tradition becomes a sensual and symbolic debate on her own uprooting. A breath of melancholy, a tender hint of transience and loss, of vanitas and vulnerability, is expressed in the fading leaves and rusty tins. Irina Ruppert’s flower still lifes depict not only the beauty of the plants and pots but also her personal memories; they provide continuance and seem to call after the viewer in the manner of Goethe: “Ah, linger on, though art so fair!” Sophia Greiff 10/2010
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more books tagged »still life« | >> see all
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One Picture Book 74: 7 Cups of Tea (signed + print)
by Martin Parr
sold out -
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Associated Nostalgia (signed)
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Euro 35 -
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by Michael Wolf
sold out -
what still remains
by Jessica Backhaus
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Blumen
by Collier Schorr
sold out -
Blütenstände (signed)
by Annabelle Fürstenau
sold out -
KINKY CITY & ARAKIMANIA
by Paweł Jaszczuk & Nobuyoshi Araki
Euro 29 -
BOXEN & BLUMEN
by Giovanni Castell
Euro 49 -
Blossom
by Thomas Demand
sold out
more books tagged »plants« | >> see all
-
Nature of Los Angeles 2008-2013
by Bruce Davidson
sold out -
Bamboo
by Choi Byung-Kwan
sold out -
Gift
by Rinko Kawauchi,Terri Weifenbach
sold out -
Zine Collection N°27: Dialectics Of Nature (signed + print)
by Uwe Bedenbecker
sold out -
Fieldwork
by Sanna Kannisto
Euro 40 -
Poem as an Object # 5 (signed)
by Wypke Jannette Walen
Euro 17.50
more books tagged »Kazakhstan« | >> see all
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Let's sit down before we go (signed- last copy)
by Bertien van Manen
Euro 250 -
Let's sit down before we go
by Bertien van Manen
Euro 150
A collector's choice by josefchladek.com