Unnamed Road
by Jungjin Lee
Photographs: Jungjin Lee
Publisher: Mack Books
146 pages
Pictures: 45 tritone plates
Year: 2014
Comments: 22.6 cm x 26 cm, Leporello bound hardcover, review copy
For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape. Her images suggest that despite the semblance of fluctuation, some fundamental truths do not alter: just as the surface of the ocean is constantly in flux, its depths in fact remain unchanged and enduring.
Lee, who describes her photographic state as ‘meditative’, regards the act of photography as emotional and experiential, a moment when ‘that absolute “echo” within myself travels through time and space’. Yet she struggled to find neutrality in a charged territory that she describes as ‘uncomfortable’; it was only in final trips to sites in 2011 that she found distance – thus opening out the work to signify more that Israel and its conflict. Lee’s work is often concerned with the materiality of printing technique, and for twenty years she has utilised a liquid photo-sensitive emulsion brushed on handmade rice paper, a method akin to painting. In Unnamed Road, for the first time digital processes were employed; and yet the images remain explorations of chance and imperfection, drawing the viewer into a realm where fullness of vision is the subject matter.
Jungjin Lee is a Korean photographer, who has published several monographs including: On Road/Ocean (2001), and Wind (2009). After artistic training in Korea she spent ten years in America studying photography, attracted to the marginalised American spaces rather than their inhabitants. Her work has been exhibited in numerous galleries and museums internationally including The Met, New York and the Whitney Museum of American Art, New York; and her photographs are included in the collections of the Los Angeles County Museum of Art, Houston Museum of Fine Art, and other prestigious institutions worldwide.
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Unnamed Road
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Random selection from the Virtual bookshelf josefchladek.com
Unnamed Road
by Jungjin Lee
Photographs: Jungjin Lee
Publisher: Mack Books
146 pages
Pictures: 45 tritone plates
Year: 2014
Comments: 22.6 cm x 26 cm, Leporello bound hardcover, review copy
For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape. Her images suggest that despite the semblance of fluctuation, some fundamental truths do not alter: just as the surface of the ocean is constantly in flux, its depths in fact remain unchanged and enduring.
Lee, who describes her photographic state as ‘meditative’, regards the act of photography as emotional and experiential, a moment when ‘that absolute “echo” within myself travels through time and space’. Yet she struggled to find neutrality in a charged territory that she describes as ‘uncomfortable’; it was only in final trips to sites in 2011 that she found distance – thus opening out the work to signify more that Israel and its conflict. Lee’s work is often concerned with the materiality of printing technique, and for twenty years she has utilised a liquid photo-sensitive emulsion brushed on handmade rice paper, a method akin to painting. In Unnamed Road, for the first time digital processes were employed; and yet the images remain explorations of chance and imperfection, drawing the viewer into a realm where fullness of vision is the subject matter.
Jungjin Lee is a Korean photographer, who has published several monographs including: On Road/Ocean (2001), and Wind (2009). After artistic training in Korea she spent ten years in America studying photography, attracted to the marginalised American spaces rather than their inhabitants. Her work has been exhibited in numerous galleries and museums internationally including The Met, New York and the Whitney Museum of American Art, New York; and her photographs are included in the collections of the Los Angeles County Museum of Art, Houston Museum of Fine Art, and other prestigious institutions worldwide.
More books by Jungjin Lee
-
Unnamed Road
by Jungjin Lee
sold out -
ECHO
by Jungjin Lee
sold out -
Everglades (last copy)
by Jungjin Lee
sold out -
Opening
by Jungjin Lee
sold out -
Voice
by Jungjin Lee
Euro 92
more books tagged »black and white« | >> see all
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Dark Horses
by Norman Mauskopf
Euro 80 -
Inshallah
by Dima Gavrysh
Euro 46 -
off the record
by Karl Lagerfeld
Euro 75 -
Land Rover 1950s
by George Rodger
sold out -
No Joke
by Asger Carlsen and Roger Ballen
Euro 58 -
7439. (signed)
by Renato D'Agostin
Euro 250
more books tagged »landscape« | >> see all
-
Contacts (last copy)
by Toshio Shibata
sold out -
Beyond Maps and Atlases (signed) - used copy
by Bertien van Manen
Euro 65 58.50 -
Simply a Line (signed)
by Vesselina Nikolaeva
sold out -
Kaiiki
by Hiroshi Uemoto
sold out -
Coastline (signed)
by Xiao Zhang
sold out -
History of the Visit (signed)
by Daniel Reuter
Euro 45
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Can You Hear the Wind Blow
by Kim Jungman
Euro 85 -
The Day
by Nanda
Euro 18 -
Ice Chaosmos
by Jungho Jung
sold out -
Koo Seong Youn - catalogue 2005
by Koo Seong Youn
Euro 12 -
White Utterance (signed)
by Jungho Jung
Euro 55 -
Vessel
by Koo Bohnchang
sold out
Random selection from the Virtual bookshelf josefchladek.com
Unnamed Road
by Jungjin Lee
Photographs: Jungjin Lee
Publisher: Mack Books
146 pages
Pictures: 45 tritone plates
Year: 2014
Comments: 22.6 cm x 26 cm, Leporello bound hardcover, review copy
For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape. Her images suggest that despite the semblance of fluctuation, some fundamental truths do not alter: just as the surface of the ocean is constantly in flux, its depths in fact remain unchanged and enduring.
Lee, who describes her photographic state as ‘meditative’, regards the act of photography as emotional and experiential, a moment when ‘that absolute “echo” within myself travels through time and space’. Yet she struggled to find neutrality in a charged territory that she describes as ‘uncomfortable’; it was only in final trips to sites in 2011 that she found distance – thus opening out the work to signify more that Israel and its conflict. Lee’s work is often concerned with the materiality of printing technique, and for twenty years she has utilised a liquid photo-sensitive emulsion brushed on handmade rice paper, a method akin to painting. In Unnamed Road, for the first time digital processes were employed; and yet the images remain explorations of chance and imperfection, drawing the viewer into a realm where fullness of vision is the subject matter.
Jungjin Lee is a Korean photographer, who has published several monographs including: On Road/Ocean (2001), and Wind (2009). After artistic training in Korea she spent ten years in America studying photography, attracted to the marginalised American spaces rather than their inhabitants. Her work has been exhibited in numerous galleries and museums internationally including The Met, New York and the Whitney Museum of American Art, New York; and her photographs are included in the collections of the Los Angeles County Museum of Art, Houston Museum of Fine Art, and other prestigious institutions worldwide.
More books by Jungjin Lee
-
Unnamed Road
by Jungjin Lee
sold out -
ECHO
by Jungjin Lee
sold out -
Everglades (last copy)
by Jungjin Lee
sold out -
Opening
by Jungjin Lee
sold out -
Voice
by Jungjin Lee
Euro 92
more books tagged »black and white« | >> see all
-
Dark Horses
by Norman Mauskopf
Euro 80 -
Inshallah
by Dima Gavrysh
Euro 46 -
off the record
by Karl Lagerfeld
Euro 75 -
Land Rover 1950s
by George Rodger
sold out -
No Joke
by Asger Carlsen and Roger Ballen
Euro 58 -
7439. (signed)
by Renato D'Agostin
Euro 250
more books tagged »landscape« | >> see all
-
Contacts (last copy)
by Toshio Shibata
sold out -
Beyond Maps and Atlases (signed) - used copy
by Bertien van Manen
Euro 65 58.50 -
Simply a Line (signed)
by Vesselina Nikolaeva
sold out -
Kaiiki
by Hiroshi Uemoto
sold out -
Coastline (signed)
by Xiao Zhang
sold out -
History of the Visit (signed)
by Daniel Reuter
Euro 45
more books tagged »South Korean« | >> see all
-
Can You Hear the Wind Blow
by Kim Jungman
Euro 85 -
The Day
by Nanda
Euro 18 -
Ice Chaosmos
by Jungho Jung
sold out -
Koo Seong Youn - catalogue 2005
by Koo Seong Youn
Euro 12 -
White Utterance (signed)
by Jungho Jung
Euro 55 -
Vessel
by Koo Bohnchang
sold out
Random selection from the Virtual bookshelf josefchladek.com