The Art of Shovel (signed)
by Doyeon Gwon
Photographs: Doyeon Gwon
Text: Youngjun Lee & Doyeon Gwon
Publisher: KT & G Sangsangmadang
72 pages
Pictures: 25
Year: 2015
ISBN: 978-3-946099-03-1
Price: 42 33.60 €
Comments: first edition of 300 copies, hardcover with slipcase, open thread stitching, 21 x 28 cm, three chapters
The project started out as an odd imagination on afterlife. I imagine the world after death as a simple playground of wonders. In that world, everything is no longer an accustomed tool held in hand but is used in an unfamiliar way to induce a new kind of joy and cheer. Peculiar beings like tourists and drunks wander around this mysterious playground. Everything loses itself here. The first step was purchasing a small shovel. After work I would return to my studio and roam
around the place with my dog, the shovel in my hand. Then as if I am a serious archeologist, I would dig up the ground and lay out what I’ve found on the table to observe. Ignoring the functionality of the objects, I focused on seeking possibilities other than those functionalities. In this way, I had wished to hold onto the functionally degraded objects and discover something from them. As the project proceeded, such act seemed to be an intense temptation and danger. Shoveling, is an act of opening up the image and at the same time an act of filling it up. Now as the image is no longer functionally instrumental and faced squarely, it is exposed to the temptation and insecurity even more directly.
Shovel versus human. Which will be buried?
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The Art of Shovel (signed)
by Doyeon Gwon
Photographs: Doyeon Gwon
Text: Youngjun Lee & Doyeon Gwon
Publisher: KT & G Sangsangmadang
72 pages
Pictures: 25
Year: 2015
ISBN: 978-3-946099-03-1
Price: 42 33.60 €
Comments: first edition of 300 copies, hardcover with slipcase, open thread stitching, 21 x 28 cm, three chapters
The project started out as an odd imagination on afterlife. I imagine the world after death as a simple playground of wonders. In that world, everything is no longer an accustomed tool held in hand but is used in an unfamiliar way to induce a new kind of joy and cheer. Peculiar beings like tourists and drunks wander around this mysterious playground. Everything loses itself here. The first step was purchasing a small shovel. After work I would return to my studio and roam
around the place with my dog, the shovel in my hand. Then as if I am a serious archeologist, I would dig up the ground and lay out what I’ve found on the table to observe. Ignoring the functionality of the objects, I focused on seeking possibilities other than those functionalities. In this way, I had wished to hold onto the functionally degraded objects and discover something from them. As the project proceeded, such act seemed to be an intense temptation and danger. Shoveling, is an act of opening up the image and at the same time an act of filling it up. Now as the image is no longer functionally instrumental and faced squarely, it is exposed to the temptation and insecurity even more directly.
Shovel versus human. Which will be buried?
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by Nanda
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The Art of Shovel (signed)
by Doyeon Gwon
Photographs: Doyeon Gwon
Text: Youngjun Lee & Doyeon Gwon
Publisher: KT & G Sangsangmadang
72 pages
Pictures: 25
Year: 2015
ISBN: 978-3-946099-03-1
Price: 42 33.60 €
Comments: first edition of 300 copies, hardcover with slipcase, open thread stitching, 21 x 28 cm, three chapters
The project started out as an odd imagination on afterlife. I imagine the world after death as a simple playground of wonders. In that world, everything is no longer an accustomed tool held in hand but is used in an unfamiliar way to induce a new kind of joy and cheer. Peculiar beings like tourists and drunks wander around this mysterious playground. Everything loses itself here. The first step was purchasing a small shovel. After work I would return to my studio and roam
around the place with my dog, the shovel in my hand. Then as if I am a serious archeologist, I would dig up the ground and lay out what I’ve found on the table to observe. Ignoring the functionality of the objects, I focused on seeking possibilities other than those functionalities. In this way, I had wished to hold onto the functionally degraded objects and discover something from them. As the project proceeded, such act seemed to be an intense temptation and danger. Shoveling, is an act of opening up the image and at the same time an act of filling it up. Now as the image is no longer functionally instrumental and faced squarely, it is exposed to the temptation and insecurity even more directly.
Shovel versus human. Which will be buried?
more books tagged »stones« | >> see all
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Blanco - 1/5 terra di frattura
by Elton Gllava
sold out -
Ansichten von 9 Steinen aus der schwarzen Wüste, 2018 (signed)
by Heidemarie von Wedel
Euro 95 -
Drifting Stones (book + vinyl - signed - last copy)
by Paul Cupido
Euro 250 -
Drifting Stones (signed - last copy)
by Paul Cupido
sold out
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Neighbors (last copies)
by Roe Ethridge
Euro 44 -
Easter and Oak Trees (signed - review copy)
by Bertien van Manen
Euro 85 -
The Theatre of Apparitions (signed)
by Roger Ballen
sold out -
Humanity
by Kazuto Ishikawa
Euro 54 -
Heimatkunde (signed)
by Nicolo Degiorgis
sold out -
Badly Repaired Cars (last copy)
by Ronni Campana
sold out
more books tagged »South Korean« | >> see all
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Unnamed Road
by Jungjin Lee
sold out -
The Day
by Nanda
Euro 18 -
Koo Seong Youn - catalogue 2005
by Koo Seong Youn
Euro 12 -
Ice Chaosmos
by Jungho Jung
sold out -
Can You Hear the Wind Blow
by Kim Jungman
Euro 85 -
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by various photographers
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