Surfacing
by Katinka Goldberg
Photographs: Katinka Goldberg
Text: Rainer Maria Rilke
Publisher: Journal
Year: 2012
ISBN: 978-91-978876-3-2
Price: 75 45.00 €
Comments: first edition, 30,7 x 20,8 cm.
Katinka Goldberg: "I grew up in a world surrounded by women. This work is about the relationship between my mother and me. I photograph the atmosphere between us. What happens between us and what doesn't happen. The way I look at her and the way I sometimes see myself in her. How we as children are shaped by the way our parents see the world.
How do you tell a story without a narrative? A story that is formless and waves back and forth like water, without a concrete beginning or end. The beginning and end is instead created by the book's solid framing between two folders.
I want to tell a story about a close relationship between a mother and daughter - a relationship that consists of both a claustrophobic intimacy, love, pain and struggle towards independence. I believe that people during different periods of their life, can recognize themselves in this ambivalent Mother-daughter relationship.
My work is based on a carefully considered spontaneity. The book works on different levels simultaneously. It is both close and distant, both expressive and introvert. Together this creates a visual collage, which contributes to an expressive visual language with realistic collisions.
I am fascinated by the book as a medium of showing photography because of the intimate relationship it can create with the viewer. It suits this project that is about a close relationship. The viewer is invited into a world where the vision becomes distorted like when seeing under water.
My images are often closer to paintings, and in this body of work I have tried to connect the two expressions. In doing this I am able to combine the expressivity of painting, with the energy and ability to capture the moment that lies within the photographic media.
The whole story isn't told in this book, how could it fit into one book? It isn't a very hopeful book, and the ending isn't necessarily a happy one, but for me the hope lies within the fact that it actually has been made. Maybe that is the happy ending."
Mentioned by Parr / Badger THE PHOTOBOOK: A HISTORY Volume III
More books by Katinka Goldberg
more books tagged »Parr / Badger THE PHOTOBOOK: A HISTORY Volume III« | >> see all
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Nein, Onkel (review copy)
by various photographers
Euro 165 132.00 -
Land of Milk and Honey (English edition - signed)
by Paul Kranzler
Euro 45 -
D'Après Nature
by Jean Gaumy
sold out -
Redheaded Peckerwood
by Christian Patterson
sold out -
Nürnberg (signed - last copy)
by Jürgen Teller
sold out -
tragedy of a venus 1975
by Sanja Iveković
Euro 25
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Spirit is a Bone (signed)
by Adam Broomberg & Oliver Chanarin
Euro 33 -
IKONEN des 20. Jahrhunderts
by Barbara Cady
sold out -
the disappeared (first edition)
by Veronica Fieiras
sold out -
Deutsche Börse Photography Foundation Prize 2017
by various photographers
Euro 39 -
Colossal Youth (signed)
by Andreas Weinand
sold out -
Wildfremd (signed)
by Christopher Mavric
Euro 33 13.20
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home (signed)
by Tomoyuki Sakaguchi
sold out -
A Period of Juvenile Prosperity (first edition - review copy)
by Mike Brodie
Euro 220 154.00 -
A Perpetual Season
by Gregoire Pujade - Lauraine
Euro 39 -
be happy!
by Igor Samolet
Euro 25 15.00 -
Tokyo Compression Three (last copy)
by Michael Wolf
sold out -
The 3rd Person Archive (last two copies)
by John Stezaker
Euro 165
more books tagged »Swedish« | >> see all
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Du mich auch
by Anders Petersen
Euro 55 -
Antarktis (signed)
by Gerry Johansson
sold out -
Sleeping State of Being (Creatures of Night and Day)
by Sara Skorgan Teigen
Euro 47 -
Witty Kiwi Mag: Issue 1
by various photographers
sold out -
Italia (signed - last copies)
by Martin Bogren
Euro 95 -
Poste Restante
by Christer Strömholm
Euro 59
Random selection from the Virtual bookshelf josefchladek.com
Surfacing
by Katinka Goldberg
Photographs: Katinka Goldberg
Text: Rainer Maria Rilke
Publisher: Journal
Year: 2012
ISBN: 978-91-978876-3-2
Price: 75 45.00 €
Comments: first edition, 30,7 x 20,8 cm.
Katinka Goldberg: "I grew up in a world surrounded by women. This work is about the relationship between my mother and me. I photograph the atmosphere between us. What happens between us and what doesn't happen. The way I look at her and the way I sometimes see myself in her. How we as children are shaped by the way our parents see the world.
How do you tell a story without a narrative? A story that is formless and waves back and forth like water, without a concrete beginning or end. The beginning and end is instead created by the book's solid framing between two folders.
I want to tell a story about a close relationship between a mother and daughter - a relationship that consists of both a claustrophobic intimacy, love, pain and struggle towards independence. I believe that people during different periods of their life, can recognize themselves in this ambivalent Mother-daughter relationship.
My work is based on a carefully considered spontaneity. The book works on different levels simultaneously. It is both close and distant, both expressive and introvert. Together this creates a visual collage, which contributes to an expressive visual language with realistic collisions.
I am fascinated by the book as a medium of showing photography because of the intimate relationship it can create with the viewer. It suits this project that is about a close relationship. The viewer is invited into a world where the vision becomes distorted like when seeing under water.
My images are often closer to paintings, and in this body of work I have tried to connect the two expressions. In doing this I am able to combine the expressivity of painting, with the energy and ability to capture the moment that lies within the photographic media.
The whole story isn't told in this book, how could it fit into one book? It isn't a very hopeful book, and the ending isn't necessarily a happy one, but for me the hope lies within the fact that it actually has been made. Maybe that is the happy ending."
Mentioned by Parr / Badger THE PHOTOBOOK: A HISTORY Volume III
More books by Katinka Goldberg
more books tagged »Parr / Badger THE PHOTOBOOK: A HISTORY Volume III« | >> see all
-
Nein, Onkel (review copy)
by various photographers
Euro 165 132.00 -
Land of Milk and Honey (English edition - signed)
by Paul Kranzler
Euro 45 -
D'Après Nature
by Jean Gaumy
sold out -
Redheaded Peckerwood
by Christian Patterson
sold out -
Nürnberg (signed - last copy)
by Jürgen Teller
sold out -
tragedy of a venus 1975
by Sanja Iveković
Euro 25
more books tagged »portrait« | >> see all
-
Spirit is a Bone (signed)
by Adam Broomberg & Oliver Chanarin
Euro 33 -
IKONEN des 20. Jahrhunderts
by Barbara Cady
sold out -
the disappeared (first edition)
by Veronica Fieiras
sold out -
Deutsche Börse Photography Foundation Prize 2017
by various photographers
Euro 39 -
Colossal Youth (signed)
by Andreas Weinand
sold out -
Wildfremd (signed)
by Christopher Mavric
Euro 33 13.20
more books tagged »Parr / Badger THE PHOTOBOOK: A HISTORY« | >> see all
-
home (signed)
by Tomoyuki Sakaguchi
sold out -
A Period of Juvenile Prosperity (first edition - review copy)
by Mike Brodie
Euro 220 154.00 -
A Perpetual Season
by Gregoire Pujade - Lauraine
Euro 39 -
be happy!
by Igor Samolet
Euro 25 15.00 -
Tokyo Compression Three (last copy)
by Michael Wolf
sold out -
The 3rd Person Archive (last two copies)
by John Stezaker
Euro 165
more books tagged »Swedish« | >> see all
-
Du mich auch
by Anders Petersen
Euro 55 -
Antarktis (signed)
by Gerry Johansson
sold out -
Sleeping State of Being (Creatures of Night and Day)
by Sara Skorgan Teigen
Euro 47 -
Witty Kiwi Mag: Issue 1
by various photographers
sold out -
Italia (signed - last copies)
by Martin Bogren
Euro 95 -
Poste Restante
by Christer Strömholm
Euro 59
Random selection from the Virtual bookshelf josefchladek.com
Surfacing
by Katinka Goldberg
Photographs: Katinka Goldberg
Text: Rainer Maria Rilke
Publisher: Journal
Year: 2012
ISBN: 978-91-978876-3-2
Price: 75 45.00 €
Comments: first edition, 30,7 x 20,8 cm.
Katinka Goldberg: "I grew up in a world surrounded by women. This work is about the relationship between my mother and me. I photograph the atmosphere between us. What happens between us and what doesn't happen. The way I look at her and the way I sometimes see myself in her. How we as children are shaped by the way our parents see the world.
How do you tell a story without a narrative? A story that is formless and waves back and forth like water, without a concrete beginning or end. The beginning and end is instead created by the book's solid framing between two folders.
I want to tell a story about a close relationship between a mother and daughter - a relationship that consists of both a claustrophobic intimacy, love, pain and struggle towards independence. I believe that people during different periods of their life, can recognize themselves in this ambivalent Mother-daughter relationship.
My work is based on a carefully considered spontaneity. The book works on different levels simultaneously. It is both close and distant, both expressive and introvert. Together this creates a visual collage, which contributes to an expressive visual language with realistic collisions.
I am fascinated by the book as a medium of showing photography because of the intimate relationship it can create with the viewer. It suits this project that is about a close relationship. The viewer is invited into a world where the vision becomes distorted like when seeing under water.
My images are often closer to paintings, and in this body of work I have tried to connect the two expressions. In doing this I am able to combine the expressivity of painting, with the energy and ability to capture the moment that lies within the photographic media.
The whole story isn't told in this book, how could it fit into one book? It isn't a very hopeful book, and the ending isn't necessarily a happy one, but for me the hope lies within the fact that it actually has been made. Maybe that is the happy ending."
Mentioned by Parr / Badger THE PHOTOBOOK: A HISTORY Volume III
More books by Katinka Goldberg
more books tagged »Parr / Badger THE PHOTOBOOK: A HISTORY Volume III« | >> see all
-
Nein, Onkel (review copy)
by various photographers
Euro 165 132.00 -
Land of Milk and Honey (English edition - signed)
by Paul Kranzler
Euro 45 -
D'Après Nature
by Jean Gaumy
sold out -
Redheaded Peckerwood
by Christian Patterson
sold out -
Nürnberg (signed - last copy)
by Jürgen Teller
sold out -
tragedy of a venus 1975
by Sanja Iveković
Euro 25
more books tagged »portrait« | >> see all
-
Spirit is a Bone (signed)
by Adam Broomberg & Oliver Chanarin
Euro 33 -
IKONEN des 20. Jahrhunderts
by Barbara Cady
sold out -
the disappeared (first edition)
by Veronica Fieiras
sold out -
Deutsche Börse Photography Foundation Prize 2017
by various photographers
Euro 39 -
Colossal Youth (signed)
by Andreas Weinand
sold out -
Wildfremd (signed)
by Christopher Mavric
Euro 33 13.20
more books tagged »Parr / Badger THE PHOTOBOOK: A HISTORY« | >> see all
-
home (signed)
by Tomoyuki Sakaguchi
sold out -
A Period of Juvenile Prosperity (first edition - review copy)
by Mike Brodie
Euro 220 154.00 -
A Perpetual Season
by Gregoire Pujade - Lauraine
Euro 39 -
be happy!
by Igor Samolet
Euro 25 15.00 -
Tokyo Compression Three (last copy)
by Michael Wolf
sold out -
The 3rd Person Archive (last two copies)
by John Stezaker
Euro 165
more books tagged »Swedish« | >> see all
-
Du mich auch
by Anders Petersen
Euro 55 -
Antarktis (signed)
by Gerry Johansson
sold out -
Sleeping State of Being (Creatures of Night and Day)
by Sara Skorgan Teigen
Euro 47 -
Witty Kiwi Mag: Issue 1
by various photographers
sold out -
Italia (signed - last copies)
by Martin Bogren
Euro 95 -
Poste Restante
by Christer Strömholm
Euro 59
Random selection from the Virtual bookshelf josefchladek.com