Moisés
by Mariela Sancari
Photographs: Mariela Sancari
Publisher: La Fabrica
64 pages
Year: 2015
ISBN: 9788416248223
Price: 185 €
Comments: 26 x 17.5 cm, hardcover, offset printing, edition of 1000, special edition of 25 including a numbered and signed inkjet acid free cotton paper print. Condition: new.
In this work, Mariela Sancari presents portraits of 70–year–old men, the age her father would be if he were still alive. The Argentine photographer is convinced that seeing the inert body of a dead person helps one to overcome one of the most complex stages of grief, denial. She was unable to see her father’s body and has therefore doubted his death in countless ways. In this volume, Sancari proposes and undertakes a fictional game in an attempt to help show the infinite storeroom of the unconscious, a mise en scène that allows us to represent our real desires and fantasies.
> selected among the Best Photobooks 2015 by Colin Pantall, Daniel Boetker-Smith and Erik Kessels
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Moisés
by Mariela Sancari
Photographs: Mariela Sancari
Publisher: La Fabrica
64 pages
Year: 2015
ISBN: 9788416248223
Price: 185 €
Comments: 26 x 17.5 cm, hardcover, offset printing, edition of 1000, special edition of 25 including a numbered and signed inkjet acid free cotton paper print. Condition: new.
In this work, Mariela Sancari presents portraits of 70–year–old men, the age her father would be if he were still alive. The Argentine photographer is convinced that seeing the inert body of a dead person helps one to overcome one of the most complex stages of grief, denial. She was unable to see her father’s body and has therefore doubted his death in countless ways. In this volume, Sancari proposes and undertakes a fictional game in an attempt to help show the infinite storeroom of the unconscious, a mise en scène that allows us to represent our real desires and fantasies.
> selected among the Best Photobooks 2015 by Colin Pantall, Daniel Boetker-Smith and Erik Kessels
more books tagged »Argentinian« | >> see all
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Back to the Future (signed and numbered - last copy)
by Irina Werning
Euro 250 -
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by Matías Costa
Euro 36 -
the disappeared (second edition)
by Veronica Fieiras
sold out -
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by Marcelo Brodsky
Euro 40 -
the disappeared (first edition)
by Veronica Fieiras
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Las Pelilargas (signed)
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The Roma Journeys
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Moisés
by Mariela Sancari
Photographs: Mariela Sancari
Publisher: La Fabrica
64 pages
Year: 2015
ISBN: 9788416248223
Price: 185 €
Comments: 26 x 17.5 cm, hardcover, offset printing, edition of 1000, special edition of 25 including a numbered and signed inkjet acid free cotton paper print. Condition: new.
In this work, Mariela Sancari presents portraits of 70–year–old men, the age her father would be if he were still alive. The Argentine photographer is convinced that seeing the inert body of a dead person helps one to overcome one of the most complex stages of grief, denial. She was unable to see her father’s body and has therefore doubted his death in countless ways. In this volume, Sancari proposes and undertakes a fictional game in an attempt to help show the infinite storeroom of the unconscious, a mise en scène that allows us to represent our real desires and fantasies.
> selected among the Best Photobooks 2015 by Colin Pantall, Daniel Boetker-Smith and Erik Kessels
more books tagged »Argentinian« | >> see all
-
Back to the Future (signed and numbered - last copy)
by Irina Werning
Euro 250 -
Zonians
by Matías Costa
Euro 36 -
the disappeared (second edition)
by Veronica Fieiras
sold out -
Tiempo de Arbol - Tree Time (signed)
by Marcelo Brodsky
Euro 40 -
the disappeared (first edition)
by Veronica Fieiras
sold out -
Las Pelilargas (signed)
by Irina Werning
Euro 65
more books tagged »portrait« | >> see all
-
The Roma Journeys
by Joakim Eskildsen
sold out -
fourteen people
by Robert Fleischanderl
Euro 29 -
It takes my mind off things (signed)
by Robin Butter
sold out -
THIS IS WHAT HATRED DID (review copy)
by Cristina de Middel
sold out -
Wildfremd (signed - last two copies)
by Christopher Mavric
Euro 33 16.50 -
Black Country Stories (signed - last copy)
by Martin Parr
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