Bristningar
by Katinka Goldberg
Photographs: Katinka Goldberg
Text: Text and images by Katinka Goldberg
Publisher: Journal
152 pages
Pictures: 86 color and b/w images
Year: 2022
ISBN: 978-91-87939-58-7
Price: 44 €
Comments: Comments: Hard cover, 220 x 310 mm, Swedish/English
“Bristningar (Rupture) is the middle part of Katinka Goldberg's trilogy of works, in which she is ‘exploring the tension between closeness and distance’, trying, no less, to locate herself both within herself and within the world. The trilogy began with her book Surfacing (2011) which examined the relationship between herself and her mother, in a complex and highly poetic way. In Bristningar, she is making collages, which, like Hans Bellmer's, deconstruct and reassemble the body, but do so with a very different aim, a healing rather than a destructive or pathological purpose. And also a process of add and subtracting, or rather, of adding in order to subtract.
‘I am trying to answer the question; how much can you take away of yourself without disappearing? How close can you get before the closeness becomes a distance?’
Her intentions are both formal and psychological. On one level, she is pushing at the medium’s boundaries, pushing beyond the imperative of the camera and provoking a clash between photography, sculpture, and painting. On another, she is exploring different aspects of her psyche, using the same kind of allusive approach, but very different formal means to those deployed in her previous book. In Surfacing, it seemed to be a matter of trying to make peace with what seemed to be an obviously close and sometimes difficult relationship, a letting go perhaps. Bristningar seems more of a reaching toward, not to her mother but to herself. By making fragmented collages from the human body Goldberg would seem to be fashioning a visual metaphor, no less, for the process of psychoanalysis, tearing the soul apart, examining the pieces and the data, then reconstructing a more complete whole. In these fragmented and highly abstract collages, Goldberg is utilizing ‘the amputated and then reconstructed body as a way to visualize a fragmented identity that has been mended. Forming a reconstruction of oneself to be seen. Seeing as a way of belonging’.”
Gerry Badger
More books by Katinka Goldberg
more books tagged »painting« | >> see all
-
June
by Annemarieke van Drimmelen & Jasper Krabbé
Euro 55 -
Evidence (signed)
by James White
Euro 82.50 -
Things Felt But Not Quite Expressed (signed)
by Sohrab Hura
Euro 55 -
Goosewalk - Collector's Edition I (book + print - last two cop...
by Regina Anzenberger
Euro 350 -
Posthumous Irony
by Blanca Amorós
Euro 15 -
Shifting Roots (signed)
by Regina Anzenberger
Euro 65
more books tagged »Swedish« | >> see all
-
Witty Kiwi Mag: Issue 1
by various photographers
sold out -
För att/ Because (review copy)
by Helena Pals
Euro 36 -
Gertrud
by Maja Daniels
Euro 62 -
French Kiss
by Anders Petersen
sold out -
Hanezawa Garden
by Anders Edström
sold out -
No one can love like we do
by Ylva Sundgren
Euro 44
more books tagged »mixedmedia« | >> see all
-
The Australian Journey - Floating Bonds - Seahorses (poster)
by Regina Anzenberger
Euro 49 -
The Timeless Art - MIA Photo Fair catalogue 2009
by Isabella Accenti
Euro 12 -
Box of Illusions (signed)
by Re’gis de Gasperi
Euro 25 -
Shifting Roots (collector's edition)
by Regina Anzenberger
Euro 220 -
Diary 2019 (signed)
by Ellen Korth
Euro 2950 -
Gstettn (signed - last copies)
by Regina Anzenberger
Euro 250
Random selection from the Virtual bookshelf josefchladek.com
Bristningar
by Katinka Goldberg
Photographs: Katinka Goldberg
Text: Text and images by Katinka Goldberg
Publisher: Journal
152 pages
Pictures: 86 color and b/w images
Year: 2022
ISBN: 978-91-87939-58-7
Price: 44 €
Comments: Comments: Hard cover, 220 x 310 mm, Swedish/English
“Bristningar (Rupture) is the middle part of Katinka Goldberg's trilogy of works, in which she is ‘exploring the tension between closeness and distance’, trying, no less, to locate herself both within herself and within the world. The trilogy began with her book Surfacing (2011) which examined the relationship between herself and her mother, in a complex and highly poetic way. In Bristningar, she is making collages, which, like Hans Bellmer's, deconstruct and reassemble the body, but do so with a very different aim, a healing rather than a destructive or pathological purpose. And also a process of add and subtracting, or rather, of adding in order to subtract.
‘I am trying to answer the question; how much can you take away of yourself without disappearing? How close can you get before the closeness becomes a distance?’
Her intentions are both formal and psychological. On one level, she is pushing at the medium’s boundaries, pushing beyond the imperative of the camera and provoking a clash between photography, sculpture, and painting. On another, she is exploring different aspects of her psyche, using the same kind of allusive approach, but very different formal means to those deployed in her previous book. In Surfacing, it seemed to be a matter of trying to make peace with what seemed to be an obviously close and sometimes difficult relationship, a letting go perhaps. Bristningar seems more of a reaching toward, not to her mother but to herself. By making fragmented collages from the human body Goldberg would seem to be fashioning a visual metaphor, no less, for the process of psychoanalysis, tearing the soul apart, examining the pieces and the data, then reconstructing a more complete whole. In these fragmented and highly abstract collages, Goldberg is utilizing ‘the amputated and then reconstructed body as a way to visualize a fragmented identity that has been mended. Forming a reconstruction of oneself to be seen. Seeing as a way of belonging’.”
Gerry Badger
More books by Katinka Goldberg
more books tagged »painting« | >> see all
-
June
by Annemarieke van Drimmelen & Jasper Krabbé
Euro 55 -
Evidence (signed)
by James White
Euro 82.50 -
Things Felt But Not Quite Expressed (signed)
by Sohrab Hura
Euro 55 -
Goosewalk - Collector's Edition I (book + print - last two cop...
by Regina Anzenberger
Euro 350 -
Posthumous Irony
by Blanca Amorós
Euro 15 -
Shifting Roots (signed)
by Regina Anzenberger
Euro 65
more books tagged »Swedish« | >> see all
-
Witty Kiwi Mag: Issue 1
by various photographers
sold out -
För att/ Because (review copy)
by Helena Pals
Euro 36 -
Gertrud
by Maja Daniels
Euro 62 -
French Kiss
by Anders Petersen
sold out -
Hanezawa Garden
by Anders Edström
sold out -
No one can love like we do
by Ylva Sundgren
Euro 44
more books tagged »mixedmedia« | >> see all
-
The Australian Journey - Floating Bonds - Seahorses (poster)
by Regina Anzenberger
Euro 49 -
The Timeless Art - MIA Photo Fair catalogue 2009
by Isabella Accenti
Euro 12 -
Box of Illusions (signed)
by Re’gis de Gasperi
Euro 25 -
Shifting Roots (collector's edition)
by Regina Anzenberger
Euro 220 -
Diary 2019 (signed)
by Ellen Korth
Euro 2950 -
Gstettn (signed - last copies)
by Regina Anzenberger
Euro 250
Random selection from the Virtual bookshelf josefchladek.com
Bristningar
by Katinka Goldberg
Photographs: Katinka Goldberg
Text: Text and images by Katinka Goldberg
Publisher: Journal
152 pages
Pictures: 86 color and b/w images
Year: 2022
ISBN: 978-91-87939-58-7
Price: 44 €
Comments: Comments: Hard cover, 220 x 310 mm, Swedish/English
“Bristningar (Rupture) is the middle part of Katinka Goldberg's trilogy of works, in which she is ‘exploring the tension between closeness and distance’, trying, no less, to locate herself both within herself and within the world. The trilogy began with her book Surfacing (2011) which examined the relationship between herself and her mother, in a complex and highly poetic way. In Bristningar, she is making collages, which, like Hans Bellmer's, deconstruct and reassemble the body, but do so with a very different aim, a healing rather than a destructive or pathological purpose. And also a process of add and subtracting, or rather, of adding in order to subtract.
‘I am trying to answer the question; how much can you take away of yourself without disappearing? How close can you get before the closeness becomes a distance?’
Her intentions are both formal and psychological. On one level, she is pushing at the medium’s boundaries, pushing beyond the imperative of the camera and provoking a clash between photography, sculpture, and painting. On another, she is exploring different aspects of her psyche, using the same kind of allusive approach, but very different formal means to those deployed in her previous book. In Surfacing, it seemed to be a matter of trying to make peace with what seemed to be an obviously close and sometimes difficult relationship, a letting go perhaps. Bristningar seems more of a reaching toward, not to her mother but to herself. By making fragmented collages from the human body Goldberg would seem to be fashioning a visual metaphor, no less, for the process of psychoanalysis, tearing the soul apart, examining the pieces and the data, then reconstructing a more complete whole. In these fragmented and highly abstract collages, Goldberg is utilizing ‘the amputated and then reconstructed body as a way to visualize a fragmented identity that has been mended. Forming a reconstruction of oneself to be seen. Seeing as a way of belonging’.”
Gerry Badger
More books by Katinka Goldberg
more books tagged »painting« | >> see all
-
June
by Annemarieke van Drimmelen & Jasper Krabbé
Euro 55 -
Evidence (signed)
by James White
Euro 82.50 -
Things Felt But Not Quite Expressed (signed)
by Sohrab Hura
Euro 55 -
Goosewalk - Collector's Edition I (book + print - last two cop...
by Regina Anzenberger
Euro 350 -
Posthumous Irony
by Blanca Amorós
Euro 15 -
Shifting Roots (signed)
by Regina Anzenberger
Euro 65
more books tagged »Swedish« | >> see all
-
Witty Kiwi Mag: Issue 1
by various photographers
sold out -
För att/ Because (review copy)
by Helena Pals
Euro 36 -
Gertrud
by Maja Daniels
Euro 62 -
French Kiss
by Anders Petersen
sold out -
Hanezawa Garden
by Anders Edström
sold out -
No one can love like we do
by Ylva Sundgren
Euro 44
more books tagged »mixedmedia« | >> see all
-
The Australian Journey - Floating Bonds - Seahorses (poster)
by Regina Anzenberger
Euro 49 -
The Timeless Art - MIA Photo Fair catalogue 2009
by Isabella Accenti
Euro 12 -
Box of Illusions (signed)
by Re’gis de Gasperi
Euro 25 -
Shifting Roots (collector's edition)
by Regina Anzenberger
Euro 220 -
Diary 2019 (signed)
by Ellen Korth
Euro 2950 -
Gstettn (signed - last copies)
by Regina Anzenberger
Euro 250
Random selection from the Virtual bookshelf josefchladek.com