Jamais je ne t'oublierai (last copy)
by Carolle Bénitah
Photographs: Carolle Bénitah
Publisher: L'Artiere Editions
56 pages
Year: 2019
Comments: First Edition: 1000 copies, Published in English – French, 20,7 x 22,5 cm,
Carolle Benitah embroiders with her brush and transforms small abandoned prints into works of art. Her works with gold leaf, always studied, calibrated and relevant, make the images come alive and visible again. Faces touch a golden background, others disappear, lines guide the gaze, joining or separating two elements, bubbles float like small planets of pure gold.
By looking at her images, we sometimes think we recognize relatives or ourselves and find fragments of our history; a history to be rewritten and reinvented from a variety of clues and a material that seems to willingly lend itself.
A silhouette, a dress, a gesture, all evoke other silhouettes, other dresses, and other gestures, bringing back lost and familiar memories. Landscapes become the backdrops in front of which actors exchange roles.
Beyond her mysteries, Carolle Benitah's poetic work reveals the magic of everyday life transformed by artists.
Laura Serani
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Jamais je ne t'oublierai (last copy)
by Carolle Bénitah
Photographs: Carolle Bénitah
Publisher: L'Artiere Editions
56 pages
Year: 2019
Comments: First Edition: 1000 copies, Published in English – French, 20,7 x 22,5 cm,
Carolle Benitah embroiders with her brush and transforms small abandoned prints into works of art. Her works with gold leaf, always studied, calibrated and relevant, make the images come alive and visible again. Faces touch a golden background, others disappear, lines guide the gaze, joining or separating two elements, bubbles float like small planets of pure gold.
By looking at her images, we sometimes think we recognize relatives or ourselves and find fragments of our history; a history to be rewritten and reinvented from a variety of clues and a material that seems to willingly lend itself.
A silhouette, a dress, a gesture, all evoke other silhouettes, other dresses, and other gestures, bringing back lost and familiar memories. Landscapes become the backdrops in front of which actors exchange roles.
Beyond her mysteries, Carolle Benitah's poetic work reveals the magic of everyday life transformed by artists.
Laura Serani
more books tagged »archive« | >> see all
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Daughters of the Sun 2018 (signed)
by Claire Felicie
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Air, Flowers and colours (signed)
by Mika Horie
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Dusk
by Larissa Cox
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Fragments from utopia (signed - last copy)
by Alison McCauley
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Raven
by Larissa Cox
Euro 125 -
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Jamais je ne t'oublierai (last copy)
by Carolle Bénitah
Photographs: Carolle Bénitah
Publisher: L'Artiere Editions
56 pages
Year: 2019
Comments: First Edition: 1000 copies, Published in English – French, 20,7 x 22,5 cm,
Carolle Benitah embroiders with her brush and transforms small abandoned prints into works of art. Her works with gold leaf, always studied, calibrated and relevant, make the images come alive and visible again. Faces touch a golden background, others disappear, lines guide the gaze, joining or separating two elements, bubbles float like small planets of pure gold.
By looking at her images, we sometimes think we recognize relatives or ourselves and find fragments of our history; a history to be rewritten and reinvented from a variety of clues and a material that seems to willingly lend itself.
A silhouette, a dress, a gesture, all evoke other silhouettes, other dresses, and other gestures, bringing back lost and familiar memories. Landscapes become the backdrops in front of which actors exchange roles.
Beyond her mysteries, Carolle Benitah's poetic work reveals the magic of everyday life transformed by artists.
Laura Serani
more books tagged »archive« | >> see all
more books tagged »handmade« | >> see all
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Daughters of the Sun 2018 (signed)
by Claire Felicie
sold out -
Air, Flowers and colours (signed)
by Mika Horie
Euro 162 -
Dusk
by Larissa Cox
Euro 125 -
Fragments from utopia (signed - last copy)
by Alison McCauley
sold out -
Raven
by Larissa Cox
Euro 125 -
Woods
by Larissa Cox
Euro 125
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by Miho Kajioka
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Euro 80 -
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by Laurent Barrera
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