Code Unknown
by Satoshi Fujiwara
Photographs: Satoshi Fujiwara
Publisher: Amana
58 pages
Year: 2015
Price: 47 €
Comments: 27 x 37 cm, soft cover, first edition, Japanese / English
Berlin-based photographer Satoshi Fujiwara's Code Unknown series takes its cue from the film of the same title directed by Michael Haneke, whom Fujiwara admires. In this series, Fujiwara surreptitiously photographed subway passengers and limited the “codes” for reading the resulting images by framing and digitally processing them and making the subjects' identities nearly illegible. Fujiwara’s bold series is also an attempt to resolve the contemporary photographic problem of “portrait rights.”
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Code Unknown
by Satoshi Fujiwara
Photographs: Satoshi Fujiwara
Publisher: Amana
58 pages
Year: 2015
Price: 47 €
Comments: 27 x 37 cm, soft cover, first edition, Japanese / English
Berlin-based photographer Satoshi Fujiwara's Code Unknown series takes its cue from the film of the same title directed by Michael Haneke, whom Fujiwara admires. In this series, Fujiwara surreptitiously photographed subway passengers and limited the “codes” for reading the resulting images by framing and digitally processing them and making the subjects' identities nearly illegible. Fujiwara’s bold series is also an attempt to resolve the contemporary photographic problem of “portrait rights.”
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Vis-à-vis
by Robert Lebeck
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Landscapes & Memory
by Jo Röttger
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More Cars, Clothes and Cabbages
by Torsten Schumann
sold out -
Wandertage (signed)
by Chiara Dazi
Euro 48 38.40 -
Once a Year
by Axel Hoedt
sold out -
what still remains
by Jessica Backhaus
Euro 48
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_;jpg?c=71e45c0e50b887621372f323475cc0ad)
Code Unknown
by Satoshi Fujiwara
Photographs: Satoshi Fujiwara
Publisher: Amana
58 pages
Year: 2015
Price: 47 €
Comments: 27 x 37 cm, soft cover, first edition, Japanese / English
Berlin-based photographer Satoshi Fujiwara's Code Unknown series takes its cue from the film of the same title directed by Michael Haneke, whom Fujiwara admires. In this series, Fujiwara surreptitiously photographed subway passengers and limited the “codes” for reading the resulting images by framing and digitally processing them and making the subjects' identities nearly illegible. Fujiwara’s bold series is also an attempt to resolve the contemporary photographic problem of “portrait rights.”
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by Robert Lebeck
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Landscapes & Memory
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More Cars, Clothes and Cabbages
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Wandertage (signed)
by Chiara Dazi
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by Andrej Balco
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