Code Unknown
by Satoshi Fujiwara
Photographs: Satoshi Fujiwara
Publisher: Amana
58 pages
Year: 2015
Price: 47 €
Comments: 27 x 37 cm, soft cover, first edition, Japanese / English
Berlin-based photographer Satoshi Fujiwara's Code Unknown series takes its cue from the film of the same title directed by Michael Haneke, whom Fujiwara admires. In this series, Fujiwara surreptitiously photographed subway passengers and limited the “codes” for reading the resulting images by framing and digitally processing them and making the subjects' identities nearly illegible. Fujiwara’s bold series is also an attempt to resolve the contemporary photographic problem of “portrait rights.”
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Code Unknown
by Satoshi Fujiwara
Photographs: Satoshi Fujiwara
Publisher: Amana
58 pages
Year: 2015
Price: 47 €
Comments: 27 x 37 cm, soft cover, first edition, Japanese / English
Berlin-based photographer Satoshi Fujiwara's Code Unknown series takes its cue from the film of the same title directed by Michael Haneke, whom Fujiwara admires. In this series, Fujiwara surreptitiously photographed subway passengers and limited the “codes” for reading the resulting images by framing and digitally processing them and making the subjects' identities nearly illegible. Fujiwara’s bold series is also an attempt to resolve the contemporary photographic problem of “portrait rights.”
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by Tomoyuki Sakaguchi
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Babel: Ordinary Landscapes (signed)
by Taishi Hirokawa
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Misao The Big Mama And Fukumaru The Cat
by Miyoko Ihara
sold out -
Front Window
by Soichiro Yamaguchi
Euro 50 -
From Hiroshima
by Miyako Ishiuchi
sold out -
Small Things in Silence
by Masao Yamamoto
Euro 57
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Code Unknown
by Satoshi Fujiwara
Photographs: Satoshi Fujiwara
Publisher: Amana
58 pages
Year: 2015
Price: 47 €
Comments: 27 x 37 cm, soft cover, first edition, Japanese / English
Berlin-based photographer Satoshi Fujiwara's Code Unknown series takes its cue from the film of the same title directed by Michael Haneke, whom Fujiwara admires. In this series, Fujiwara surreptitiously photographed subway passengers and limited the “codes” for reading the resulting images by framing and digitally processing them and making the subjects' identities nearly illegible. Fujiwara’s bold series is also an attempt to resolve the contemporary photographic problem of “portrait rights.”
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