Lviv – God’s Will
by Viacheslav Poliakov
Photographs: Viacheslav Poliakov
Publisher: Overlapse
128 pages
Pictures: 99
Year: 2018
ISBN: 9780994791986
Price: 46 €
Comments: FIRST EDITION Trade Softcover, 17 x 24 cm portrait, Section-sewn, OTAbound
A kind of madness has taken hold in public spaces in post-Soviet Ukraine since the country gained independence in ‘91. While it has struggled financially and logistically to keep up with maintenance, frustrated citizens arbitrarily modify and beautify their surroundings at will. Over time the accumulation of these various expressions highlights a way of life, and reflects the evolving psychological and sociopolitical mindset of Ukrainians. Meanwhile the country fights to maintain its existence against Russian influence and invasion, while living in the shadow of western economic abundance of the EU which lies just beyond reach.
Lviv–God’s Will comes from the name of a bus route that connects the city of Lviv with Bozha Volya, a small village lost deep in the forests along Ukraine’s border with the European Union — the promised land of wealth and eternal joy. The bus departs from the main gate of an old Lviv cemetery and travels west. In Ukrainian ‘Bozha Volya’ translates literally to mean ‘God’s will’, but also shares origin with the word ‘bozhevillia’, meaning madness.
A naive, visual subculture involving public space has become widespread throughout Ukraine after the fall of the Soviet Union and expansion of globalization. Makeshift sculptural scenes appear in the environment through accidental interactions and random interventions by unrelated people — products of indiscriminate behaviour, mistakes, destruction, and natural vegetation running wild. Ultimately, nobody is responsible for this happenstance. It is all God’s will.
The scenes and structures shown in this book are as found in reality, and have not been interfered with other than to be isolated from their surroundings using colourful backgrounds. Neither are they confined to any geographical boundary; they reflect a state of mind.
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Lviv – God’s Will
by Viacheslav Poliakov
Photographs: Viacheslav Poliakov
Publisher: Overlapse
128 pages
Pictures: 99
Year: 2018
ISBN: 9780994791986
Price: 46 €
Comments: FIRST EDITION Trade Softcover, 17 x 24 cm portrait, Section-sewn, OTAbound
A kind of madness has taken hold in public spaces in post-Soviet Ukraine since the country gained independence in ‘91. While it has struggled financially and logistically to keep up with maintenance, frustrated citizens arbitrarily modify and beautify their surroundings at will. Over time the accumulation of these various expressions highlights a way of life, and reflects the evolving psychological and sociopolitical mindset of Ukrainians. Meanwhile the country fights to maintain its existence against Russian influence and invasion, while living in the shadow of western economic abundance of the EU which lies just beyond reach.
Lviv–God’s Will comes from the name of a bus route that connects the city of Lviv with Bozha Volya, a small village lost deep in the forests along Ukraine’s border with the European Union — the promised land of wealth and eternal joy. The bus departs from the main gate of an old Lviv cemetery and travels west. In Ukrainian ‘Bozha Volya’ translates literally to mean ‘God’s will’, but also shares origin with the word ‘bozhevillia’, meaning madness.
A naive, visual subculture involving public space has become widespread throughout Ukraine after the fall of the Soviet Union and expansion of globalization. Makeshift sculptural scenes appear in the environment through accidental interactions and random interventions by unrelated people — products of indiscriminate behaviour, mistakes, destruction, and natural vegetation running wild. Ultimately, nobody is responsible for this happenstance. It is all God’s will.
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Lviv – God’s Will
by Viacheslav Poliakov
Photographs: Viacheslav Poliakov
Publisher: Overlapse
128 pages
Pictures: 99
Year: 2018
ISBN: 9780994791986
Price: 46 €
Comments: FIRST EDITION Trade Softcover, 17 x 24 cm portrait, Section-sewn, OTAbound
A kind of madness has taken hold in public spaces in post-Soviet Ukraine since the country gained independence in ‘91. While it has struggled financially and logistically to keep up with maintenance, frustrated citizens arbitrarily modify and beautify their surroundings at will. Over time the accumulation of these various expressions highlights a way of life, and reflects the evolving psychological and sociopolitical mindset of Ukrainians. Meanwhile the country fights to maintain its existence against Russian influence and invasion, while living in the shadow of western economic abundance of the EU which lies just beyond reach.
Lviv–God’s Will comes from the name of a bus route that connects the city of Lviv with Bozha Volya, a small village lost deep in the forests along Ukraine’s border with the European Union — the promised land of wealth and eternal joy. The bus departs from the main gate of an old Lviv cemetery and travels west. In Ukrainian ‘Bozha Volya’ translates literally to mean ‘God’s will’, but also shares origin with the word ‘bozhevillia’, meaning madness.
A naive, visual subculture involving public space has become widespread throughout Ukraine after the fall of the Soviet Union and expansion of globalization. Makeshift sculptural scenes appear in the environment through accidental interactions and random interventions by unrelated people — products of indiscriminate behaviour, mistakes, destruction, and natural vegetation running wild. Ultimately, nobody is responsible for this happenstance. It is all God’s will.
The scenes and structures shown in this book are as found in reality, and have not been interfered with other than to be isolated from their surroundings using colourful backgrounds. Neither are they confined to any geographical boundary; they reflect a state of mind.
more books tagged »Ukrainian« | >> see all
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Apropos Czernowitz
by Christoph Lingg
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U
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Inshallah
by Dima Gavrysh
Euro 46 -
Sevastopol (signed)
by Milan Bureš
Euro 22 -
Ukrainian Railroad Ladies
by Sasha Maslov
Euro 49 -
Epitome
by Vic Bakin
Euro 57
more books tagged »post-Soviet« | >> see all
-
7 Rooms (second edition)
by Rafal Milach
sold out -
Mühit (signed - second edition - last copy)
by Ilkin Huseynov
Euro 52 -
Feud (book + print)
by Olga Matveeva
Euro 100 -
At the Border (last copy)
by Sputnik Photos
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RESTRICTED AREAS
by Danila Tkachenko
sold out -
Shvilishvili (signed + print)
by Jana Romanova
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The Information Front: Volume Two
by various photographers
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The Information Front: Volume One
by various photographers
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balcony chic
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sold out -
PHOTO BOOK '.RAW Story of Changes of Ukrainians and Army
by various photographers
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more books tagged »street« | >> see all
-
Dark Knees
by Mark Cohen
sold out -
Real Fake Art (signed)
by Michael Wolf
sold out -
DEEPER SHADES #01 NEW YORK (book + print)
by Andreas H. Bitesnich
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Lisboa, Cidade Triste e Alegre
by Costa Martins & Victor Palla
sold out -
Le bucarestois (signed)
by Emilie Gafner
Euro 25 -
Notting Hill Soundsystems 2 (last copy)
by Brian David Stevens
sold out
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Studio Notes - My Time with Cy
by Rob McDonald
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Studio Notes - My Time with Cy (book + print)
by Rob McDonald
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SchauLust
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sold out -
JEANLOUP SIEFF
by Jeanloup Sieff
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Uneasy Listening: Notes on Hearing and Being Heard
by Anouchka Grose & Robert Brewer Young
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by Julia Borissova
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One Picture Book Two #14 : Darshan (book + print)
by Manjari Sharma
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One Picture Book #98: Taste for Russian Ballet (book + print ...
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