Real Fake Art (signed)
by Michael Wolf
Photographs: Michael Wolf
Text: Boris von Brauchitsch
Publisher: Peperoni Books
112 pages
Pictures: 51 colour illustrations
Year: 2011
ISBN: 978-3-941825-20-8
Comments: 25 x 32 cm; hardcover
Strange, this is how these pictures appear at first sight. In front of typical Chinese urban backdrops young Chinese men and women present oil paintings by American and European artists from different epochs. Rembrandt, Van Gogh, Andy Warhol, Ed Ruscha, even photographs by Lee Friedlander, William Eggleston, Bernd and Hilla Becher or August Sander can be found among the works. What stands behind all this?
In fact we see pictures of a multi-million dollar industry – the production of copies of popular artworks, which are sold at giveaway prices into the whole world. Van Gogh: $ 75, Andy Warhol: $ 45, Ed Ruscha $ 50. The handpainted copies mainly come from China, the buyers can almost entirely be found in the United States and Europe, the countries of origin of the unaffordable originals.
Michael Wolf has photographed the Chinese copy-artists in a fantastic way and in his pictures he has placed manifold relations between the picture subject, the urban environment and the portrayed artists, that reach far beyond the superficial humor. The list of questions, which arise, is long:
- Did Rubens and Rembrandt paint their works all by themselves? - Aren’t the copies produced, in order to palm them on collectors? - What’s the value of an original in the age of technical reproducibility? - Who buys these copies? - Why do the Chinese provide this market? - What does this mean for other industries?
Boris von Brauchitsch discusses these and other questions in his comprehensive essay, which accompanies the series of images.
More books by Michael Wolf
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Real Fake Art (signed)
by Michael Wolf
Photographs: Michael Wolf
Text: Boris von Brauchitsch
Publisher: Peperoni Books
112 pages
Pictures: 51 colour illustrations
Year: 2011
ISBN: 978-3-941825-20-8
Comments: 25 x 32 cm; hardcover
Strange, this is how these pictures appear at first sight. In front of typical Chinese urban backdrops young Chinese men and women present oil paintings by American and European artists from different epochs. Rembrandt, Van Gogh, Andy Warhol, Ed Ruscha, even photographs by Lee Friedlander, William Eggleston, Bernd and Hilla Becher or August Sander can be found among the works. What stands behind all this?
In fact we see pictures of a multi-million dollar industry – the production of copies of popular artworks, which are sold at giveaway prices into the whole world. Van Gogh: $ 75, Andy Warhol: $ 45, Ed Ruscha $ 50. The handpainted copies mainly come from China, the buyers can almost entirely be found in the United States and Europe, the countries of origin of the unaffordable originals.
Michael Wolf has photographed the Chinese copy-artists in a fantastic way and in his pictures he has placed manifold relations between the picture subject, the urban environment and the portrayed artists, that reach far beyond the superficial humor. The list of questions, which arise, is long:
- Did Rubens and Rembrandt paint their works all by themselves? - Aren’t the copies produced, in order to palm them on collectors? - What’s the value of an original in the age of technical reproducibility? - Who buys these copies? - Why do the Chinese provide this market? - What does this mean for other industries?
Boris von Brauchitsch discusses these and other questions in his comprehensive essay, which accompanies the series of images.
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Tokyo Compression Three (last copy)
by Michael Wolf
sold out -
Hong Kong Inside Outside
by Michael Wolf
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Bottrop-Ebel 76 (signed-last copy)
by Michael Wolf
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by Michael Wolf
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Hong Kong Umbrella
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by Michael Wolf
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by Christine de Grancy
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by Nikita Teryoshin
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Real Fake Art (signed)
by Michael Wolf
Photographs: Michael Wolf
Text: Boris von Brauchitsch
Publisher: Peperoni Books
112 pages
Pictures: 51 colour illustrations
Year: 2011
ISBN: 978-3-941825-20-8
Comments: 25 x 32 cm; hardcover
Strange, this is how these pictures appear at first sight. In front of typical Chinese urban backdrops young Chinese men and women present oil paintings by American and European artists from different epochs. Rembrandt, Van Gogh, Andy Warhol, Ed Ruscha, even photographs by Lee Friedlander, William Eggleston, Bernd and Hilla Becher or August Sander can be found among the works. What stands behind all this?
In fact we see pictures of a multi-million dollar industry – the production of copies of popular artworks, which are sold at giveaway prices into the whole world. Van Gogh: $ 75, Andy Warhol: $ 45, Ed Ruscha $ 50. The handpainted copies mainly come from China, the buyers can almost entirely be found in the United States and Europe, the countries of origin of the unaffordable originals.
Michael Wolf has photographed the Chinese copy-artists in a fantastic way and in his pictures he has placed manifold relations between the picture subject, the urban environment and the portrayed artists, that reach far beyond the superficial humor. The list of questions, which arise, is long:
- Did Rubens and Rembrandt paint their works all by themselves? - Aren’t the copies produced, in order to palm them on collectors? - What’s the value of an original in the age of technical reproducibility? - Who buys these copies? - Why do the Chinese provide this market? - What does this mean for other industries?
Boris von Brauchitsch discusses these and other questions in his comprehensive essay, which accompanies the series of images.
More books by Michael Wolf
-
Tokyo Compression Three (last copy)
by Michael Wolf
sold out -
Hong Kong Inside Outside
by Michael Wolf
sold out -
Bottrop-Ebel 76 (signed-last copy)
by Michael Wolf
Euro 350 -
Small God, Big City (signed)
by Michael Wolf
sold out -
Hong Kong Trilogy (signed)
by Michael Wolf
sold out -
Hong Kong Informal Seating Arrangements (signed)
by Michael Wolf
sold out -
Hong Kong Umbrella
by Michael Wolf / Lam Yik Fei
sold out -
Some More Hong Kong Seating Arrangements (last copy)
by Michael Wolf
sold out -
Hong Kong Assemblage Deconstructed
by Michael Wolf
Euro 75 -
Hong Kong Rubber Boots and Shoes (last copies)
by Michael Wolf
Euro 75 -
Hong Kong Coat Hangers
by Michael Wolf
Euro 75 -
Tokyo Compression Final Cut (last copy)
by Michael Wolf
sold out -
Works
by Michael Wolf
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Hong Kong Assemblage Deconstructed (signed - last copy)
by Michael Wolf
sold out -
Hong Kong Rubber Boots and Shoes (signed - last copy)
by Michael Wolf
sold out -
Hong Kong Coat Hangers (signed - last copy)
by Michael Wolf
Euro 145 -
Tokyo Compression Final Cut (signed - last two copies)
by Michael Wolf
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Works (signed - last copy)
by Michael Wolf
sold out -
Real Fake Art
by Michael Wolf
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Some More Hong Kong Seating Arrangements (signed - last copy)
by Michael Wolf
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Frontal
by Stefan Enders
Euro 49 -
Up and Down Peachtree Photographs of Atlanta (signed - last copy)
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New Slovak Photography
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One Picture Book 76: Portraits ii (signed + print)
by Leon Borensztein
Euro 89 -
Tausend und eine Spur
by Christine de Grancy
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by Nikita Teryoshin
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Le parisien (signed)
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Nothing's in Vain
by Emmanuelle Andrianjafy
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DEEPER SHADES #01 NEW YORK (signed)
by Andreas H. Bitesnich
Euro 70 -
When Spider Kisses Fly (signed)
by James Kriszyk
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by Jo Röttger
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The Keys to the House (signed - last copy)
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west (signed)
by Regina Maria Anzenberger
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Big Champ
by Thomas Hoepker
sold out -
More Cars, Clothes and Cabbages
by Torsten Schumann
sold out -
Vergiszmeinnicht (signed - last copy)
by Thekla Ehling
Euro 165
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Hibi
by Masahisa Fukase
Euro 55 -
Philodendron (signed)
by Regina Anzenberger
Euro 20 -
Minyó (signed)
by Minyo Szert
Euro 25 -
Roots & Bonds (signed + extra booklet)
by Regina Anzenberger
Euro 65 -
Ndebele: The Art of an African Tribe
by Margaret Courtney-Clarke
Euro 65 -
Topography of Quiet
by Bastienne Schmidt
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