From YOKOSUKA
by Miyako Ishiuchi
Photographs: Ishiuchi Miyako
Publisher: Super Labo
40 pages
Pictures: 25
Year: 2016
Comments: Softcover, 28 x 21,6 cm; Edition of 1000, Language: English, Japanese
From Yokosuka marks the final episode in Hasselblad Award laureate Miyako Ishiuchi’s Yokosuka series. Having spent her childhood and adolescence in Yokosuka, the small harbor city has always had a special meaning to Ishiuchi. It is Yokosuka - host to one of the biggest US naval bases in Japan - which became the topic of her first published work, when in 1976 she returned to deal with her experiences in the town by way of a photography.
"I don’t think of Yokosuka as my hometown and I have few sweet and joyous memories there. It was natural because Yokosuka, a town of the American naval base, was not comfortable to me as a young girl who had newly moved at the time of entering elementary school, to this new place where my father had been working away from our home in the countryside."
"I started my career as a photographer by photographing Yokosuka. The vivid contrast of light and shadow inherent in the town somehow created photogenic landscapes as the history of the town seemed to be making invisible scars everyday."
— from the artist’s foreword
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From YOKOSUKA
by Miyako Ishiuchi
Photographs: Ishiuchi Miyako
Publisher: Super Labo
40 pages
Pictures: 25
Year: 2016
Comments: Softcover, 28 x 21,6 cm; Edition of 1000, Language: English, Japanese
From Yokosuka marks the final episode in Hasselblad Award laureate Miyako Ishiuchi’s Yokosuka series. Having spent her childhood and adolescence in Yokosuka, the small harbor city has always had a special meaning to Ishiuchi. It is Yokosuka - host to one of the biggest US naval bases in Japan - which became the topic of her first published work, when in 1976 she returned to deal with her experiences in the town by way of a photography.
"I don’t think of Yokosuka as my hometown and I have few sweet and joyous memories there. It was natural because Yokosuka, a town of the American naval base, was not comfortable to me as a young girl who had newly moved at the time of entering elementary school, to this new place where my father had been working away from our home in the countryside."
"I started my career as a photographer by photographing Yokosuka. The vivid contrast of light and shadow inherent in the town somehow created photogenic landscapes as the history of the town seemed to be making invisible scars everyday."
— from the artist’s foreword
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From YOKOSUKA
by Miyako Ishiuchi
Photographs: Ishiuchi Miyako
Publisher: Super Labo
40 pages
Pictures: 25
Year: 2016
Comments: Softcover, 28 x 21,6 cm; Edition of 1000, Language: English, Japanese
From Yokosuka marks the final episode in Hasselblad Award laureate Miyako Ishiuchi’s Yokosuka series. Having spent her childhood and adolescence in Yokosuka, the small harbor city has always had a special meaning to Ishiuchi. It is Yokosuka - host to one of the biggest US naval bases in Japan - which became the topic of her first published work, when in 1976 she returned to deal with her experiences in the town by way of a photography.
"I don’t think of Yokosuka as my hometown and I have few sweet and joyous memories there. It was natural because Yokosuka, a town of the American naval base, was not comfortable to me as a young girl who had newly moved at the time of entering elementary school, to this new place where my father had been working away from our home in the countryside."
"I started my career as a photographer by photographing Yokosuka. The vivid contrast of light and shadow inherent in the town somehow created photogenic landscapes as the history of the town seemed to be making invisible scars everyday."
— from the artist’s foreword
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tokyo bay blues
by Miyako Ishiuchi
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Frida by Ishiuchi
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From Hiroshima
by Miyako Ishiuchi
sold out -
From Cocoons
by Miyako Ishiuchi
Euro 55 -
Infinity
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sold out -
mother's 2000-2005: traces of the future
by Miyako Ishiuchi
sold out -
Belongings
by Miyako Ishiuchi
sold out
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Natural Collections (signed)
by Cheryle St. Onge
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Deutsche Börse Photography Foundation Prize 2017
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Euro 39 -
SANRIZUKA 1972
by Tenmei Kanoh
sold out -
Inner City (London)
by Peter Köllerer
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Chizu (signed)
by Kikuji Kawada
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a Handful of Dust
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by George Rodger
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