On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
Photographs: Keliy Anderson-Staley
Text: Geoffrey Batchen, Matthew Williams
Publisher: Waltz Books
144 pages
Pictures: 85 duotone plates
Year: 2014
ISBN: 978-1-939932-00-6
Comments: 28,5 x 36 cm, clothbound hardcover with tipped in image, english, first edition of 1000 copies
This stunning monograph of tintype portraits is culled from an archive of hundreds taken over the last decade by Keliy Anderson-Staley. The long exposure time needed to make a tintype requires that the sitter remain as still as possible to produce a sharp image. As a result, the subjects of these tintypes often display an intense and guileless expression that immediately connects their faces to those of 19th-Century portraits. Stripped of the modern default behavior of smiling in front of a camera, these images, with all the exquisite detail afforded by the wet plate process, suggest an important rethinking of what it means to photograph and be photographed.
Anderson-Staley mixes and pours the emulsion for each plate on site shortly before a portrait is made. The process of hand-coating each piece leaves behind traces of the maker that are as beautifully and deeply embedded in the final image as the perceived identity of the subject.
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On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
Photographs: Keliy Anderson-Staley
Text: Geoffrey Batchen, Matthew Williams
Publisher: Waltz Books
144 pages
Pictures: 85 duotone plates
Year: 2014
ISBN: 978-1-939932-00-6
Comments: 28,5 x 36 cm, clothbound hardcover with tipped in image, english, first edition of 1000 copies
This stunning monograph of tintype portraits is culled from an archive of hundreds taken over the last decade by Keliy Anderson-Staley. The long exposure time needed to make a tintype requires that the sitter remain as still as possible to produce a sharp image. As a result, the subjects of these tintypes often display an intense and guileless expression that immediately connects their faces to those of 19th-Century portraits. Stripped of the modern default behavior of smiling in front of a camera, these images, with all the exquisite detail afforded by the wet plate process, suggest an important rethinking of what it means to photograph and be photographed.
Anderson-Staley mixes and pours the emulsion for each plate on site shortly before a portrait is made. The process of hand-coating each piece leaves behind traces of the maker that are as beautifully and deeply embedded in the final image as the perceived identity of the subject.
more books tagged »portrait« | >> see all
-
Silver Meadows (B-Sides Box Set)
by Todd Hido
sold out -
Bubblegum
by Emily Stein
Euro 16 -
Seijinshiki
by Charles Freger & Little Fish
sold out -
Portraits (signed)
by Bruce Davidson
sold out -
Radicalia (signed)
by Piero Martinello
sold out -
Sun City
by Peter Granser
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by David Goldblatt
Euro 65 -
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by António Júlio Duarte
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by Shoji Ueda
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by Nikolay Bakharev
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by Mateusz Sarello
sold out
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by Collier Schorr
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by Pedro Meyer
Euro 165 -
One Picture Book 86 : All Eyes on Me (signed + print)
by Doug Rickard
Euro 99 -
The Iconic Photographs Limited Edition (book + print)
by Steve McCurry
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Deadline (signed - review copy)
by Will Steacy
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Random selection from the Virtual bookshelf josefchladek.com
On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
Photographs: Keliy Anderson-Staley
Text: Geoffrey Batchen, Matthew Williams
Publisher: Waltz Books
144 pages
Pictures: 85 duotone plates
Year: 2014
ISBN: 978-1-939932-00-6
Comments: 28,5 x 36 cm, clothbound hardcover with tipped in image, english, first edition of 1000 copies
This stunning monograph of tintype portraits is culled from an archive of hundreds taken over the last decade by Keliy Anderson-Staley. The long exposure time needed to make a tintype requires that the sitter remain as still as possible to produce a sharp image. As a result, the subjects of these tintypes often display an intense and guileless expression that immediately connects their faces to those of 19th-Century portraits. Stripped of the modern default behavior of smiling in front of a camera, these images, with all the exquisite detail afforded by the wet plate process, suggest an important rethinking of what it means to photograph and be photographed.
Anderson-Staley mixes and pours the emulsion for each plate on site shortly before a portrait is made. The process of hand-coating each piece leaves behind traces of the maker that are as beautifully and deeply embedded in the final image as the perceived identity of the subject.
more books tagged »portrait« | >> see all
-
Silver Meadows (B-Sides Box Set)
by Todd Hido
sold out -
Bubblegum
by Emily Stein
Euro 16 -
Seijinshiki
by Charles Freger & Little Fish
sold out -
Portraits (signed)
by Bruce Davidson
sold out -
Radicalia (signed)
by Piero Martinello
sold out -
Sun City
by Peter Granser
sold out
more books tagged »black and white« | >> see all
-
On the Mines
by David Goldblatt
Euro 65 -
JAPAN DRUG (signed)
by António Júlio Duarte
sold out -
Fine selection "Gone Are the Days" Collotype Portfolio
by Shoji Ueda
sold out -
Natur
by Michael Schmidt
sold out -
Amateurs & Lovers
by Nikolay Bakharev
sold out -
Swell (last copy)
by Mateusz Sarello
sold out
more books tagged »American« | >> see all
-
Zine Collection N°25: No Time (signed + print)
by Aaron Mc Elroy
sold out -
8 Women
by Collier Schorr
sold out -
Truths & Fictions (signed)
by Pedro Meyer
Euro 165 -
One Picture Book 86 : All Eyes on Me (signed + print)
by Doug Rickard
Euro 99 -
The Iconic Photographs Limited Edition (book + print)
by Steve McCurry
sold out -
Deadline (signed - review copy)
by Will Steacy
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