On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
Photographs: Keliy Anderson-Staley
Text: Geoffrey Batchen, Matthew Williams
Publisher: Waltz Books
144 pages
Pictures: 85 duotone plates
Year: 2014
ISBN: 978-1-939932-00-6
Comments: 28,5 x 36 cm, clothbound hardcover with tipped in image, english, first edition of 1000 copies
This stunning monograph of tintype portraits is culled from an archive of hundreds taken over the last decade by Keliy Anderson-Staley. The long exposure time needed to make a tintype requires that the sitter remain as still as possible to produce a sharp image. As a result, the subjects of these tintypes often display an intense and guileless expression that immediately connects their faces to those of 19th-Century portraits. Stripped of the modern default behavior of smiling in front of a camera, these images, with all the exquisite detail afforded by the wet plate process, suggest an important rethinking of what it means to photograph and be photographed.
Anderson-Staley mixes and pours the emulsion for each plate on site shortly before a portrait is made. The process of hand-coating each piece leaves behind traces of the maker that are as beautifully and deeply embedded in the final image as the perceived identity of the subject.
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On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
Photographs: Keliy Anderson-Staley
Text: Geoffrey Batchen, Matthew Williams
Publisher: Waltz Books
144 pages
Pictures: 85 duotone plates
Year: 2014
ISBN: 978-1-939932-00-6
Comments: 28,5 x 36 cm, clothbound hardcover with tipped in image, english, first edition of 1000 copies
This stunning monograph of tintype portraits is culled from an archive of hundreds taken over the last decade by Keliy Anderson-Staley. The long exposure time needed to make a tintype requires that the sitter remain as still as possible to produce a sharp image. As a result, the subjects of these tintypes often display an intense and guileless expression that immediately connects their faces to those of 19th-Century portraits. Stripped of the modern default behavior of smiling in front of a camera, these images, with all the exquisite detail afforded by the wet plate process, suggest an important rethinking of what it means to photograph and be photographed.
Anderson-Staley mixes and pours the emulsion for each plate on site shortly before a portrait is made. The process of hand-coating each piece leaves behind traces of the maker that are as beautifully and deeply embedded in the final image as the perceived identity of the subject.
more books tagged »American« | >> see all
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American Chaos (last copy)
by Paolo Woods
Euro 75 -
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by Carolyn Drake
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Tina Barney - Fotografien: Von Familie, Sitte und Form
by Tina Barney
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New York September 11 (signed by 9 magnum photographers)
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Euro 81.30 -
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by Erik Kessels
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by Javier Viver
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by Awoiska Van Der Molen
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by Pablo Ortiz Monasterio
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by Martin Parr
Euro 85 -
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by Paul Trevor
Euro 9.50 -
Weinhaus
by Leo Kandl
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Random selection from the Virtual bookshelf josefchladek.com
On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
Photographs: Keliy Anderson-Staley
Text: Geoffrey Batchen, Matthew Williams
Publisher: Waltz Books
144 pages
Pictures: 85 duotone plates
Year: 2014
ISBN: 978-1-939932-00-6
Comments: 28,5 x 36 cm, clothbound hardcover with tipped in image, english, first edition of 1000 copies
This stunning monograph of tintype portraits is culled from an archive of hundreds taken over the last decade by Keliy Anderson-Staley. The long exposure time needed to make a tintype requires that the sitter remain as still as possible to produce a sharp image. As a result, the subjects of these tintypes often display an intense and guileless expression that immediately connects their faces to those of 19th-Century portraits. Stripped of the modern default behavior of smiling in front of a camera, these images, with all the exquisite detail afforded by the wet plate process, suggest an important rethinking of what it means to photograph and be photographed.
Anderson-Staley mixes and pours the emulsion for each plate on site shortly before a portrait is made. The process of hand-coating each piece leaves behind traces of the maker that are as beautifully and deeply embedded in the final image as the perceived identity of the subject.
more books tagged »American« | >> see all
-
American Chaos (last copy)
by Paolo Woods
Euro 75 -
Wild Pigeon (signed)
by Carolyn Drake
sold out -
Tina Barney - Fotografien: Von Familie, Sitte und Form
by Tina Barney
sold out -
New York September 11 (signed by 9 magnum photographers)
by Magnum Photographers
sold out -
Nature of Los Angeles 2008-2013
by Bruce Davidson
sold out -
Antarktis
by Chris Sattlberger
Euro 50
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by Michael Wolf
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The nature people (signed)
by Brian Griffin
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May (signed)
by Ren Hang
sold out -
Ferdinand Schmutzer
by Regina Maria Anzenberger and Uwe Schögl (editors)
Euro 81.30 -
Image Tsunami (signed)
by Erik Kessels
Euro 29 -
Révélations. Iconographie de La Salpêtrière. Paris 1875-1918
by Javier Viver
sold out
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Hariban Award 2014 Catalogue - (Sequester)
by Awoiska Van Der Molen
sold out -
Zine Collection N°2: Nueovos Reinos (signed + print)
by Pablo Ortiz Monasterio
sold out -
The Black Rose (last copies)
by Trent Parke
sold out -
Prestwich Mental Hospital 1972
by Martin Parr
Euro 85 -
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by Paul Trevor
Euro 9.50 -
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by Leo Kandl
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