Träd
by Gunnar Smoliansky
Photographs: Gunnar Smoliansky
Text: Gunnar D. Hansson
Publisher: Libraryman
40 pages
Pictures: 25
Year: 2017
ISBN: 978–91–88113–06–1
Comments: Duotone offset printed clothbound hardcover. Linen thread bound. Uncoated tip-in frame on front cover, with typography and spine text in gold foil. 30 x 36cm; First edition of 500 copies
“Gunnar Smoliansky’s (b. 1933, Swedish) studies of trees are social journalism in photographic form, although not from the human world in spite of their occasional traces of humanity. No, people appear to have left the scene. Smoliansky’s depictions of trees are a forestry ranger’s nightmare and at the same time far too vulnerable to please the zealous conservationist. These photographs are about a type of vegetation that may once have been both magnificent and dignified – what remains of growth is both frustrated and defiant. They are not romantic pictures of virgin woods. No, instead they are places that have been consigned to oblivion, pre- or post-profitability. Impediments. Languishing land. Windfallen tree trunks or soon to be windfallen trunks that are nothing but upright poles, trunks that have grown into each other. In these photos we are far from observing from perfect specimens, textbooks and the pleasure of inventing Latin names in the Linnaean spirit. They are mainly trees that remain standing by sheer dint of willpower, knots and twists. Like a neglected case of rheumatism. And yet: in the midst of this solitude, in the midst of this struggle, so difficult to grasp, there is a sense of community among the susceptible.”
- Excerpt from the preface written by writer and poet Gunnar D. Hansson (b. 1945, Swedish)
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Träd
by Gunnar Smoliansky
Photographs: Gunnar Smoliansky
Text: Gunnar D. Hansson
Publisher: Libraryman
40 pages
Pictures: 25
Year: 2017
ISBN: 978–91–88113–06–1
Comments: Duotone offset printed clothbound hardcover. Linen thread bound. Uncoated tip-in frame on front cover, with typography and spine text in gold foil. 30 x 36cm; First edition of 500 copies
“Gunnar Smoliansky’s (b. 1933, Swedish) studies of trees are social journalism in photographic form, although not from the human world in spite of their occasional traces of humanity. No, people appear to have left the scene. Smoliansky’s depictions of trees are a forestry ranger’s nightmare and at the same time far too vulnerable to please the zealous conservationist. These photographs are about a type of vegetation that may once have been both magnificent and dignified – what remains of growth is both frustrated and defiant. They are not romantic pictures of virgin woods. No, instead they are places that have been consigned to oblivion, pre- or post-profitability. Impediments. Languishing land. Windfallen tree trunks or soon to be windfallen trunks that are nothing but upright poles, trunks that have grown into each other. In these photos we are far from observing from perfect specimens, textbooks and the pleasure of inventing Latin names in the Linnaean spirit. They are mainly trees that remain standing by sheer dint of willpower, knots and twists. Like a neglected case of rheumatism. And yet: in the midst of this solitude, in the midst of this struggle, so difficult to grasp, there is a sense of community among the susceptible.”
- Excerpt from the preface written by writer and poet Gunnar D. Hansson (b. 1945, Swedish)
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Träd
by Gunnar Smoliansky
Photographs: Gunnar Smoliansky
Text: Gunnar D. Hansson
Publisher: Libraryman
40 pages
Pictures: 25
Year: 2017
ISBN: 978–91–88113–06–1
Comments: Duotone offset printed clothbound hardcover. Linen thread bound. Uncoated tip-in frame on front cover, with typography and spine text in gold foil. 30 x 36cm; First edition of 500 copies
“Gunnar Smoliansky’s (b. 1933, Swedish) studies of trees are social journalism in photographic form, although not from the human world in spite of their occasional traces of humanity. No, people appear to have left the scene. Smoliansky’s depictions of trees are a forestry ranger’s nightmare and at the same time far too vulnerable to please the zealous conservationist. These photographs are about a type of vegetation that may once have been both magnificent and dignified – what remains of growth is both frustrated and defiant. They are not romantic pictures of virgin woods. No, instead they are places that have been consigned to oblivion, pre- or post-profitability. Impediments. Languishing land. Windfallen tree trunks or soon to be windfallen trunks that are nothing but upright poles, trunks that have grown into each other. In these photos we are far from observing from perfect specimens, textbooks and the pleasure of inventing Latin names in the Linnaean spirit. They are mainly trees that remain standing by sheer dint of willpower, knots and twists. Like a neglected case of rheumatism. And yet: in the midst of this solitude, in the midst of this struggle, so difficult to grasp, there is a sense of community among the susceptible.”
- Excerpt from the preface written by writer and poet Gunnar D. Hansson (b. 1945, Swedish)
more books tagged »black and white« | >> see all
-
Looking up Ben James. A fable
by John Gossage
Euro 60 -
Pittsburgh 1950
by Elliott Erwitt
sold out -
Miserachs Barcelona
by Xavier Miserachs
sold out -
HOTARU (FIREFLY)
by Yoshio Mizoguchi
sold out -
Grosse Photographen unserer Zeit
by Inge Morath
sold out -
Planet Lithuania
by Antanas Sutkus
sold out
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by Melissa Moore
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The Christmas Tree Bucket
by Trent Parke
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by Roger Eberhard
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The Garden
by Alessandro Imbriaco
Euro 35 -
Tiempo de Arbol - Tree Time (signed)
by Marcelo Brodsky
Euro 40 -
Materia
by Yoshihiko Ueda
sold out
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The nature people (signed)
by Brian Griffin
sold out -
Birds (last copy)
by Yohei Kichiraku
Euro 49 -
The Meadow
by Barbara Bosworth & Margot Anne Kelley
sold out -
Silence Beyond The Wall (signed)
by Thomas Bundschuh
Euro 39 -
Fleuve Congo River (signed)
by Kris Pannecoucke
sold out -
36 views
by Fyodor Telkov
sold out
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Granit (signed)
by Gerhard Trumler
Euro 99 -
Roots & Waltz (unique collector's editon)
by Regina Anzenberger
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by Regina Anzenberger
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Durchatmen (signed poster)
by Regina Anzenberger
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by Cecilia Edefalk
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Collective Memory
by Saskia Overzee & Amanda Butterworth
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by Israel Ariño
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Atlas (signed)
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Random selection from the Virtual bookshelf josefchladek.com
