Memorabilia (signed - last copy)
by Gabor Arion Kudasz
Photographs: Gabor Arion Kudasz and anonymous sources
Text: Gabriella Uhl (foreword), Gábor Arion Kudász, Emese Kudász
Publisher: Hungarian House of Photography
184 pages
Pictures: 150
Year: 2014
ISBN: 978-963-88529-7-7
Comments: first edition of 300 copies, 20x28cm (includes a 100x70cm poster), soft cover, sewn, Book design: Nóra Demeczky, Binding: Előzék. Slightly used because of the fragility of the book and the cover. Small spot on the paper (coverside)
MEMORABILIA 2010-2014 / Painter Emese Kudász died on 22 November, 2010. In the years that followed, her son Gábor Arion Kudász catalogued her entire estate, so as to establish a guide to the workings of memory. The artistic research disrupted the order she had created, something that surrounded her and was distinctively her own. Through the cracks of this disrupted order, hidden aspects of her personality emerged, together with a previously unrealised coherence among her objects; it is no longer possible to tell whether these had existed before or were only the result of the intervention. The structure of the estate itself encouraged the creation of collections as it comprises very individual, occasionally downright extravagant, corpuses forming the backbone of this exhibition and the accompanying book: hundreds of four-leaved clovers pressed between newspaper, wardrobe items kept by seasons and colours, bookshelves, printing blocks of an aged catalogue and endless personal objects, messages from the grave.
The title Memorabilia has an atmosphere more befitting the environment of a classic collection that is evoked by the idea of the inventory book. Its closest kin is the museum inventory, which follows traditional rules in describing, cataloguing and classifying objects. The collection whose inventorying is carried out here has all the resemblance of a curiosity cabinet (wunderkammer or kunstkammer), a form of collection that emerged during the Renaissance and was popular from the 16th to the 18th century. It was common, particularly for aristocratic and big bourgeois families, to dedicate a room or cabinet to things worthy of collection. Representing all and any fields of science, art and life, these assemblages were as likely to feature minerals and miniatures as clever contraptions and book rarities. These curiosity cabinets were home to scientific concepts about the world, the experience of the past, and inferences that could be drawn from objects. Such a collection had personal motivations and faithfully represented the worldview of its owner, as was evident in the act of classification. It was an instrument of inventorying, of interpretation, though not yet in its encyclopaedic form, but in a playful variety.
The order of things according to Memorabilia
a) Personal effects, mostly personal items that bear the warmth of the significant person’s hand, keep her scent, their surface was worn by her gaze. On their own, these objects are often without value and interest; they are not even individual, do not directly refer to their owner — yet an assemblage of mementoes of this kind makes the taste, habits, lifestyle and spirit of the subject of remembrance recognizable.
b) Things considered suitable to be tokens of remembrance, and marked as such. Both the rememberer and the subject of remembrance have agreed to elevate them above similar objects.
c) Real memorabilia, objects for remembrance, mementoes. Articles produced in multiple copies with the express function of serving as triggers of memory, which can be identified with the subject of memory only through an image or name.
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Random selection from the Virtual bookshelf josefchladek.com
Memorabilia (signed - last copy)
by Gabor Arion Kudasz
Photographs: Gabor Arion Kudasz and anonymous sources
Text: Gabriella Uhl (foreword), Gábor Arion Kudász, Emese Kudász
Publisher: Hungarian House of Photography
184 pages
Pictures: 150
Year: 2014
ISBN: 978-963-88529-7-7
Comments: first edition of 300 copies, 20x28cm (includes a 100x70cm poster), soft cover, sewn, Book design: Nóra Demeczky, Binding: Előzék. Slightly used because of the fragility of the book and the cover. Small spot on the paper (coverside)
MEMORABILIA 2010-2014 / Painter Emese Kudász died on 22 November, 2010. In the years that followed, her son Gábor Arion Kudász catalogued her entire estate, so as to establish a guide to the workings of memory. The artistic research disrupted the order she had created, something that surrounded her and was distinctively her own. Through the cracks of this disrupted order, hidden aspects of her personality emerged, together with a previously unrealised coherence among her objects; it is no longer possible to tell whether these had existed before or were only the result of the intervention. The structure of the estate itself encouraged the creation of collections as it comprises very individual, occasionally downright extravagant, corpuses forming the backbone of this exhibition and the accompanying book: hundreds of four-leaved clovers pressed between newspaper, wardrobe items kept by seasons and colours, bookshelves, printing blocks of an aged catalogue and endless personal objects, messages from the grave.
The title Memorabilia has an atmosphere more befitting the environment of a classic collection that is evoked by the idea of the inventory book. Its closest kin is the museum inventory, which follows traditional rules in describing, cataloguing and classifying objects. The collection whose inventorying is carried out here has all the resemblance of a curiosity cabinet (wunderkammer or kunstkammer), a form of collection that emerged during the Renaissance and was popular from the 16th to the 18th century. It was common, particularly for aristocratic and big bourgeois families, to dedicate a room or cabinet to things worthy of collection. Representing all and any fields of science, art and life, these assemblages were as likely to feature minerals and miniatures as clever contraptions and book rarities. These curiosity cabinets were home to scientific concepts about the world, the experience of the past, and inferences that could be drawn from objects. Such a collection had personal motivations and faithfully represented the worldview of its owner, as was evident in the act of classification. It was an instrument of inventorying, of interpretation, though not yet in its encyclopaedic form, but in a playful variety.
The order of things according to Memorabilia
a) Personal effects, mostly personal items that bear the warmth of the significant person’s hand, keep her scent, their surface was worn by her gaze. On their own, these objects are often without value and interest; they are not even individual, do not directly refer to their owner — yet an assemblage of mementoes of this kind makes the taste, habits, lifestyle and spirit of the subject of remembrance recognizable.
b) Things considered suitable to be tokens of remembrance, and marked as such. Both the rememberer and the subject of remembrance have agreed to elevate them above similar objects.
c) Real memorabilia, objects for remembrance, mementoes. Articles produced in multiple copies with the express function of serving as triggers of memory, which can be identified with the subject of memory only through an image or name.
More books by Gabor Arion Kudasz
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Human (signed - English edition - last copy)
by Gabor Arion Kudasz
sold out -
Human (signed - French edition - last copies)
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Human (signed - Hungarian edition - last copy)
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sold out -
Human (signed - German edition - last copy)
by Gabor Arion Kudasz
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HUMAN (signed)
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Euro 38.50 -
Tropical Depression (signed)
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by Maryam Zandi
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Random selection from the Virtual bookshelf josefchladek.com
Memorabilia (signed - last copy)
by Gabor Arion Kudasz
Photographs: Gabor Arion Kudasz and anonymous sources
Text: Gabriella Uhl (foreword), Gábor Arion Kudász, Emese Kudász
Publisher: Hungarian House of Photography
184 pages
Pictures: 150
Year: 2014
ISBN: 978-963-88529-7-7
Comments: first edition of 300 copies, 20x28cm (includes a 100x70cm poster), soft cover, sewn, Book design: Nóra Demeczky, Binding: Előzék. Slightly used because of the fragility of the book and the cover. Small spot on the paper (coverside)
MEMORABILIA 2010-2014 / Painter Emese Kudász died on 22 November, 2010. In the years that followed, her son Gábor Arion Kudász catalogued her entire estate, so as to establish a guide to the workings of memory. The artistic research disrupted the order she had created, something that surrounded her and was distinctively her own. Through the cracks of this disrupted order, hidden aspects of her personality emerged, together with a previously unrealised coherence among her objects; it is no longer possible to tell whether these had existed before or were only the result of the intervention. The structure of the estate itself encouraged the creation of collections as it comprises very individual, occasionally downright extravagant, corpuses forming the backbone of this exhibition and the accompanying book: hundreds of four-leaved clovers pressed between newspaper, wardrobe items kept by seasons and colours, bookshelves, printing blocks of an aged catalogue and endless personal objects, messages from the grave.
The title Memorabilia has an atmosphere more befitting the environment of a classic collection that is evoked by the idea of the inventory book. Its closest kin is the museum inventory, which follows traditional rules in describing, cataloguing and classifying objects. The collection whose inventorying is carried out here has all the resemblance of a curiosity cabinet (wunderkammer or kunstkammer), a form of collection that emerged during the Renaissance and was popular from the 16th to the 18th century. It was common, particularly for aristocratic and big bourgeois families, to dedicate a room or cabinet to things worthy of collection. Representing all and any fields of science, art and life, these assemblages were as likely to feature minerals and miniatures as clever contraptions and book rarities. These curiosity cabinets were home to scientific concepts about the world, the experience of the past, and inferences that could be drawn from objects. Such a collection had personal motivations and faithfully represented the worldview of its owner, as was evident in the act of classification. It was an instrument of inventorying, of interpretation, though not yet in its encyclopaedic form, but in a playful variety.
The order of things according to Memorabilia
a) Personal effects, mostly personal items that bear the warmth of the significant person’s hand, keep her scent, their surface was worn by her gaze. On their own, these objects are often without value and interest; they are not even individual, do not directly refer to their owner — yet an assemblage of mementoes of this kind makes the taste, habits, lifestyle and spirit of the subject of remembrance recognizable.
b) Things considered suitable to be tokens of remembrance, and marked as such. Both the rememberer and the subject of remembrance have agreed to elevate them above similar objects.
c) Real memorabilia, objects for remembrance, mementoes. Articles produced in multiple copies with the express function of serving as triggers of memory, which can be identified with the subject of memory only through an image or name.
More books by Gabor Arion Kudasz
-
Human (signed - English edition - last copy)
by Gabor Arion Kudasz
sold out -
Human (signed - French edition - last copies)
by Gabor Arion Kudasz
sold out -
Human (signed - Hungarian edition - last copy)
by Gabor Arion Kudasz
sold out -
Human (signed - German edition - last copy)
by Gabor Arion Kudasz
sold out -
HUMAN (signed)
by Gabor Arion Kudasz
Euro 38.50 -
Tropical Depression (signed)
by Gabor Arion Kudasz
Euro 46
more books tagged »black and white« | >> see all
-
Moscow 1974
by Brian Griffin
Euro 18 -
The Last Cosmology
by Kikuji Kawada
sold out -
Proxemics (book + print)
by Renato D'Agostin
sold out -
Mutti (signed + print)
by Andreas H. Bitesnich
sold out -
The Revolution Of Iran '79
by Maryam Zandi
sold out -
Pakistan (signed)
by Christine de Grancy
Euro 30
more books tagged »archive« | >> see all
-
The History of European Photography 1970-2000
by various photographers
sold out -
Until Death Do Us Part
by Thomas Sauvin
Euro 38 -
The Soviet Photobook 1920-1941
by Mikhail Karasik
sold out -
Amc2 journal Issue 8 (signed - last copy)
by Thomas Sauvin
sold out -
Atavism (last copy)
by Robert Hutinski
sold out -
Jacques Henri Lartigue et les autos
by Jacques Henri Lartigue
sold out
more books tagged »objects« | >> see all
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Playa cero
by Alfredo Blasquez
Euro 48 -
Beginnings - Początki
by Tomasz Wysocki
Euro 25 -
ECHO
by Jungjin Lee
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More Cars, Clothes and Cabbages
by Torsten Schumann
sold out -
Poem as an Object # 4 (signed)
by Wypke Jannette Walen
Euro 17.50 -
Two Thousand Light Years From Home
by Pietro Mattioli
Euro 350
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-
Minyó (signed)
by Minyo Szert
Euro 25 -
not far - special edition (signed+print+2booklets - last copy)
by Ildi Hermann
Euro 220 -
The Sundays of Life (signed + print)
by Bela Doka
sold out -
The Sundays of Life (signed - review copy)
by Bela Doka
Euro 88 61.60 -
A Story of Snow (signed)
by Bettina Gál
Euro 37 -
Notes for an Epilogue (signed)
by Tamas Dezso
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Random selection from the Virtual bookshelf josefchladek.com