Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
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Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »archive« | >> see all
-
The History of European Photography 1900- 1938
by various photographers
sold out -
Silent Histories
by Kazuma Obara
sold out -
Cucurrucucú (signed)
by Cristina de Middel
Euro 49 24.50 -
Nein, Onkel (last copy)
by various photographers
Euro 165 -
The Hidden Mother
by Linda Fregni Nagler
sold out -
The Looking Game
by M.F.G. Paltrinieri & Mirko Smerdel
sold out
more books tagged »black and white« | >> see all
-
I will be wolf
by Bertien van Manen
Euro 39 -
Jacques Henri Lartigue et les autos
by Jacques Henri Lartigue
sold out -
Mynas
by Robert Zhao Renhui
sold out -
7439. (signed)
by Renato D'Agostin
Euro 250 -
Chronicle (signed - last copy)
by Vladyslav Krasnoshchok and Sergiy Lebedynskyy
sold out -
Fotografien 1969—2009 (signed)
by Roger Ballen
sold out
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Timekeepers (collector's edition - last copy)
by Matjaž Tančič
Euro 295 -
ETC. Magazine N°02/2023
by various photographers
Euro 25 -
Cirkus - Eclisse #3
by Joze Suhadolnik
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3DPRK (signed)
by Matjaž Tančič
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Timekeepers (signed)
by Matjaž Tančič
sold out -
Balkan Pank (collectors' edition)
by Joze Suhadolnik
sold out
Random selection from the Virtual bookshelf josefchladek.com
Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »archive« | >> see all
-
The History of European Photography 1900- 1938
by various photographers
sold out -
Silent Histories
by Kazuma Obara
sold out -
Cucurrucucú (signed)
by Cristina de Middel
Euro 49 24.50 -
Nein, Onkel (last copy)
by various photographers
Euro 165 -
The Hidden Mother
by Linda Fregni Nagler
sold out -
The Looking Game
by M.F.G. Paltrinieri & Mirko Smerdel
sold out
more books tagged »black and white« | >> see all
-
I will be wolf
by Bertien van Manen
Euro 39 -
Jacques Henri Lartigue et les autos
by Jacques Henri Lartigue
sold out -
Mynas
by Robert Zhao Renhui
sold out -
7439. (signed)
by Renato D'Agostin
Euro 250 -
Chronicle (signed - last copy)
by Vladyslav Krasnoshchok and Sergiy Lebedynskyy
sold out -
Fotografien 1969—2009 (signed)
by Roger Ballen
sold out
more books tagged »Slovenian« | >> see all
-
Timekeepers (collector's edition - last copy)
by Matjaž Tančič
Euro 295 -
ETC. Magazine N°02/2023
by various photographers
Euro 25 -
Cirkus - Eclisse #3
by Joze Suhadolnik
sold out -
3DPRK (signed)
by Matjaž Tančič
sold out -
Timekeepers (signed)
by Matjaž Tančič
sold out -
Balkan Pank (collectors' edition)
by Joze Suhadolnik
sold out
Random selection from the Virtual bookshelf josefchladek.com