Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
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Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »Slovenian« | >> see all
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3DPRK (signed)
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Euro 60 -
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by Matjaž Tančič
sold out -
Balkan Pank (collectors' edition)
by Joze Suhadolnik
sold out -
In Vivo (signed) - used copy
by Klavdij Sluban
Euro 60 36.00
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Until Death Do Us Part
by Thomas Sauvin
Euro 38 -
The World From My Front Porch
by Larry Towell
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by Andrea Botto
Euro 155 -
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by Adam Broomberg & Oliver Chanarin
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Until Death Do Us Part (first edition)
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Das Leben als Photographin
by Inge Morath
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The Last Hurrah
by Dafydd Jones
sold out -
Pittsburgh 1950
by Elliott Erwitt
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Euro 60 -
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by Motohashi Seiichi
Euro 48 -
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by Mary Frey
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Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »Slovenian« | >> see all
-
3DPRK (signed)
by Matjaž Tančič
Euro 44 -
Cirkus - Eclisse #3
by Joze Suhadolnik
sold out -
In Vivo (signed)
by Klavdij Sluban
Euro 60 -
3DPRK (signed)
by Matjaž Tančič
sold out -
Balkan Pank (collectors' edition)
by Joze Suhadolnik
sold out -
In Vivo (signed) - used copy
by Klavdij Sluban
Euro 60 36.00
more books tagged »archive« | >> see all
-
Until Death Do Us Part
by Thomas Sauvin
Euro 38 -
The World From My Front Porch
by Larry Towell
sold out -
19.06_26.08.1945 (signed - last copies)
by Andrea Botto
Euro 155 -
Holy Bible (first edition - second printing)
by Adam Broomberg & Oliver Chanarin
sold out -
Until Death Do Us Part (first edition)
by Thomas Sauvin
sold out -
Das Leben als Photographin
by Inge Morath
sold out
more books tagged »black and white« | >> see all
-
The Last Hurrah
by Dafydd Jones
sold out -
Pittsburgh 1950
by Elliott Erwitt
Euro 65 -
Sentimental Journey 2
by Nobuyoshi Araki
Euro 60 -
Sense Of Place
by Motohashi Seiichi
Euro 48 -
Roma
by Josef Koudelka
sold out -
Reading Raymond Carver (last copy)
by Mary Frey
Euro 45
Random selection from the Virtual bookshelf josefchladek.com