Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
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Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
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3DPRK (signed)
by Matjaž Tančič
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ETC. Magazine N°02/2023
by various photographers
Euro 25 -
Balkan Pank (collectors' edition)
by Joze Suhadolnik
sold out -
Timekeepers (collector's edition - last copy)
by Matjaž Tančič
Euro 295 -
In Vivo (signed)
by Klavdij Sluban
sold out -
At the Border (last copy)
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Ramadan in Yemen (signed)
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Now I wanna be your dog! (signed - last copy)
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by Yusuke Yamatani
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by Gerry Johansson
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by Wypke Jannette Walen
Euro 17.50
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Holy Bible (first edition - second printing - signed)
by Adam Broomberg & Oliver Chanarin
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Until Death Do Us Part (signed - last copy)
by Thomas Sauvin
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Nein, Onkel (review copy)
by various photographers
Euro 165 132.00 -
A Period of Juvenile Prosperity (first edition - review copy)
by Mike Brodie
Euro 220 132.00 -
The Way We Were (signed - last copy)
by Richard Bartholomew, Pablo Bartholomew
sold out -
not far (signed+print)
by Ildi Hermann
Euro 69
Random selection from the Virtual bookshelf josefchladek.com
Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »Slovenian« | >> see all
-
3DPRK (signed)
by Matjaž Tančič
sold out -
ETC. Magazine N°02/2023
by various photographers
Euro 25 -
Balkan Pank (collectors' edition)
by Joze Suhadolnik
sold out -
Timekeepers (collector's edition - last copy)
by Matjaž Tančič
Euro 295 -
In Vivo (signed)
by Klavdij Sluban
sold out -
At the Border (last copy)
by Sputnik Photos
Euro 125
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-
Pandora's Camera
by Joan Fontcuberta
sold out -
Ramadan in Yemen (signed)
by Max Pam
sold out -
Now I wanna be your dog! (signed - last copy)
by Morten Andersen
Euro 16.50 -
Rama Lama Ding Dong
by Yusuke Yamatani
sold out -
Tree Stone Water (signed)
by Gerry Johansson
sold out -
Poem as an Object # 2 (signed)
by Wypke Jannette Walen
Euro 17.50
more books tagged »archive« | >> see all
-
Holy Bible (first edition - second printing - signed)
by Adam Broomberg & Oliver Chanarin
sold out -
Until Death Do Us Part (signed - last copy)
by Thomas Sauvin
sold out -
Nein, Onkel (review copy)
by various photographers
Euro 165 132.00 -
A Period of Juvenile Prosperity (first edition - review copy)
by Mike Brodie
Euro 220 132.00 -
The Way We Were (signed - last copy)
by Richard Bartholomew, Pablo Bartholomew
sold out -
not far (signed+print)
by Ildi Hermann
Euro 69
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