Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
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Random selection from the Virtual bookshelf josefchladek.com
Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »black and white« | >> see all
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As Terras do Fim do Mundo (last copies)
by Jo Ractliffe
Euro 85 -
Asphalt VI
by various photographers
Euro 25 -
Cry of an Echo (signed)
by Malgorzata Stankiewicz
Euro 38.50 -
The Borderlands
by Jo Ractliffe
sold out -
Shimakage (signed)
by Chieko Shiraishi
sold out -
För att/ Because (review copy)
by Helena Pals
Euro 36
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3DPRK (signed - review copy)
by Matjaž Tančič
Euro 44 39.60 -
Timekeepers (signed)
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In Vivo (signed)
by Klavdij Sluban
sold out -
100 Flowers (signed)
by Tanja Lažetić
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Cirkus - Eclisse #3
by Joze Suhadolnik
sold out -
America, my way (signed)
by Matej Sitar
Euro 65
more books tagged »archive« | >> see all
-
Algeria (last copy)
by Dirk Alvermann
sold out -
The Soviet Photobook 1920-1941
by Mikhail Karasik
sold out -
Until Death Do Us Part
by Thomas Sauvin
sold out -
The Hidden Mother
by Linda Fregni Nagler
sold out -
1000 Bunko
by Satoshi Machiguchi
sold out -
Deadline (signed)
by Will Steacy
sold out
Random selection from the Virtual bookshelf josefchladek.com
;jpg?c=72c7f83d88f23905f82958dfebd4024f)
Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »black and white« | >> see all
-
As Terras do Fim do Mundo (last copies)
by Jo Ractliffe
Euro 85 -
Asphalt VI
by various photographers
Euro 25 -
Cry of an Echo (signed)
by Malgorzata Stankiewicz
Euro 38.50 -
The Borderlands
by Jo Ractliffe
sold out -
Shimakage (signed)
by Chieko Shiraishi
sold out -
För att/ Because (review copy)
by Helena Pals
Euro 36
more books tagged »Slovenian« | >> see all
-
3DPRK (signed - review copy)
by Matjaž Tančič
Euro 44 39.60 -
Timekeepers (signed)
by Matjaž Tančič
sold out -
In Vivo (signed)
by Klavdij Sluban
sold out -
100 Flowers (signed)
by Tanja Lažetić
sold out -
Cirkus - Eclisse #3
by Joze Suhadolnik
sold out -
America, my way (signed)
by Matej Sitar
Euro 65
more books tagged »archive« | >> see all
-
Algeria (last copy)
by Dirk Alvermann
sold out -
The Soviet Photobook 1920-1941
by Mikhail Karasik
sold out -
Until Death Do Us Part
by Thomas Sauvin
sold out -
The Hidden Mother
by Linda Fregni Nagler
sold out -
1000 Bunko
by Satoshi Machiguchi
sold out -
Deadline (signed)
by Will Steacy
sold out
Random selection from the Virtual bookshelf josefchladek.com
;jpg?c=6eb0cbe98ff6fc3f02076e714666e4e0)
;jpg?c=6bcb590441fbd24a186f1f443d216d40)