Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
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Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
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The Americans
by Robert Frank
sold out -
Deep Springs (signed)
by Sam Contis
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Roots & Bonds II (unique collector's edition)
by Regina Anzenberger
Euro 3500 -
AMC² N°9: Amore e Piombo - The Photography of Extremes in 1970...
by Federica Chiocchetti, Roger Hargreaves
sold out -
In the Meantime: Europe
by Hana Jakrlova
Euro 39 -
Grosse Photographen unserer Zeit
by Inge Morath
sold out
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Man Jayen
by Cristina de Middel
Euro 40 -
American Colour 1962 - 1965
by Tony Ray-Jones
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by Arnaud Lesage
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Until Death Do Us Part
by Thomas Sauvin
Euro 42 -
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by Rafal Milach
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by Regina Maria Anzenberger
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by Matjaž Tančič
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by Sputnik Photos
Euro 125 -
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by Tanja Lažetić
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America, my way (signed)
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by various photographers
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by Joze Suhadolnik
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Random selection from the Virtual bookshelf josefchladek.com
Atavism (last copy)
by Robert Hutinski
Photographs: Robert Hutinski
Publisher: Akina Books
44 pages
Pictures: black and white illustrations throughout
Year: 2013
Comments: 14×20 cm; Paper: Fedrigoni Cento,transparencies; sewn binding; Edition of 150; numbered
Robert Hutinski milks the ethereal substance of memories from the raw material of half-torn images found in his town’s archives, crafting a tale of remembrance and disappearence.
Priests, doctors, soldiers, tavern regulars, sleeping beauties inhabit a map which key is lost forever once the caption accompanying them is gone.
Atavism traces the contours of a map of collective memory, where the actors gradually disappear leaving no trace behind but the places they used to live in.
A lyric exploration of human consciousness where the faulty path from recollection to memory takes place, an arbitrary and contingent process which transform experience into history. Some moments are saved, some other drown. Recollections inescapably fade away, leaving behind a flotsam of images beyond interpretation, silent as sphynxes, drifting until the day they disappear in the whirlpool of time.
What is in the photos is what I think I see.
To observe – To document – To communicate – To warn – To take a stand.
Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin. The complex array of topics pertaining to the notion of the political affect the individual from cradle to tomb without (in most cases) the individual’s awareness thereof. All these practices and ideas which are in constant conflict are translated and assimilated via various fields into the individual’s everyday. One such field is photography whose very power lies in being politically incorrect in practice. Only thus can it be morally and ethically pure – a factor of reflection and promotion of awareness.
I was born in 1969, Celje; this is where I live. I have held several solo and group exhibitions at home and abroad.
Robert Hutinski
more books tagged »black and white« | >> see all
-
The Americans
by Robert Frank
sold out -
Deep Springs (signed)
by Sam Contis
sold out -
Roots & Bonds II (unique collector's edition)
by Regina Anzenberger
Euro 3500 -
AMC² N°9: Amore e Piombo - The Photography of Extremes in 1970...
by Federica Chiocchetti, Roger Hargreaves
sold out -
In the Meantime: Europe
by Hana Jakrlova
Euro 39 -
Grosse Photographen unserer Zeit
by Inge Morath
sold out
more books tagged »archive« | >> see all
-
Man Jayen
by Cristina de Middel
Euro 40 -
American Colour 1962 - 1965
by Tony Ray-Jones
sold out -
ANATOPÉES (signed)
by Arnaud Lesage
sold out -
Until Death Do Us Part
by Thomas Sauvin
Euro 42 -
In the Car with R (signed + print - last copy)
by Rafal Milach
Euro 770 -
A Photographic Discovery
by Regina Maria Anzenberger
Euro 99.90
more books tagged »Slovenian« | >> see all
-
3DPRK (signed)
by Matjaž Tančič
sold out -
At the Border (last copy)
by Sputnik Photos
Euro 125 -
100 Flowers (signed)
by Tanja Lažetić
sold out -
America, my way (signed)
by Matej Sitar
Euro 65 -
ETC. Magazine N°02/2023
by various photographers
Euro 25 -
Balkan Pank (collectors' edition)
by Joze Suhadolnik
sold out
Random selection from the Virtual bookshelf josefchladek.com
