The Modern Spirit is Vivisective (signed review copy)
by Francesca Catastini
Photographs: Francesca Catastini
Text: Federica Chiocchetti
Publisher: AnzenbergerEdition
112 pages
Pictures: 50
Year: 2016
Price: 34 €
Comments: 23 x 16 cm, hardcover with embossed cover picture, Swiss brochure, Edition of 500 copies including 25 collector's editions with a print.
This book won the 1st Prize of the ViennaPhotoBookAward at the ViennaPhotoBookReview of the ViennaPhotoBookFestival in June 2016. It was selected by the following jury: Gerry Badger, Andreas H. Bitesnich, Josef Chladek, Roger Eberhard, Nela Eggenberger, Brad Feuerhelm, Peter Gössner, Rob van Hoesel, Espen Krukhaug, Calin Kruse, Harald Latzko, Corinne Noordenbos, Andrew Phelps, Klaus Pichler, Hannes Wanderer.
www.viennaphotobookfestival.com
“The modern spirit is vivisective. Vivisection itself is the most modern process one can conceive. The ancient spirit accepted phenomena with bad grace. The ancient method investigated law with the lantern of justice, morality with the lantern of revelation, art with the lantern of tradition. But all these lanterns have magical properties: they transform and disfigure. The modern method examines its territory by the light of day.”
So said the modernist manifesto of a young James Joyce, a former medical student, in his Stephen Hero, offering a portrait of the artist as vivisector, a carnal voyeur whose victim suffers his gaze as she does the surgeon’s scalpel.
Photo-artist Francesca Catastini explores vivisection as an aesthetic performance. Acting as both the victim and the artist, she dissects the very notion of scopophilia, blindness and the human quest for knowledge.
Presented as a cornucopia of materials, her found photographs of old Anatomy lab and blind school students mingle with appropriated frontispieces of Renaissance Anatomy manuals and her austere yet ironical photoworks to form a telescopic structure divided into overlapping sections – the chapters of her forthcoming book: on looking, on touching, on cutting and on discovering.
Federica Chiocchetti, The Photocaptionist
> book review by Gerry Badger for the magazine 1000 Words
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The Modern Spirit is Vivisective (signed review copy)
by Francesca Catastini
Photographs: Francesca Catastini
Text: Federica Chiocchetti
Publisher: AnzenbergerEdition
112 pages
Pictures: 50
Year: 2016
Price: 34 €
Comments: 23 x 16 cm, hardcover with embossed cover picture, Swiss brochure, Edition of 500 copies including 25 collector's editions with a print.
This book won the 1st Prize of the ViennaPhotoBookAward at the ViennaPhotoBookReview of the ViennaPhotoBookFestival in June 2016. It was selected by the following jury: Gerry Badger, Andreas H. Bitesnich, Josef Chladek, Roger Eberhard, Nela Eggenberger, Brad Feuerhelm, Peter Gössner, Rob van Hoesel, Espen Krukhaug, Calin Kruse, Harald Latzko, Corinne Noordenbos, Andrew Phelps, Klaus Pichler, Hannes Wanderer.
www.viennaphotobookfestival.com
“The modern spirit is vivisective. Vivisection itself is the most modern process one can conceive. The ancient spirit accepted phenomena with bad grace. The ancient method investigated law with the lantern of justice, morality with the lantern of revelation, art with the lantern of tradition. But all these lanterns have magical properties: they transform and disfigure. The modern method examines its territory by the light of day.”
So said the modernist manifesto of a young James Joyce, a former medical student, in his Stephen Hero, offering a portrait of the artist as vivisector, a carnal voyeur whose victim suffers his gaze as she does the surgeon’s scalpel.
Photo-artist Francesca Catastini explores vivisection as an aesthetic performance. Acting as both the victim and the artist, she dissects the very notion of scopophilia, blindness and the human quest for knowledge.
Presented as a cornucopia of materials, her found photographs of old Anatomy lab and blind school students mingle with appropriated frontispieces of Renaissance Anatomy manuals and her austere yet ironical photoworks to form a telescopic structure divided into overlapping sections – the chapters of her forthcoming book: on looking, on touching, on cutting and on discovering.
Federica Chiocchetti, The Photocaptionist
> book review by Gerry Badger for the magazine 1000 Words
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The Modern Spirit is Vivisective (signed review copy)
by Francesca Catastini
Photographs: Francesca Catastini
Text: Federica Chiocchetti
Publisher: AnzenbergerEdition
112 pages
Pictures: 50
Year: 2016
Price: 34 €
Comments: 23 x 16 cm, hardcover with embossed cover picture, Swiss brochure, Edition of 500 copies including 25 collector's editions with a print.
This book won the 1st Prize of the ViennaPhotoBookAward at the ViennaPhotoBookReview of the ViennaPhotoBookFestival in June 2016. It was selected by the following jury: Gerry Badger, Andreas H. Bitesnich, Josef Chladek, Roger Eberhard, Nela Eggenberger, Brad Feuerhelm, Peter Gössner, Rob van Hoesel, Espen Krukhaug, Calin Kruse, Harald Latzko, Corinne Noordenbos, Andrew Phelps, Klaus Pichler, Hannes Wanderer.
www.viennaphotobookfestival.com
“The modern spirit is vivisective. Vivisection itself is the most modern process one can conceive. The ancient spirit accepted phenomena with bad grace. The ancient method investigated law with the lantern of justice, morality with the lantern of revelation, art with the lantern of tradition. But all these lanterns have magical properties: they transform and disfigure. The modern method examines its territory by the light of day.”
So said the modernist manifesto of a young James Joyce, a former medical student, in his Stephen Hero, offering a portrait of the artist as vivisector, a carnal voyeur whose victim suffers his gaze as she does the surgeon’s scalpel.
Photo-artist Francesca Catastini explores vivisection as an aesthetic performance. Acting as both the victim and the artist, she dissects the very notion of scopophilia, blindness and the human quest for knowledge.
Presented as a cornucopia of materials, her found photographs of old Anatomy lab and blind school students mingle with appropriated frontispieces of Renaissance Anatomy manuals and her austere yet ironical photoworks to form a telescopic structure divided into overlapping sections – the chapters of her forthcoming book: on looking, on touching, on cutting and on discovering.
Federica Chiocchetti, The Photocaptionist
> book review by Gerry Badger for the magazine 1000 Words
More books by Francesca Catastini
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The Modern Spirit is Vivisective (signed)
by Francesca Catastini
Euro 34 -
The Modern Spirit is Vivisective (book + print - last copies)
by Francesca Catastini
Euro 100 -
The Modern Spirit is Vivisective
by Francesca Catastini
Euro 29 -
Petrus
by Francesca Catastini
Euro 38.50 -
The Modern Spirit is Vivisective (book + framed print - last c...
by Francesca Catastini
Euro 280
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Homo Viksraitis (signed)
by Rimaldas Viksraitis
Euro 49 -
Reading Raymond Carver (last copy)
by Mary Frey
Euro 45 -
Phenomena
by Sara Galbiati, Peter Helles Eriksen, Tobias Selnaes Markussen
sold out -
The Art of Shovel (signed)
by Doyeon Gwon
Euro 42 -
London Charivari 1980 - 1985
by Mike England
sold out -
Neighbors (last copies)
by Roe Ethridge
Euro 44
more books tagged »medicine« | >> see all
more books tagged »Italian« | >> see all
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Etna (signed)
by Renato D'Agostin
sold out -
Witty Kiwi Mag: Issue 2
by various photographers
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east (signed)
by Regina Maria Anzenberger
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An Invented World
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The Complete Essays 1973–1991
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