Landscapes without memory
by Joan Fontcuberta
Photographs: Joan Fontcuberta
Text: Geoffrey Batchen
Publisher: aperture
96 pages
Pictures: 80
Year: Fall 2005
ISBN: 978-1-931788-79-3
Price: 35 €
Comments: Hardcover, 27 x 21 cm,
One of Spain's most prominent and innovative artists, Joan Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. In Landscapes without Memory, Fontcuberta has co-opted a piece of computer software originally designed for military or scientific use in rendering three-dimensional images of landscapes. The software enables the user to build photo-realistic models based on information scanned from two-dimensional sources—usually satellite surveys or cartographic data. The result gives the user the illusion of navigating in three dimensions which had previously been visualized only as a flat image. With this widely available "freeware" as his starting point, Fontcuberta has created the two series that constitute his Landscapes without Memory. In the "Landscapes of Landscapes" series, Fontcuberta feeds the software fragments of pictures by Turner, Cézanne, Dalí, Stieglitz, Weston, and others, forcing the program to interpret a variety of landscape masterworks as "real." The contours and tones of these painted and photographic landscapes are transformed into three-dimensional mountains, rivers, valleys, and clouds. The vocabulary of art is thus transmuted into that of cartography. In the "Bodyscapes" series, Fontcuberta uses the same software to reinterpret photographs depicting fragments of his own body. The result? A wild, baroque, virtual- fantasy world. While referring to the contemporary exchange between illusion, nature, culture, and technology, Landscapes without Memory also makes a pointed gesture aimed at fooling that epitome of machine rationalism: the computer. This project has been made possible in part by the support of the Consulate General of Spain in New York.
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Landscapes without memory
by Joan Fontcuberta
Photographs: Joan Fontcuberta
Text: Geoffrey Batchen
Publisher: aperture
96 pages
Pictures: 80
Year: Fall 2005
ISBN: 978-1-931788-79-3
Price: 35 €
Comments: Hardcover, 27 x 21 cm,
One of Spain's most prominent and innovative artists, Joan Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. In Landscapes without Memory, Fontcuberta has co-opted a piece of computer software originally designed for military or scientific use in rendering three-dimensional images of landscapes. The software enables the user to build photo-realistic models based on information scanned from two-dimensional sources—usually satellite surveys or cartographic data. The result gives the user the illusion of navigating in three dimensions which had previously been visualized only as a flat image. With this widely available "freeware" as his starting point, Fontcuberta has created the two series that constitute his Landscapes without Memory. In the "Landscapes of Landscapes" series, Fontcuberta feeds the software fragments of pictures by Turner, Cézanne, Dalí, Stieglitz, Weston, and others, forcing the program to interpret a variety of landscape masterworks as "real." The contours and tones of these painted and photographic landscapes are transformed into three-dimensional mountains, rivers, valleys, and clouds. The vocabulary of art is thus transmuted into that of cartography. In the "Bodyscapes" series, Fontcuberta uses the same software to reinterpret photographs depicting fragments of his own body. The result? A wild, baroque, virtual- fantasy world. While referring to the contemporary exchange between illusion, nature, culture, and technology, Landscapes without Memory also makes a pointed gesture aimed at fooling that epitome of machine rationalism: the computer. This project has been made possible in part by the support of the Consulate General of Spain in New York.
More books by Joan Fontcuberta
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The Photography of Nature & The Nature of Photography
by Joan Fontcuberta
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Pandora's Camera
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Honoring the Doughboys: Following My Grandfather’s World War I...
by Jeffrey A. Lowdermilk
sold out -
The Fireweed Turns (signed)
by Katharine McDaid
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Anywhere
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Tirol (slightly damaged)
by Günther Thöni
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Alaska
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The Tree of Life is Eternally Green
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Random selection from the Virtual bookshelf josefchladek.com
Landscapes without memory
by Joan Fontcuberta
Photographs: Joan Fontcuberta
Text: Geoffrey Batchen
Publisher: aperture
96 pages
Pictures: 80
Year: Fall 2005
ISBN: 978-1-931788-79-3
Price: 35 €
Comments: Hardcover, 27 x 21 cm,
One of Spain's most prominent and innovative artists, Joan Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. In Landscapes without Memory, Fontcuberta has co-opted a piece of computer software originally designed for military or scientific use in rendering three-dimensional images of landscapes. The software enables the user to build photo-realistic models based on information scanned from two-dimensional sources—usually satellite surveys or cartographic data. The result gives the user the illusion of navigating in three dimensions which had previously been visualized only as a flat image. With this widely available "freeware" as his starting point, Fontcuberta has created the two series that constitute his Landscapes without Memory. In the "Landscapes of Landscapes" series, Fontcuberta feeds the software fragments of pictures by Turner, Cézanne, Dalí, Stieglitz, Weston, and others, forcing the program to interpret a variety of landscape masterworks as "real." The contours and tones of these painted and photographic landscapes are transformed into three-dimensional mountains, rivers, valleys, and clouds. The vocabulary of art is thus transmuted into that of cartography. In the "Bodyscapes" series, Fontcuberta uses the same software to reinterpret photographs depicting fragments of his own body. The result? A wild, baroque, virtual- fantasy world. While referring to the contemporary exchange between illusion, nature, culture, and technology, Landscapes without Memory also makes a pointed gesture aimed at fooling that epitome of machine rationalism: the computer. This project has been made possible in part by the support of the Consulate General of Spain in New York.
More books by Joan Fontcuberta
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The Photography of Nature & The Nature of Photography
by Joan Fontcuberta
sold out -
Pandora's Camera
by Joan Fontcuberta
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Euro 22 -
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by Cristina de Middel
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Feiern - Veladas (first edition - signed)
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S.A.P.E.
by Héctor Mediavilla
Euro 60
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Honoring the Doughboys: Following My Grandfather’s World War I...
by Jeffrey A. Lowdermilk
sold out -
The Fireweed Turns (signed)
by Katharine McDaid
Euro 65 -
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