Provoke. Complete Reprint of 3 Volumes (last copies)
by PROVOKE
Photographs: Takuma Nakahira, Yutaka Takanashi, Daido Moriyama and others
Text: Koji Taki, Takahiko Okada and others
Publisher: NITESHA
68+109+110 pages
Year: November 2018
Comments: Vol.1: H210×W210mm, Softcover Vol.2: H242×W180mm, Softcover, Obi Strip Vol.3: H240×W184mm, Softcover Japanese, booklet in English and Chinese
2018 marks the 50th year since Provoke had first been published.
Provoke was first published in November 1968 as a dojin-shi, or self-published magazine. It was originally conceived by art critic Koji Taki (1928-2011) and photographer Takuma Nakahira (1938-2015), with poet Takahiko Okada (1939-1997) and photographer Yutaka Takanashi as dojin members. The subtitle for the magazine was “Provocative Materials for Thought”, and each issue was composed of photographs, essays and poems. After releasing the second and third issue with Daido Moriyama as a subsequent member, the group broke up with their last publication First, Abandon the World of Pseudo-Certainty - an overview edition of the three issues. Provoke’s grainy, blurry, and out-of-focus photographs were initially ridiculed as are-bure-boke and stirred a great deal of controversy, yet it had created a strong impact inside and outside of the photography world during that time. However, today, Provoke has become an extremely rare book and very few people have seen the original.
Provoke has been attracting increasing attention in recent years, in and out of Japan. In 2016, an extensive photography exhibition entitled Provoke: Between Protest and Performance Photography in Japan, 1960-1975 opened first in Austria, then toured to Switzerland, France and the United States. Provoke has challenged existing photographic conventions and posed fundamental questions of visual perception, in the midst of the social and political upheaval during the late sixties. Now the world is gradually recognizing and re-examining its significance in a multitude of contexts.
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Provoke. Complete Reprint of 3 Volumes (last copies)
by PROVOKE
Photographs: Takuma Nakahira, Yutaka Takanashi, Daido Moriyama and others
Text: Koji Taki, Takahiko Okada and others
Publisher: NITESHA
68+109+110 pages
Year: November 2018
Comments: Vol.1: H210×W210mm, Softcover Vol.2: H242×W180mm, Softcover, Obi Strip Vol.3: H240×W184mm, Softcover Japanese, booklet in English and Chinese
2018 marks the 50th year since Provoke had first been published.
Provoke was first published in November 1968 as a dojin-shi, or self-published magazine. It was originally conceived by art critic Koji Taki (1928-2011) and photographer Takuma Nakahira (1938-2015), with poet Takahiko Okada (1939-1997) and photographer Yutaka Takanashi as dojin members. The subtitle for the magazine was “Provocative Materials for Thought”, and each issue was composed of photographs, essays and poems. After releasing the second and third issue with Daido Moriyama as a subsequent member, the group broke up with their last publication First, Abandon the World of Pseudo-Certainty - an overview edition of the three issues. Provoke’s grainy, blurry, and out-of-focus photographs were initially ridiculed as are-bure-boke and stirred a great deal of controversy, yet it had created a strong impact inside and outside of the photography world during that time. However, today, Provoke has become an extremely rare book and very few people have seen the original.
Provoke has been attracting increasing attention in recent years, in and out of Japan. In 2016, an extensive photography exhibition entitled Provoke: Between Protest and Performance Photography in Japan, 1960-1975 opened first in Austria, then toured to Switzerland, France and the United States. Provoke has challenged existing photographic conventions and posed fundamental questions of visual perception, in the midst of the social and political upheaval during the late sixties. Now the world is gradually recognizing and re-examining its significance in a multitude of contexts.
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by Alexandre Christiaens
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Provoke. Complete Reprint of 3 Volumes (last copies)
by PROVOKE
Photographs: Takuma Nakahira, Yutaka Takanashi, Daido Moriyama and others
Text: Koji Taki, Takahiko Okada and others
Publisher: NITESHA
68+109+110 pages
Year: November 2018
Comments: Vol.1: H210×W210mm, Softcover Vol.2: H242×W180mm, Softcover, Obi Strip Vol.3: H240×W184mm, Softcover Japanese, booklet in English and Chinese
2018 marks the 50th year since Provoke had first been published.
Provoke was first published in November 1968 as a dojin-shi, or self-published magazine. It was originally conceived by art critic Koji Taki (1928-2011) and photographer Takuma Nakahira (1938-2015), with poet Takahiko Okada (1939-1997) and photographer Yutaka Takanashi as dojin members. The subtitle for the magazine was “Provocative Materials for Thought”, and each issue was composed of photographs, essays and poems. After releasing the second and third issue with Daido Moriyama as a subsequent member, the group broke up with their last publication First, Abandon the World of Pseudo-Certainty - an overview edition of the three issues. Provoke’s grainy, blurry, and out-of-focus photographs were initially ridiculed as are-bure-boke and stirred a great deal of controversy, yet it had created a strong impact inside and outside of the photography world during that time. However, today, Provoke has become an extremely rare book and very few people have seen the original.
Provoke has been attracting increasing attention in recent years, in and out of Japan. In 2016, an extensive photography exhibition entitled Provoke: Between Protest and Performance Photography in Japan, 1960-1975 opened first in Austria, then toured to Switzerland, France and the United States. Provoke has challenged existing photographic conventions and posed fundamental questions of visual perception, in the midst of the social and political upheaval during the late sixties. Now the world is gradually recognizing and re-examining its significance in a multitude of contexts.
More books by PROVOKE
more books tagged »Japanese« | >> see all
-
Another Black Darkness (signed)
by Sakiko Nomura
sold out -
EXPOSURE (signed - last copy)
by Kazuma Obara
sold out -
Trails (last copy)
by Takashi Homma
Euro 125 -
And, where did the peacocks go? (signed)
by Miho Kajioka
sold out -
MASAHISA FUKASE
by Masahisa Fukase
sold out -
Effect Twin (signed)
by Daisuke Yokota
sold out
more books tagged »essays« | >> see all
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EIKON Heft 79
by Eikon
Euro 14 5.60 -
The Rustle of Touch (book + 2 prints, signed)
by Ellen Korth
Euro 145 -
EIKON Heft 70
by Eikon
Euro 14 5.60 -
OBJECT AMNESIC: A COMPOST MANIFESTO
by Henrik Strömberg & Jens Soneryd
Euro 72 -
EIKON Heft 71
by Eikon
Euro 14 5.60 -
Migrant Mother, Migrant Gender
by Sally Stein
sold out
more books tagged »Japan« | >> see all
more books tagged »poem« | >> see all
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Reading Raymond Carver (last copy)
by Mary Frey
Euro 45 -
Saft aus Sprache
by Heinz Cibulka
Euro 25 -
Orion (last copy - signed)
by Christopher De Béthune
sold out -
Hunter Grill (signed)
by Alexandre Christiaens
sold out -
Orion Collector's edition (signed - book + print)
by Christopher De Béthune
sold out -
Finché Tornerai Terra (signed)
by Valentino Barachini
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by various photographers
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Euro 120 -
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by Martin Parr
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0000000 (signed - last two copies)
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EUROMAIDAN (signed - last copy)
by Vladyslav Krasnoshchok and Sergiy Lebedynskyy
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Random selection from the Virtual bookshelf josefchladek.com