Musas Muxe
by Nelson Morales
Photographs: Nelson Morales
Text: Nelson Morales
Publisher: Inframundo
84 pages
Year: 2018
Comments: 20x27 cm, Bound by hand
This book addresses the Muxes in an exploration of the cultural, sexual and personal identity of the author and of this community in Oaxaca, México.
Since pre-Hispanic times the Zapotec culture accepts homosexuality, gives it an active role and an open position within society, much more relevant than anywhere else in Latin America. The Muxes are organically integrated into the social and economic net of the community, commenting on the duality as a deeply rooted feature in this country.
Nelson Morales has developed this project for almost eight years, in which he has photographed in his own community on the Isthmus of Oaxaca.
Throughout the time, Nelson Morales tackles the subject, the photographic medium and the way of relating to the Muxes in different ways, creating and recreating the imaginary of the portrayed ones and the author himself from changing perspectives that go deeper and deeper into the multiple layers of the Zapotec culture. Sexuality, identity, and gseender as key issues in society.
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Musas Muxe
by Nelson Morales
Photographs: Nelson Morales
Text: Nelson Morales
Publisher: Inframundo
84 pages
Year: 2018
Comments: 20x27 cm, Bound by hand
This book addresses the Muxes in an exploration of the cultural, sexual and personal identity of the author and of this community in Oaxaca, México.
Since pre-Hispanic times the Zapotec culture accepts homosexuality, gives it an active role and an open position within society, much more relevant than anywhere else in Latin America. The Muxes are organically integrated into the social and economic net of the community, commenting on the duality as a deeply rooted feature in this country.
Nelson Morales has developed this project for almost eight years, in which he has photographed in his own community on the Isthmus of Oaxaca.
Throughout the time, Nelson Morales tackles the subject, the photographic medium and the way of relating to the Muxes in different ways, creating and recreating the imaginary of the portrayed ones and the author himself from changing perspectives that go deeper and deeper into the multiple layers of the Zapotec culture. Sexuality, identity, and gseender as key issues in society.
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by Orlando de la Rosa
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The Bliss of Conformity
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Musas Muxe
by Nelson Morales
Photographs: Nelson Morales
Text: Nelson Morales
Publisher: Inframundo
84 pages
Year: 2018
Comments: 20x27 cm, Bound by hand
This book addresses the Muxes in an exploration of the cultural, sexual and personal identity of the author and of this community in Oaxaca, México.
Since pre-Hispanic times the Zapotec culture accepts homosexuality, gives it an active role and an open position within society, much more relevant than anywhere else in Latin America. The Muxes are organically integrated into the social and economic net of the community, commenting on the duality as a deeply rooted feature in this country.
Nelson Morales has developed this project for almost eight years, in which he has photographed in his own community on the Isthmus of Oaxaca.
Throughout the time, Nelson Morales tackles the subject, the photographic medium and the way of relating to the Muxes in different ways, creating and recreating the imaginary of the portrayed ones and the author himself from changing perspectives that go deeper and deeper into the multiple layers of the Zapotec culture. Sexuality, identity, and gseender as key issues in society.
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FATHOM (English edition - last copy)
by Bernhard Fuchs
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Sisters
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Scene (last copy)
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Vorágine
by Orlando de la Rosa
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The Bliss of Conformity
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by Peter van Agtmael
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The Complete Essays 1973–1991
by Luigi Ghirri
Euro 22
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Roxane II (signed - last copies)
by Viviane Sassen
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Eclipse
by Antoine d'Agata
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by Ren Hang
sold out -
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by Jörgen Axelvall
Euro 62 -
Roxane II (signed - last copy)
by Viviane Sassen
Euro 165 -
Momentum (signed)
by Andreas H. Bitesnich
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Lotus (signed)
by Max Pinckers and Quinten De Bruyn
Euro 55 -
Son and Bitch (signed - last copy)
by Ren Hang
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by Alessandro Bo Rohde
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