Bufet (signed)
by Tamara Horáková & Ewald Maurer
Photographs: Tamara Horáková & Edwald Maurer
Text: Petr Nedoma, Monika Faber, Werner Fenz
Publisher: Edition Camera Austria
72 pages
Pictures: 46
Year: 1993
ISBN: 3-900508-12-7
Comments: Comments: 25 cm x 31,5 cm, edition of 1000, color and black and white illustrations, language: german/english, partly czech
When artists Tamara Horáková and Ewald Maurer „invade“ Mies van der Rohe’s Villa Tugendhat, they consciously take on the aesthetic and historic limits of an existing construction. Van der Rohe’s work, built 1927/30 in Brno, is more than just a functionalist architectonic backdrop, but a prime example of the constellation of history in its aesthetic, ideological and pragmatic categories.
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Bufet (signed)
by Tamara Horáková & Ewald Maurer
Photographs: Tamara Horáková & Edwald Maurer
Text: Petr Nedoma, Monika Faber, Werner Fenz
Publisher: Edition Camera Austria
72 pages
Pictures: 46
Year: 1993
ISBN: 3-900508-12-7
Comments: Comments: 25 cm x 31,5 cm, edition of 1000, color and black and white illustrations, language: german/english, partly czech
When artists Tamara Horáková and Ewald Maurer „invade“ Mies van der Rohe’s Villa Tugendhat, they consciously take on the aesthetic and historic limits of an existing construction. Van der Rohe’s work, built 1927/30 in Brno, is more than just a functionalist architectonic backdrop, but a prime example of the constellation of history in its aesthetic, ideological and pragmatic categories.
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Bufet (signed)
by Tamara Horáková & Ewald Maurer
Photographs: Tamara Horáková & Edwald Maurer
Text: Petr Nedoma, Monika Faber, Werner Fenz
Publisher: Edition Camera Austria
72 pages
Pictures: 46
Year: 1993
ISBN: 3-900508-12-7
Comments: Comments: 25 cm x 31,5 cm, edition of 1000, color and black and white illustrations, language: german/english, partly czech
When artists Tamara Horáková and Ewald Maurer „invade“ Mies van der Rohe’s Villa Tugendhat, they consciously take on the aesthetic and historic limits of an existing construction. Van der Rohe’s work, built 1927/30 in Brno, is more than just a functionalist architectonic backdrop, but a prime example of the constellation of history in its aesthetic, ideological and pragmatic categories.
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The still hour / La hora inmóvil
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DOM - Document Object Model (signed - last copy)
by Julia Borissova
Euro 125 -
Landschaft für Engel
by Christine de Grancy
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