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Rules of the Road

by Vitaly Fomenko


Photographs: Vitaly Fomenko

Publisher: Riot Books

Year: 2015

Comments: 12cm x 18cm. Text Editor: Martin Bollati, Design: Ilkin Huseynov, Hand made binding, Inside Paper: Arcoprint Milk 150 gr, Cover Paper: Arcoprint Milk 300 gr, Limited edition of 250

sold out

"In the Fall of 2014 the world witnessed with confusion, how, headed by the ambitious adventurer Putin, fraternal Russia invaded the Ukrainian peninsula of Crimea.
This Project reinterprets the problems involved in political territory and movement through Soviet worn-out prints from the 80‘s Sevastopol State Traffic Inspectorate.
Traffic lights give an institutional order to the public displacement. A simple color system, a symbolic cultural attempt to control, to guide and to warn, determines rhythm in a city. Red means “stop“, Green “go“ and Yellow “take precautions: think before taking a decision.
Space and time, as well as history and limits are determined by a political construction".
All photographs belonged to Vitaly Fomenko’s father personal collection of his years as a public officer in the Sevastopol State Traffic Inspectorate.


more books tagged »drawing« | >> see all

more books tagged »Russian« | >> see all

more books tagged »soviet« | >> see all

more books tagged »collage« | >> see all

A collector's choice by josefchladek.com

Rules of the Road

by Vitaly Fomenko


Photographs: Vitaly Fomenko

Publisher: Riot Books

Year: 2015

Comments: 12cm x 18cm. Text Editor: Martin Bollati, Design: Ilkin Huseynov, Hand made binding, Inside Paper: Arcoprint Milk 150 gr, Cover Paper: Arcoprint Milk 300 gr, Limited edition of 250

sold out

"In the Fall of 2014 the world witnessed with confusion, how, headed by the ambitious adventurer Putin, fraternal Russia invaded the Ukrainian peninsula of Crimea.
This Project reinterprets the problems involved in political territory and movement through Soviet worn-out prints from the 80‘s Sevastopol State Traffic Inspectorate.
Traffic lights give an institutional order to the public displacement. A simple color system, a symbolic cultural attempt to control, to guide and to warn, determines rhythm in a city. Red means “stop“, Green “go“ and Yellow “take precautions: think before taking a decision.
Space and time, as well as history and limits are determined by a political construction".
All photographs belonged to Vitaly Fomenko’s father personal collection of his years as a public officer in the Sevastopol State Traffic Inspectorate.


more books tagged »drawing« | >> see all

more books tagged »Russian« | >> see all

more books tagged »soviet« | >> see all

more books tagged »collage« | >> see all

A collector's choice by josefchladek.com

Rules of the Road

by Vitaly Fomenko


Photographs: Vitaly Fomenko

Publisher: Riot Books

Year: 2015

Comments: 12cm x 18cm. Text Editor: Martin Bollati, Design: Ilkin Huseynov, Hand made binding, Inside Paper: Arcoprint Milk 150 gr, Cover Paper: Arcoprint Milk 300 gr, Limited edition of 250

sold out

"In the Fall of 2014 the world witnessed with confusion, how, headed by the ambitious adventurer Putin, fraternal Russia invaded the Ukrainian peninsula of Crimea.
This Project reinterprets the problems involved in political territory and movement through Soviet worn-out prints from the 80‘s Sevastopol State Traffic Inspectorate.
Traffic lights give an institutional order to the public displacement. A simple color system, a symbolic cultural attempt to control, to guide and to warn, determines rhythm in a city. Red means “stop“, Green “go“ and Yellow “take precautions: think before taking a decision.
Space and time, as well as history and limits are determined by a political construction".
All photographs belonged to Vitaly Fomenko’s father personal collection of his years as a public officer in the Sevastopol State Traffic Inspectorate.


more books tagged »drawing« | >> see all

more books tagged »Russian« | >> see all

more books tagged »soviet« | >> see all

more books tagged »collage« | >> see all

A collector's choice by josefchladek.com

(c) 2013 Anzenberger Gallery
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