I'm Good I'm Great I'm Wonderful
by Vesselina Nikolaeva
Photographs: Vesselina Nikolaeva
Text: Vesselina Nikolaeva, Frank Mulder, Rami, Bettina Can Santen, Yana Buhrer Tavanier, Nina Todorova, Aleid Wolfsen
Publisher: selfpublished
unpaged pages
Pictures: colour illustrations throughout
Year: 2012
Price: 15 €
Comments: newspaper format and paper, 40 x 25 cm
The days of the old buildings on Camera Obscura street are counted. In one-year time they’ll be gone to make a place for new and modern houses eventually.
But for now, this is still a post-war neighbourhood, often associated with anonymity and gloominess, where people continue to cope with their environment short before parting with it.
The ones who end up here cope with aging, immigration, illegality. They struggle to find work, to contain their personal and cultural integrity. I try to touch that through photographs of their domestic landscapes.
Such neighbourhoods are in the quiet gray areas of the city; few have seen life as it is here and soon nobody will. I strive for realistic pictures to make a personal diary of the days in this place.
—Vesselina Nikolaeva
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I'm Good I'm Great I'm Wonderful
by Vesselina Nikolaeva
Photographs: Vesselina Nikolaeva
Text: Vesselina Nikolaeva, Frank Mulder, Rami, Bettina Can Santen, Yana Buhrer Tavanier, Nina Todorova, Aleid Wolfsen
Publisher: selfpublished
unpaged pages
Pictures: colour illustrations throughout
Year: 2012
Price: 15 €
Comments: newspaper format and paper, 40 x 25 cm
The days of the old buildings on Camera Obscura street are counted. In one-year time they’ll be gone to make a place for new and modern houses eventually.
But for now, this is still a post-war neighbourhood, often associated with anonymity and gloominess, where people continue to cope with their environment short before parting with it.
The ones who end up here cope with aging, immigration, illegality. They struggle to find work, to contain their personal and cultural integrity. I try to touch that through photographs of their domestic landscapes.
Such neighbourhoods are in the quiet gray areas of the city; few have seen life as it is here and soon nobody will. I strive for realistic pictures to make a personal diary of the days in this place.
—Vesselina Nikolaeva
More books by Vesselina Nikolaeva
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BABA (signed - last copy)
by Vesselina Nikolaeva
Euro 44 -
Simply a Line (signed)
by Vesselina Nikolaeva
sold out -
School no7 (signed)
by Vesselina Nikolaeva
Euro 29 -
Yesterday when I was little (signed)
by Vesselina Nikolaeva
Euro 75
more books tagged »portrait« | >> see all
-
American Dream (signed)
by Agnieszka Rayss
Euro 40 -
Foreigner: Migration into Europe 2015–2016
by John Radcliffe Studio
Euro 450 -
On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
sold out -
Big Champ (signed)
by Thomas Hoepker
sold out -
Deutsche Börse Photography Foundation Prize 2017
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Euro 39 -
My Lagos
by Robin Hammond
Euro 95
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Kitchen Stories from the Balkans (signed + print)
by Eugenia Maximova
Euro 220 -
Forget Your Past (signed)
by Nikola Mihov
sold out -
Kitchen Stories from the Balkans (signed - last copies)
by Eugenia Maximova
sold out -
Associated Nostalgia (signed)
by Eugenia Maximova
Euro 35
Random selection from the Virtual bookshelf josefchladek.com
I'm Good I'm Great I'm Wonderful
by Vesselina Nikolaeva
Photographs: Vesselina Nikolaeva
Text: Vesselina Nikolaeva, Frank Mulder, Rami, Bettina Can Santen, Yana Buhrer Tavanier, Nina Todorova, Aleid Wolfsen
Publisher: selfpublished
unpaged pages
Pictures: colour illustrations throughout
Year: 2012
Price: 15 €
Comments: newspaper format and paper, 40 x 25 cm
The days of the old buildings on Camera Obscura street are counted. In one-year time they’ll be gone to make a place for new and modern houses eventually.
But for now, this is still a post-war neighbourhood, often associated with anonymity and gloominess, where people continue to cope with their environment short before parting with it.
The ones who end up here cope with aging, immigration, illegality. They struggle to find work, to contain their personal and cultural integrity. I try to touch that through photographs of their domestic landscapes.
Such neighbourhoods are in the quiet gray areas of the city; few have seen life as it is here and soon nobody will. I strive for realistic pictures to make a personal diary of the days in this place.
—Vesselina Nikolaeva
More books by Vesselina Nikolaeva
-
BABA (signed - last copy)
by Vesselina Nikolaeva
Euro 44 -
Simply a Line (signed)
by Vesselina Nikolaeva
sold out -
School no7 (signed)
by Vesselina Nikolaeva
Euro 29 -
Yesterday when I was little (signed)
by Vesselina Nikolaeva
Euro 75
more books tagged »portrait« | >> see all
-
American Dream (signed)
by Agnieszka Rayss
Euro 40 -
Foreigner: Migration into Europe 2015–2016
by John Radcliffe Studio
Euro 450 -
On a Wet Bough (signed - last copy)
by Keliy Anderson-Staley
sold out -
Big Champ (signed)
by Thomas Hoepker
sold out -
Deutsche Börse Photography Foundation Prize 2017
by various photographers
Euro 39 -
My Lagos
by Robin Hammond
Euro 95
more books tagged »Bulgarian« | >> see all
-
Kitchen Stories from the Balkans (signed + print)
by Eugenia Maximova
Euro 220 -
Forget Your Past (signed)
by Nikola Mihov
sold out -
Kitchen Stories from the Balkans (signed - last copies)
by Eugenia Maximova
sold out -
Associated Nostalgia (signed)
by Eugenia Maximova
Euro 35
Random selection from the Virtual bookshelf josefchladek.com