Ik ben jou (signed)
by Milou Abel
Photographs: Milou Abel
Publisher: selfpublished
44 pages
Pictures: colour illustration throughout
Year: 2011
Comments: 20 x 24,5 cm; text in dutch, 300 copies, Dummy Award 2011
»The photographer meets the unknown woman on the street, over and over again. She senses the woman’s intensity. Eventually, the photographer asks her if it would be possible to take her photograph. When she visits her home, she is drawn into a world of rituals – and torments: the voice of a young woman full of hatred, who never stops screaming, “I am you, I am you, I am you!” The weird encounter between the photographer and the strange woman gave rise to a book concept and a dummy, composed of her own images and snapshots from past times, using a double gate fold technique to allow the right and left-hand sides of the book to be combined with each other at will. The project won this year’s Dummy Award at the 4th International Photobook Festival in Kassel. It convinced the jury not only because of the eloquent and enigmatic rendering of the story of this peculiar woman, but also because of the extraordinary design of the book. The photographer’s name is Milou Abel while the strange woman remains anonymous.« © 2011 European Photography, Berlin
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Ik ben jou (signed)
by Milou Abel
Photographs: Milou Abel
Publisher: selfpublished
44 pages
Pictures: colour illustration throughout
Year: 2011
Comments: 20 x 24,5 cm; text in dutch, 300 copies, Dummy Award 2011
»The photographer meets the unknown woman on the street, over and over again. She senses the woman’s intensity. Eventually, the photographer asks her if it would be possible to take her photograph. When she visits her home, she is drawn into a world of rituals – and torments: the voice of a young woman full of hatred, who never stops screaming, “I am you, I am you, I am you!” The weird encounter between the photographer and the strange woman gave rise to a book concept and a dummy, composed of her own images and snapshots from past times, using a double gate fold technique to allow the right and left-hand sides of the book to be combined with each other at will. The project won this year’s Dummy Award at the 4th International Photobook Festival in Kassel. It convinced the jury not only because of the eloquent and enigmatic rendering of the story of this peculiar woman, but also because of the extraordinary design of the book. The photographer’s name is Milou Abel while the strange woman remains anonymous.« © 2011 European Photography, Berlin
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by Viviane Sassen
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Ik ben jou (signed)
by Milou Abel
Photographs: Milou Abel
Publisher: selfpublished
44 pages
Pictures: colour illustration throughout
Year: 2011
Comments: 20 x 24,5 cm; text in dutch, 300 copies, Dummy Award 2011
»The photographer meets the unknown woman on the street, over and over again. She senses the woman’s intensity. Eventually, the photographer asks her if it would be possible to take her photograph. When she visits her home, she is drawn into a world of rituals – and torments: the voice of a young woman full of hatred, who never stops screaming, “I am you, I am you, I am you!” The weird encounter between the photographer and the strange woman gave rise to a book concept and a dummy, composed of her own images and snapshots from past times, using a double gate fold technique to allow the right and left-hand sides of the book to be combined with each other at will. The project won this year’s Dummy Award at the 4th International Photobook Festival in Kassel. It convinced the jury not only because of the eloquent and enigmatic rendering of the story of this peculiar woman, but also because of the extraordinary design of the book. The photographer’s name is Milou Abel while the strange woman remains anonymous.« © 2011 European Photography, Berlin
more books tagged »Dutch« | >> see all
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The Secret History of Khava Gaisanova (signed - review copy)
by Rob Hornstra
Euro 34 30.60 -
Image Tsunami (signed)
by Erik Kessels
Euro 29 -
Pikin Slee
by Viviane Sassen
sold out -
Empty land, Promised land, Forbidden land (signed)
by Rob Hornstra
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