Incognita (signed - last copy)
by Luca Gilli
Photographs: Luca Gilli
Text: Luca Doninelli, Paulo Barone, Emilie Housa
Publisher: Gente di Fotografia
100 pages
Year: 2022
ISBN: 978-88-90-6116-1-2
Price: 42 €
Comments: Italian and English; 205x296 mm; paperback stitched thread, rounded corners.
Right from the title Incognita (Unknown) recalls the particular relationship of correlation and dissociation that is established between known realities and their recomposed image in Luca Gilli's photographs. The immediate intuition of the artistic meaning of Gilli's photographs - which goes beyond the documentary function of the project on the school in times of lockdown - is produced starting from the recognition of the familiarity of the objects - desks, blackboards, gyms, computers, chairs - and their immediate disavowal, which places them in an alternative dimension, in a realm of beauty, in turn based on a personal code and yet also immediately recognizable. The most evident transfiguring element of reality is the light that floods objects and places; it is the intensity of white that reaches the limit of negation and dissolves the customary nature of objects to the point of almost burning away any possibility of perception. There are images in which luminosity and whiteness are taken to such extremes that two blackboards and a window merge together, others in which an ordinary environment with no openings becomes a sort of shiny cube [...]. Light, a natural element, thus becomes the most evident sign of the artist's intervention, pointing out the artefactual character of photography, because only by resorting to technological instruments is it possible to obtain those luminosity and rarefactions. [...]
(Marco Unia, from the text of Gente di Fotografia n. 78)
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Incognita (signed - last copy)
by Luca Gilli
Photographs: Luca Gilli
Text: Luca Doninelli, Paulo Barone, Emilie Housa
Publisher: Gente di Fotografia
100 pages
Year: 2022
ISBN: 978-88-90-6116-1-2
Price: 42 €
Comments: Italian and English; 205x296 mm; paperback stitched thread, rounded corners.
Right from the title Incognita (Unknown) recalls the particular relationship of correlation and dissociation that is established between known realities and their recomposed image in Luca Gilli's photographs. The immediate intuition of the artistic meaning of Gilli's photographs - which goes beyond the documentary function of the project on the school in times of lockdown - is produced starting from the recognition of the familiarity of the objects - desks, blackboards, gyms, computers, chairs - and their immediate disavowal, which places them in an alternative dimension, in a realm of beauty, in turn based on a personal code and yet also immediately recognizable. The most evident transfiguring element of reality is the light that floods objects and places; it is the intensity of white that reaches the limit of negation and dissolves the customary nature of objects to the point of almost burning away any possibility of perception. There are images in which luminosity and whiteness are taken to such extremes that two blackboards and a window merge together, others in which an ordinary environment with no openings becomes a sort of shiny cube [...]. Light, a natural element, thus becomes the most evident sign of the artist's intervention, pointing out the artefactual character of photography, because only by resorting to technological instruments is it possible to obtain those luminosity and rarefactions. [...]
(Marco Unia, from the text of Gente di Fotografia n. 78)
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Incognita (signed - last copy)
by Luca Gilli
Photographs: Luca Gilli
Text: Luca Doninelli, Paulo Barone, Emilie Housa
Publisher: Gente di Fotografia
100 pages
Year: 2022
ISBN: 978-88-90-6116-1-2
Price: 42 €
Comments: Italian and English; 205x296 mm; paperback stitched thread, rounded corners.
Right from the title Incognita (Unknown) recalls the particular relationship of correlation and dissociation that is established between known realities and their recomposed image in Luca Gilli's photographs. The immediate intuition of the artistic meaning of Gilli's photographs - which goes beyond the documentary function of the project on the school in times of lockdown - is produced starting from the recognition of the familiarity of the objects - desks, blackboards, gyms, computers, chairs - and their immediate disavowal, which places them in an alternative dimension, in a realm of beauty, in turn based on a personal code and yet also immediately recognizable. The most evident transfiguring element of reality is the light that floods objects and places; it is the intensity of white that reaches the limit of negation and dissolves the customary nature of objects to the point of almost burning away any possibility of perception. There are images in which luminosity and whiteness are taken to such extremes that two blackboards and a window merge together, others in which an ordinary environment with no openings becomes a sort of shiny cube [...]. Light, a natural element, thus becomes the most evident sign of the artist's intervention, pointing out the artefactual character of photography, because only by resorting to technological instruments is it possible to obtain those luminosity and rarefactions. [...]
(Marco Unia, from the text of Gente di Fotografia n. 78)
more books tagged »Lockdown« | >> see all
-
WHAT ARE WE WAITING FOR (signed)
by Gerhard Maurer
Euro 22 -
End of the Night (signed)
by Reiner Riedler
Euro 28 -
Zillion
by Thomas Manneke
Euro 54 -
Roots & Waltz (signed)
by Regina Anzenberger
Euro 65
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Schoolgirl Complex (last copy)
by Yuki Aoyama
sold out -
Hafiz (signed)
by Sabiha Çimen
sold out -
Eton a Private Public School
by Homer Sykes
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Lithuanian Photography Yesterday & Today' 12 / Lietuvos fotogr...
by various photographers
Euro 50 35.00 -
Les Copains
by Johan van der Keuken
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Artless confessions (signed + numbered)
by Fyodor Telkov
sold out
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by Vic Bakin
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by Paolo Simonazzi
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by Vasantha Yogananthan
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Life here is serious (signed - last copy)
by Rob Hornstra
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by Jesse Lenz
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Where I See Color
by Inge Morath
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Viaggi
by Luigi Ghirri
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Prison Museum
by Nicolo Degiorgis
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by Thomas Hoepker
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by Sonia Lenzi
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PEAK
by Nicolo Degiorgis
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Di sguincio, 1969–81 (signed)
by Guido Guidi
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Sale Sudore Sangue (last copy)
by Francesco Zizola
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Sur la route de Pier Paolo Pasolini
by Chantal Vey
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by Antonella Monzoni
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