Lares Familiares
by Sonia Lenzi
Photographs: Sonia Lenzi
Text: Gerry Badger
Publisher: Giannini Editore
32 pages
Year: 2016
ISBN: 978-88-7431-840-7
Price: 22 €
Comments: Softcover, 15x21 cm
In the Roman world, and therefore in the Vesuvian area, the lares were divinities who assured protection and luck for the families to whom they belonged, thus were given an honoured place at the heart of the house, in a special shrine, the lararium. This practice bears more than a passing relationship with the neighbourhood and familial kiosks, the votive shrines in the old quarters of Naples. The aim of Sonia Lenzi’s work it is not only to examine the fascination link between these traditions, but to actually bring them together, and in essence demolish the centuries in between. The lares of the Museum collection become three-dimensional photographic objects that some families of the Quartieri Spagnoli, Rione Sanità, Forcella and Mercato have placed in the shrines within their guardianship. In this way these ancient bronze statuettes have been put “back to work”, so to speak, adding their voices to the others interceding in the kiosks for the departed. But Sonia Lenzi has also created contemporary lararia, making seven contemporary ‘kiosks’, so that the two traditions can be placed side by side. All Lenzi’s work is about interaction and connection, within the domestic family certainly, but also within the larger family that is society. She is concerned with the relationships between people, between cultural traditions, between eras. Many of her projects contain what might be termed a ‘performing’ aspect, an active element. Foreword by Marco De Gemmis, critical essay by Gerry Badger and “backstage” by Claudia Procentese.
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Lares Familiares
by Sonia Lenzi
Photographs: Sonia Lenzi
Text: Gerry Badger
Publisher: Giannini Editore
32 pages
Year: 2016
ISBN: 978-88-7431-840-7
Price: 22 €
Comments: Softcover, 15x21 cm
In the Roman world, and therefore in the Vesuvian area, the lares were divinities who assured protection and luck for the families to whom they belonged, thus were given an honoured place at the heart of the house, in a special shrine, the lararium. This practice bears more than a passing relationship with the neighbourhood and familial kiosks, the votive shrines in the old quarters of Naples. The aim of Sonia Lenzi’s work it is not only to examine the fascination link between these traditions, but to actually bring them together, and in essence demolish the centuries in between. The lares of the Museum collection become three-dimensional photographic objects that some families of the Quartieri Spagnoli, Rione Sanità, Forcella and Mercato have placed in the shrines within their guardianship. In this way these ancient bronze statuettes have been put “back to work”, so to speak, adding their voices to the others interceding in the kiosks for the departed. But Sonia Lenzi has also created contemporary lararia, making seven contemporary ‘kiosks’, so that the two traditions can be placed side by side. All Lenzi’s work is about interaction and connection, within the domestic family certainly, but also within the larger family that is society. She is concerned with the relationships between people, between cultural traditions, between eras. Many of her projects contain what might be termed a ‘performing’ aspect, an active element. Foreword by Marco De Gemmis, critical essay by Gerry Badger and “backstage” by Claudia Procentese.
More books by Sonia Lenzi
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It Could Have Been Me
by Sonia Lenzi
Euro 80 -
Last Portrait (signed)
by Sonia Lenzi
Euro 33 -
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by Sonia Lenzi
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by Will Harris
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by Kai-Olaf Hesse
Euro 35 -
Santísimo Sacramento (book + signed print)
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The Complete Essays 1973–1991
by Luigi Ghirri
Euro 21 -
CHARKOW (signed)
by Ellen Korth
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La bellezza silenziosa
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by Francesco Zizola
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by Luca Gilli
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Euro 60.50 -
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Random selection from the Virtual bookshelf josefchladek.com
Lares Familiares
by Sonia Lenzi
Photographs: Sonia Lenzi
Text: Gerry Badger
Publisher: Giannini Editore
32 pages
Year: 2016
ISBN: 978-88-7431-840-7
Price: 22 €
Comments: Softcover, 15x21 cm
In the Roman world, and therefore in the Vesuvian area, the lares were divinities who assured protection and luck for the families to whom they belonged, thus were given an honoured place at the heart of the house, in a special shrine, the lararium. This practice bears more than a passing relationship with the neighbourhood and familial kiosks, the votive shrines in the old quarters of Naples. The aim of Sonia Lenzi’s work it is not only to examine the fascination link between these traditions, but to actually bring them together, and in essence demolish the centuries in between. The lares of the Museum collection become three-dimensional photographic objects that some families of the Quartieri Spagnoli, Rione Sanità, Forcella and Mercato have placed in the shrines within their guardianship. In this way these ancient bronze statuettes have been put “back to work”, so to speak, adding their voices to the others interceding in the kiosks for the departed. But Sonia Lenzi has also created contemporary lararia, making seven contemporary ‘kiosks’, so that the two traditions can be placed side by side. All Lenzi’s work is about interaction and connection, within the domestic family certainly, but also within the larger family that is society. She is concerned with the relationships between people, between cultural traditions, between eras. Many of her projects contain what might be termed a ‘performing’ aspect, an active element. Foreword by Marco De Gemmis, critical essay by Gerry Badger and “backstage” by Claudia Procentese.
More books by Sonia Lenzi
-
It Could Have Been Me
by Sonia Lenzi
Euro 80 -
Last Portrait (signed)
by Sonia Lenzi
Euro 33 -
Last Portrait - Collector´s Edition (signed)
by Sonia Lenzi
Euro 125
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You can call me Nana (signed)
by Will Harris
sold out -
thefirstthingiseewheniwakeup
by Pavel Matveyev
Euro 75 -
Nachlass. (last copy)
by Kai-Olaf Hesse
Euro 35 -
Santísimo Sacramento (book + signed print)
by Agustín Zuluaga
Euro 88 -
The Complete Essays 1973–1991
by Luigi Ghirri
Euro 21 -
CHARKOW (signed)
by Ellen Korth
Euro 88
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La bellezza silenziosa
by Antonella Monzoni
Euro 18 -
Journey to Armenia
by Silvia Camporesi
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Sale Sudore Sangue (last copy)
by Francesco Zizola
Euro 42 -
Incognita (signed - last copy)
by Luca Gilli
Euro 42 -
La casa di Lenin
by Paolo Simonazzi
Euro 22 -
Di sguincio, 1969–81 (signed)
by Guido Guidi
Euro 66
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by various photographers
Euro 95 -
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Insieme
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by Luigi Ghirri
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