Bufet (signed)
by Tamara Horáková & Ewald Maurer
Photographs: Tamara Horáková & Edwald Maurer
Text: Petr Nedoma, Monika Faber, Werner Fenz
Publisher: Edition Camera Austria
72 pages
Pictures: 46
Year: 1993
ISBN: 3-900508-12-7
Comments: Comments: 25 cm x 31,5 cm, edition of 1000, color and black and white illustrations, language: german/english, partly czech
When artists Tamara Horáková and Ewald Maurer „invade“ Mies van der Rohe’s Villa Tugendhat, they consciously take on the aesthetic and historic limits of an existing construction. Van der Rohe’s work, built 1927/30 in Brno, is more than just a functionalist architectonic backdrop, but a prime example of the constellation of history in its aesthetic, ideological and pragmatic categories.
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Bufet (signed)
by Tamara Horáková & Ewald Maurer
Photographs: Tamara Horáková & Edwald Maurer
Text: Petr Nedoma, Monika Faber, Werner Fenz
Publisher: Edition Camera Austria
72 pages
Pictures: 46
Year: 1993
ISBN: 3-900508-12-7
Comments: Comments: 25 cm x 31,5 cm, edition of 1000, color and black and white illustrations, language: german/english, partly czech
When artists Tamara Horáková and Ewald Maurer „invade“ Mies van der Rohe’s Villa Tugendhat, they consciously take on the aesthetic and historic limits of an existing construction. Van der Rohe’s work, built 1927/30 in Brno, is more than just a functionalist architectonic backdrop, but a prime example of the constellation of history in its aesthetic, ideological and pragmatic categories.
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by various photographers
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by various photographers
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Bufet (signed)
by Tamara Horáková & Ewald Maurer
Photographs: Tamara Horáková & Edwald Maurer
Text: Petr Nedoma, Monika Faber, Werner Fenz
Publisher: Edition Camera Austria
72 pages
Pictures: 46
Year: 1993
ISBN: 3-900508-12-7
Comments: Comments: 25 cm x 31,5 cm, edition of 1000, color and black and white illustrations, language: german/english, partly czech
When artists Tamara Horáková and Ewald Maurer „invade“ Mies van der Rohe’s Villa Tugendhat, they consciously take on the aesthetic and historic limits of an existing construction. Van der Rohe’s work, built 1927/30 in Brno, is more than just a functionalist architectonic backdrop, but a prime example of the constellation of history in its aesthetic, ideological and pragmatic categories.
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Photobook Phenomenon (last copy)
by various photographers
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by Michael Schmidt
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by various photographers
Euro 25 -
Koo Seong Youn - Dukwon Cube exhibition catalogue
by Koo Seong Youn
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Welt Ausstellung der Photographie
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Euro 35 -
Durchwanderte Kreisläufe | Wandered Cycles | Vagava Attraverso...
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The Corners
by Chris Dorley-Brown
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Spanish Summer (signed)
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by Hans Wilschut
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by Christine de Grancy
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by various photographers
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