Border Roads 1990 –1994
by Tony O'Shea
Photographs: Tony O’Shea
Publisher: Café Royal Books
36 pages
Pictures: 17
Year: 2017
Price: 9.50 €
Comments: Softcover, 14cm x 20cm. Edition of 200. Language: English
Walking the border between the Republic of Ireland and Northern Ireland on the eve of the controversial Anglo-Irish Agreement was an extremely brave, and some would suggest foolhardy, undertaking but it is one that photographer Tony O’Shea and novelist Colm Tóibín embraced with spirit for the 1987 book Walking Along the Border.
“Working with Colm on Walking Along The Border had made me a little bit more aware of the significance of the border to local people, how it means something concrete. Where as, in Dublin, it’s something of an idea”, O’Shea tells Murmur. “I was photographing various aspects of republicanism and, rightly or wrongly, I saw it as part of it”.
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Border Roads 1990 –1994
by Tony O'Shea
Photographs: Tony O’Shea
Publisher: Café Royal Books
36 pages
Pictures: 17
Year: 2017
Price: 9.50 €
Comments: Softcover, 14cm x 20cm. Edition of 200. Language: English
Walking the border between the Republic of Ireland and Northern Ireland on the eve of the controversial Anglo-Irish Agreement was an extremely brave, and some would suggest foolhardy, undertaking but it is one that photographer Tony O’Shea and novelist Colm Tóibín embraced with spirit for the 1987 book Walking Along the Border.
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_;jpg?c=986e182cf6b71b01bab62fa6ca621b14)
Border Roads 1990 –1994
by Tony O'Shea
Photographs: Tony O’Shea
Publisher: Café Royal Books
36 pages
Pictures: 17
Year: 2017
Price: 9.50 €
Comments: Softcover, 14cm x 20cm. Edition of 200. Language: English
Walking the border between the Republic of Ireland and Northern Ireland on the eve of the controversial Anglo-Irish Agreement was an extremely brave, and some would suggest foolhardy, undertaking but it is one that photographer Tony O’Shea and novelist Colm Tóibín embraced with spirit for the 1987 book Walking Along the Border.
“Working with Colm on Walking Along The Border had made me a little bit more aware of the significance of the border to local people, how it means something concrete. Where as, in Dublin, it’s something of an idea”, O’Shea tells Murmur. “I was photographing various aspects of republicanism and, rightly or wrongly, I saw it as part of it”.
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Black Power Black Panthers 1969
by Janine Wiedel
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by David Goldblatt
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The Grunwick Dispute 1977 "We are Lions"
by Homer Sykes
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Sit-in. Guildford School of Art 1968
by John Walmsley
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Kingston upon Hull 1970s. On Holiday
by Luis Bustamante
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Developer Trays
by John Cyr
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I went to the worst of bars hoping to.... (signed - last copy)
by Ciáran Óg Arnold
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by Hannah Starkey
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The Fireweed Turns (signed)
by Katharine McDaid
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VOTE NO. 1
by Mark Duffy
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Incoming
by Richard Mosse
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