First Pictures (signed)
by Joel Sternfeld
Photographs: Joel Sternfeld
Text: Jessica May
Publisher: Steidl
326 pages
Year: 2011
ISBN: 978-3-86930-309-3
Price: 250 €
Comments: Hardcover, cloth binding, 29,5 x 24,5 cm, language: English
This is the first book of Sternfeld’s largely unseen early colour photographs. In 1969 Sternfeld began working with a 35 mm camera and Kodachrome film, and First Pictures contains works from this time until 1980. Here Sternfeld develops traits that appear in his mature work: irony, a politicised view of America, concern for the social condition. But there are also pictures that bear little relation to his later work: colour arrangements that parallel those of Eggleston, as well as street photography which Sternfeld ceased making in 1976. The photographs in First Pictures were made at a time when colour photography was struggling to assert itself against the authoritative black and white tradition, making this book a revelation both in Sternfeld’s oeuvre and in the history of contemporary photography. A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s books published by Steidl include American Prospects (2003), Sweet Earth (2006) and Oxbow Archive (2008).
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First Pictures (signed)
by Joel Sternfeld
Photographs: Joel Sternfeld
Text: Jessica May
Publisher: Steidl
326 pages
Year: 2011
ISBN: 978-3-86930-309-3
Price: 250 €
Comments: Hardcover, cloth binding, 29,5 x 24,5 cm, language: English
This is the first book of Sternfeld’s largely unseen early colour photographs. In 1969 Sternfeld began working with a 35 mm camera and Kodachrome film, and First Pictures contains works from this time until 1980. Here Sternfeld develops traits that appear in his mature work: irony, a politicised view of America, concern for the social condition. But there are also pictures that bear little relation to his later work: colour arrangements that parallel those of Eggleston, as well as street photography which Sternfeld ceased making in 1976. The photographs in First Pictures were made at a time when colour photography was struggling to assert itself against the authoritative black and white tradition, making this book a revelation both in Sternfeld’s oeuvre and in the history of contemporary photography. A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s books published by Steidl include American Prospects (2003), Sweet Earth (2006) and Oxbow Archive (2008).
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First Pictures (signed)
by Joel Sternfeld
Photographs: Joel Sternfeld
Text: Jessica May
Publisher: Steidl
326 pages
Year: 2011
ISBN: 978-3-86930-309-3
Price: 250 €
Comments: Hardcover, cloth binding, 29,5 x 24,5 cm, language: English
This is the first book of Sternfeld’s largely unseen early colour photographs. In 1969 Sternfeld began working with a 35 mm camera and Kodachrome film, and First Pictures contains works from this time until 1980. Here Sternfeld develops traits that appear in his mature work: irony, a politicised view of America, concern for the social condition. But there are also pictures that bear little relation to his later work: colour arrangements that parallel those of Eggleston, as well as street photography which Sternfeld ceased making in 1976. The photographs in First Pictures were made at a time when colour photography was struggling to assert itself against the authoritative black and white tradition, making this book a revelation both in Sternfeld’s oeuvre and in the history of contemporary photography. A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s books published by Steidl include American Prospects (2003), Sweet Earth (2006) and Oxbow Archive (2008).
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