Le Luxe (last copies)
by Roe Ethridge
Photographs: Roe Ethridge
Publisher: MACK Books
206 pages
Pictures: 200 colour illustrations
Year: 2012
ISBN: 978-1-907946-08-0
Price: 95 76.00 €
Comments: Second edition; 25 cm x 28.5 cm; Embossed hardcover
American artist Roe Ethridge's latest book takes its title from the French "C'est pas du luxe", an ironic phrase which alludes to the superfluous nature of luxury whilst proclaiming how essential it is to existence. Such paradoxes are fluently woven through Ethridge's oeuvre and Le Luxe encompasses his practice from the past decade, without ever slipping into the moribund gravitas of a retrospective.
Plumbing his diverse image inventories, from personal images and magazine commissions to an archive of online screen shots, the book continues his exploration of picture-making that disavows the potential for creating a finished work. Ethridge para-phrases Eggleston when he states that he is "at war with the finished" in an era of digital photography straining towards idealisation. The pristine conditions of photography are undermined in the book's design and riff on Henri Matisse's apposite aphorism "exactitude is not truth" (Matisse titled two of his paintings Le Luxe).
Composed in three parts, Le Luxe contains an unusual backdrop, the everyday of the artist, who worked from November 2005 to January 2010 on one commission documenting a building in downtown Manhattan on a site adjacent to the World Trade Centre. This narrative offers an uneasy balance to the fissures between analogue and digital and Ethridge's consistent undermining of his own certainties.
Mentioned by Parr / Badger THE PHOTOBOOK: A HISTORY Volume III
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Le Luxe (last copies)
by Roe Ethridge
Photographs: Roe Ethridge
Publisher: MACK Books
206 pages
Pictures: 200 colour illustrations
Year: 2012
ISBN: 978-1-907946-08-0
Price: 95 76.00 €
Comments: Second edition; 25 cm x 28.5 cm; Embossed hardcover
American artist Roe Ethridge's latest book takes its title from the French "C'est pas du luxe", an ironic phrase which alludes to the superfluous nature of luxury whilst proclaiming how essential it is to existence. Such paradoxes are fluently woven through Ethridge's oeuvre and Le Luxe encompasses his practice from the past decade, without ever slipping into the moribund gravitas of a retrospective.
Plumbing his diverse image inventories, from personal images and magazine commissions to an archive of online screen shots, the book continues his exploration of picture-making that disavows the potential for creating a finished work. Ethridge para-phrases Eggleston when he states that he is "at war with the finished" in an era of digital photography straining towards idealisation. The pristine conditions of photography are undermined in the book's design and riff on Henri Matisse's apposite aphorism "exactitude is not truth" (Matisse titled two of his paintings Le Luxe).
Composed in three parts, Le Luxe contains an unusual backdrop, the everyday of the artist, who worked from November 2005 to January 2010 on one commission documenting a building in downtown Manhattan on a site adjacent to the World Trade Centre. This narrative offers an uneasy balance to the fissures between analogue and digital and Ethridge's consistent undermining of his own certainties.
Mentioned by Parr / Badger THE PHOTOBOOK: A HISTORY Volume III
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Sacrifice Your Body
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Le Luxe (last copies)
by Roe Ethridge
Photographs: Roe Ethridge
Publisher: MACK Books
206 pages
Pictures: 200 colour illustrations
Year: 2012
ISBN: 978-1-907946-08-0
Price: 95 76.00 €
Comments: Second edition; 25 cm x 28.5 cm; Embossed hardcover
American artist Roe Ethridge's latest book takes its title from the French "C'est pas du luxe", an ironic phrase which alludes to the superfluous nature of luxury whilst proclaiming how essential it is to existence. Such paradoxes are fluently woven through Ethridge's oeuvre and Le Luxe encompasses his practice from the past decade, without ever slipping into the moribund gravitas of a retrospective.
Plumbing his diverse image inventories, from personal images and magazine commissions to an archive of online screen shots, the book continues his exploration of picture-making that disavows the potential for creating a finished work. Ethridge para-phrases Eggleston when he states that he is "at war with the finished" in an era of digital photography straining towards idealisation. The pristine conditions of photography are undermined in the book's design and riff on Henri Matisse's apposite aphorism "exactitude is not truth" (Matisse titled two of his paintings Le Luxe).
Composed in three parts, Le Luxe contains an unusual backdrop, the everyday of the artist, who worked from November 2005 to January 2010 on one commission documenting a building in downtown Manhattan on a site adjacent to the World Trade Centre. This narrative offers an uneasy balance to the fissures between analogue and digital and Ethridge's consistent undermining of his own certainties.
Mentioned by Parr / Badger THE PHOTOBOOK: A HISTORY Volume III
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Sacrifice Your Body
by Roe Ethridge
Euro 49.50 39.60 -
Shelter Island (last copy)
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by Roe Ethridge
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Land of Milk and Honey (English edition - signed)
by Paul Kranzler
Euro 45 -
Lisboa, Cidade Triste e Alegre
by Costa Martins & Victor Palla
sold out -
Moments in Between
by Jens Olof Lasthein
sold out -
Macedonia
by Cuny Janssen
Euro 165
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Antarktis
by Chris Sattlberger
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T: A Typology of T-Shirts (last copy)
by Susan A. Barnett
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OCEAN BEACH
by Douglas Ljungkvist
Euro 32 -
Broken Dream
by Antonin Kratochvil
sold out -
This is where I live
by Wendy Ewald
Euro 95 -
Imitation of Christ
by William E. Jones
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Mrs. Merryman's Collection
by Anne Sophie Merryman
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