la festa è finita (signed)

by Florence Di Benedetto


Photographs: Florence Di Benedetto

Text: Adelaide Santambrogio and Italo Calvino

Year: 2022

Price: 18

La festa è finita is a large Salento luminaria. This work is a reflection on the time we are living in, which revolves around those concepts of polarity, ambiguity and contrast that the pandemic has further highlighted. The piece plays on the contrast between the joyful structures of the traditional festivals in southern Italy, where Florence di Benedetto comes from - she was born in Bari and spent part of her youth in Palermo - and an extremely raw message that reflects the current state of things. Today is a time when the possibility of partying, of crowding the streets, of being together in a colorful parade, shoulder to shoulder, has become impossible. In the past few years, Florence has seen all her childhood memories recede even further. The twinkling of lights that attracts the viewers’ attention faces them with a different reading that oscillates between signified and signifier: what we see refers to a magical atmosphere that is rich in references, to collective popular and family rituals, but also transports us to a dimension of loneliness and sadness through a lapidary phrase. At the end of a party, there is nothing left but a reality that is far from the glitz of fun and leaves no space for imagination and creativity. This project inspired a series of photographs snapped during the lockdown. Here, the protagonist is the sculpture. The search for different settings, the silent drive through Italy on the empty highways, with a COVID self-declaration form in her pocket, the anxiety of being pulled over and having to explain that she was working and the risk of being misunderstood has enriched her and her process more than she could ever expect.


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la festa è finita (signed)

by Florence Di Benedetto


Photographs: Florence Di Benedetto

Text: Adelaide Santambrogio and Italo Calvino

Year: 2022

Price: 18

La festa è finita is a large Salento luminaria. This work is a reflection on the time we are living in, which revolves around those concepts of polarity, ambiguity and contrast that the pandemic has further highlighted. The piece plays on the contrast between the joyful structures of the traditional festivals in southern Italy, where Florence di Benedetto comes from - she was born in Bari and spent part of her youth in Palermo - and an extremely raw message that reflects the current state of things. Today is a time when the possibility of partying, of crowding the streets, of being together in a colorful parade, shoulder to shoulder, has become impossible. In the past few years, Florence has seen all her childhood memories recede even further. The twinkling of lights that attracts the viewers’ attention faces them with a different reading that oscillates between signified and signifier: what we see refers to a magical atmosphere that is rich in references, to collective popular and family rituals, but also transports us to a dimension of loneliness and sadness through a lapidary phrase. At the end of a party, there is nothing left but a reality that is far from the glitz of fun and leaves no space for imagination and creativity. This project inspired a series of photographs snapped during the lockdown. Here, the protagonist is the sculpture. The search for different settings, the silent drive through Italy on the empty highways, with a COVID self-declaration form in her pocket, the anxiety of being pulled over and having to explain that she was working and the risk of being misunderstood has enriched her and her process more than she could ever expect.


Random selection from the Virtual bookshelf josefchladek.com

la festa è finita (signed)

by Florence Di Benedetto


Photographs: Florence Di Benedetto

Text: Adelaide Santambrogio and Italo Calvino

Year: 2022

Price: 18

La festa è finita is a large Salento luminaria. This work is a reflection on the time we are living in, which revolves around those concepts of polarity, ambiguity and contrast that the pandemic has further highlighted. The piece plays on the contrast between the joyful structures of the traditional festivals in southern Italy, where Florence di Benedetto comes from - she was born in Bari and spent part of her youth in Palermo - and an extremely raw message that reflects the current state of things. Today is a time when the possibility of partying, of crowding the streets, of being together in a colorful parade, shoulder to shoulder, has become impossible. In the past few years, Florence has seen all her childhood memories recede even further. The twinkling of lights that attracts the viewers’ attention faces them with a different reading that oscillates between signified and signifier: what we see refers to a magical atmosphere that is rich in references, to collective popular and family rituals, but also transports us to a dimension of loneliness and sadness through a lapidary phrase. At the end of a party, there is nothing left but a reality that is far from the glitz of fun and leaves no space for imagination and creativity. This project inspired a series of photographs snapped during the lockdown. Here, the protagonist is the sculpture. The search for different settings, the silent drive through Italy on the empty highways, with a COVID self-declaration form in her pocket, the anxiety of being pulled over and having to explain that she was working and the risk of being misunderstood has enriched her and her process more than she could ever expect.


Random selection from the Virtual bookshelf josefchladek.com