Oscura Camera
by Sergio Scabar
Text: Guido Cecere, Angela Madesani, Alessandro Quinzi
Publisher: studiofaganel
432 pages
Year: 2019
ISBN: 978-88-943821-4-3
Comments: Limited Edition of 500, Papers: Arjowiggins Courious Matter Black Truffle 380g, Arjowiggins Courious Matter Black Truffle 125g, Fedrigoni Tatami White 135g, Fedrigoni Tatami Ivory 135g, Printing: Poligrafiche San Marco, Cormons, 24 x 17,5 cm
Self taught, Scabar became known for his originality of Il teatro delle cose of 1999, a work that marked his stylistic turning point. Devoted to a poetic research that focused on the essentiality of objects and their forms.
The exhibition for this book followed the chronological trend of Scabar’s work – distinguishable in two phases: a first en plein air, of the Reportage genre. Then, a subsequent more experimental and reflective one where, from the nineties onwards, he defined his artistic figure by a more avant garde style.
His artistic production becomes more and more conceptual, coming to focus on the value of the “cut” in photography. Focused both on the framing at the moment of shooting. As well as a material cutout, a posteriori, of the photographic print.
Scabar focuses, above all, on the material aspect of the subjects. Investigated both in black and white as well as in color, with a series of Still Life on which he calls the philosophy of the „silence of light“ to signify the condition of soft illumination of his works.
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Oscura Camera
by Sergio Scabar
Text: Guido Cecere, Angela Madesani, Alessandro Quinzi
Publisher: studiofaganel
432 pages
Year: 2019
ISBN: 978-88-943821-4-3
Comments: Limited Edition of 500, Papers: Arjowiggins Courious Matter Black Truffle 380g, Arjowiggins Courious Matter Black Truffle 125g, Fedrigoni Tatami White 135g, Fedrigoni Tatami Ivory 135g, Printing: Poligrafiche San Marco, Cormons, 24 x 17,5 cm
Self taught, Scabar became known for his originality of Il teatro delle cose of 1999, a work that marked his stylistic turning point. Devoted to a poetic research that focused on the essentiality of objects and their forms.
The exhibition for this book followed the chronological trend of Scabar’s work – distinguishable in two phases: a first en plein air, of the Reportage genre. Then, a subsequent more experimental and reflective one where, from the nineties onwards, he defined his artistic figure by a more avant garde style.
His artistic production becomes more and more conceptual, coming to focus on the value of the “cut” in photography. Focused both on the framing at the moment of shooting. As well as a material cutout, a posteriori, of the photographic print.
Scabar focuses, above all, on the material aspect of the subjects. Investigated both in black and white as well as in color, with a series of Still Life on which he calls the philosophy of the „silence of light“ to signify the condition of soft illumination of his works.
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I'm sorry (signed)
by Masayuki Yoshinaga
sold out -
April Dawn Alison
by Erin O'Toole (ed)
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Gstettn (signed)
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Mukayu (signed - last two copies)
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VIALATTEA (signed)
by Ilias Georgiadis
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Random selection from the Virtual bookshelf josefchladek.com
Oscura Camera
by Sergio Scabar
Text: Guido Cecere, Angela Madesani, Alessandro Quinzi
Publisher: studiofaganel
432 pages
Year: 2019
ISBN: 978-88-943821-4-3
Comments: Limited Edition of 500, Papers: Arjowiggins Courious Matter Black Truffle 380g, Arjowiggins Courious Matter Black Truffle 125g, Fedrigoni Tatami White 135g, Fedrigoni Tatami Ivory 135g, Printing: Poligrafiche San Marco, Cormons, 24 x 17,5 cm
Self taught, Scabar became known for his originality of Il teatro delle cose of 1999, a work that marked his stylistic turning point. Devoted to a poetic research that focused on the essentiality of objects and their forms.
The exhibition for this book followed the chronological trend of Scabar’s work – distinguishable in two phases: a first en plein air, of the Reportage genre. Then, a subsequent more experimental and reflective one where, from the nineties onwards, he defined his artistic figure by a more avant garde style.
His artistic production becomes more and more conceptual, coming to focus on the value of the “cut” in photography. Focused both on the framing at the moment of shooting. As well as a material cutout, a posteriori, of the photographic print.
Scabar focuses, above all, on the material aspect of the subjects. Investigated both in black and white as well as in color, with a series of Still Life on which he calls the philosophy of the „silence of light“ to signify the condition of soft illumination of his works.
more books tagged »conceptual« | >> see all
-
HUMAN (signed)
by Gabor Arion Kudasz
Euro 38.50 -
attraction (signed - last copy)
by Damien Daufresne
Euro 165 -
I'm sorry (signed)
by Masayuki Yoshinaga
sold out -
April Dawn Alison
by Erin O'Toole (ed)
sold out -
Gstettn (signed)
by Regina Anzenberger
Euro 165 -
Terminus (signed)
by John Divola
Euro 44
more books tagged »black and white« | >> see all
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Mukayu (signed - last two copies)
by Paul Cupido
sold out -
Tropical Depression (signed)
by Gabor Arion Kudasz
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The Rustle of Touch (book + 2 prints, signed)
by Ellen Korth
Euro 145 -
ciprian honey cathedral (signed - last two copies)
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Euro 290 -
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