THE HOUSE THAT BURNS EVERYDAY
by Marina Gadonneix
Photographs: Marina Gadonneix
Text: Christian Milovanoff
Publisher: RVB Books
32 pages
Pictures: 16
Year: 2013
ISBN: 979-1090306103
Price: 15 €
Comments: Soft cover, Edition of 900 copies, 28 x 35 cm, French
Marina Gadonneix’s work weaves a complex link between documentary and fiction through photographs of places given over to temporary neglect. The house that burns everyday recalls a fable whose story, in ashes, would no longer reach us. Marina Gadonneix has chosen to haunt a dummy house used by firemen to become familiar with fire and fighting it. In short, a room of fiction. Fire has raged, soon it will flare up again. In this interstice, Gadonneix collects these artificial ruins. From a distance, the spectator can cope with the worst. The worst, in this work, is always yet to come.
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THE HOUSE THAT BURNS EVERYDAY
by Marina Gadonneix
Photographs: Marina Gadonneix
Text: Christian Milovanoff
Publisher: RVB Books
32 pages
Pictures: 16
Year: 2013
ISBN: 979-1090306103
Price: 15 €
Comments: Soft cover, Edition of 900 copies, 28 x 35 cm, French
Marina Gadonneix’s work weaves a complex link between documentary and fiction through photographs of places given over to temporary neglect. The house that burns everyday recalls a fable whose story, in ashes, would no longer reach us. Marina Gadonneix has chosen to haunt a dummy house used by firemen to become familiar with fire and fighting it. In short, a room of fiction. Fire has raged, soon it will flare up again. In this interstice, Gadonneix collects these artificial ruins. From a distance, the spectator can cope with the worst. The worst, in this work, is always yet to come.
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by Veronique Chapuy
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THE HOUSE THAT BURNS EVERYDAY
by Marina Gadonneix
Photographs: Marina Gadonneix
Text: Christian Milovanoff
Publisher: RVB Books
32 pages
Pictures: 16
Year: 2013
ISBN: 979-1090306103
Price: 15 €
Comments: Soft cover, Edition of 900 copies, 28 x 35 cm, French
Marina Gadonneix’s work weaves a complex link between documentary and fiction through photographs of places given over to temporary neglect. The house that burns everyday recalls a fable whose story, in ashes, would no longer reach us. Marina Gadonneix has chosen to haunt a dummy house used by firemen to become familiar with fire and fighting it. In short, a room of fiction. Fire has raged, soon it will flare up again. In this interstice, Gadonneix collects these artificial ruins. From a distance, the spectator can cope with the worst. The worst, in this work, is always yet to come.
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