Vandalism
by John Divola
Photographs: John Divola
Publisher: MACK
120 pages
Year: February 2018
ISBN: 978-1-912339-00-6
Comments: Embossed paper-bound hardback, 23.5 cm x 23.5 cm
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.
John Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. Vandalism (1974-1975) is one Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car in the Desert (2004).
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Random selection from the Virtual bookshelf josefchladek.com
Vandalism
by John Divola
Photographs: John Divola
Publisher: MACK
120 pages
Year: February 2018
ISBN: 978-1-912339-00-6
Comments: Embossed paper-bound hardback, 23.5 cm x 23.5 cm
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.
John Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. Vandalism (1974-1975) is one Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car in the Desert (2004).
More books by John Divola
-
One Picture Book 81: Supermarket (signed+print - last copy)
by John Divola
Euro 149 -
Terminus (signed)
by John Divola
Euro 44
more books tagged »Los Angeles« | >> see all
-
Message from the Exterior
by Mark Ruwedel
Euro 55 -
BACK TO BACK - From Backyard to Boulevard (signed)
by Stig De Block
Euro 50 -
One Picture Book #98: Taste for Russian Ballet (book + print ...
by Gregori Maiofis
sold out -
Nature of Los Angeles 2008-2013
by Bruce Davidson
sold out -
June (last copy)
by Ren Hang
sold out -
Rivers Run Through It
by Mark Ruwedel
Euro 55
more books tagged »USA« | >> see all
-
Plumigeri (signed)
by Lynn Savarese
sold out -
Sleeping by the Mississippi (signed - last copies)
by Alec Soth
Euro 65 -
The Potemkin Village (signed + print - last copies)
by Gregor Sailer
sold out -
Flaming Grace (signed)
by Vivian Keulards
Euro 40 -
The Meadow
by Barbara Bosworth & Margot Anne Kelley
sold out -
Witness to Beauty
by Sage Sohier
sold out
more books tagged »black and white« | >> see all
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Trees (signed)
by Raghu Rai
sold out -
Chinesen
by Christine de Grancy
Euro 60 -
Sense Of Place
by Motohashi Seiichi
Euro 48 -
Venice 1954
by Jakob Tuggener
Euro 63 -
Deadline (signed - review copy)
by Will Steacy
sold out -
Push The Sky Away
by Piotr Zbierski
Euro 44
Random selection from the Virtual bookshelf josefchladek.com
Vandalism
by John Divola
Photographs: John Divola
Publisher: MACK
120 pages
Year: February 2018
ISBN: 978-1-912339-00-6
Comments: Embossed paper-bound hardback, 23.5 cm x 23.5 cm
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.
John Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. Vandalism (1974-1975) is one Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car in the Desert (2004).
More books by John Divola
-
One Picture Book 81: Supermarket (signed+print - last copy)
by John Divola
Euro 149 -
Terminus (signed)
by John Divola
Euro 44
more books tagged »Los Angeles« | >> see all
-
Message from the Exterior
by Mark Ruwedel
Euro 55 -
BACK TO BACK - From Backyard to Boulevard (signed)
by Stig De Block
Euro 50 -
One Picture Book #98: Taste for Russian Ballet (book + print ...
by Gregori Maiofis
sold out -
Nature of Los Angeles 2008-2013
by Bruce Davidson
sold out -
June (last copy)
by Ren Hang
sold out -
Rivers Run Through It
by Mark Ruwedel
Euro 55
more books tagged »USA« | >> see all
-
Plumigeri (signed)
by Lynn Savarese
sold out -
Sleeping by the Mississippi (signed - last copies)
by Alec Soth
Euro 65 -
The Potemkin Village (signed + print - last copies)
by Gregor Sailer
sold out -
Flaming Grace (signed)
by Vivian Keulards
Euro 40 -
The Meadow
by Barbara Bosworth & Margot Anne Kelley
sold out -
Witness to Beauty
by Sage Sohier
sold out
more books tagged »black and white« | >> see all
-
Trees (signed)
by Raghu Rai
sold out -
Chinesen
by Christine de Grancy
Euro 60 -
Sense Of Place
by Motohashi Seiichi
Euro 48 -
Venice 1954
by Jakob Tuggener
Euro 63 -
Deadline (signed - review copy)
by Will Steacy
sold out -
Push The Sky Away
by Piotr Zbierski
Euro 44
Random selection from the Virtual bookshelf josefchladek.com