Vandalism
by John Divola
Photographs: John Divola
Publisher: MACK
120 pages
Year: February 2018
ISBN: 978-1-912339-00-6
Comments: Embossed paper-bound hardback, 23.5 cm x 23.5 cm
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.
John Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. Vandalism (1974-1975) is one Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car in the Desert (2004).
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Vandalism
by John Divola
Photographs: John Divola
Publisher: MACK
120 pages
Year: February 2018
ISBN: 978-1-912339-00-6
Comments: Embossed paper-bound hardback, 23.5 cm x 23.5 cm
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.
John Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. Vandalism (1974-1975) is one Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car in the Desert (2004).
More books by John Divola
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One Picture Book 81: Supermarket (signed+print - last copy)
by John Divola
Euro 149 -
Terminus (signed)
by John Divola
Euro 44
more books tagged »black and white« | >> see all
-
The Gray Friars of Canning Town
by Simon Roberts
Euro 18 -
Spasibo
by Davide Monteleone
Euro 58 -
Liberty Theater
by Rosalind Fox Solomon
sold out -
Portraits (signed)
by Bruce Davidson
sold out -
Italia (signed - last copies)
by Martin Bogren
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Jantar Mantar
by Simon Chaput
Euro 77
more books tagged »USA« | >> see all
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Witness to Beauty
by Sage Sohier
sold out -
On the Road Again 1969 & 1971
by Homer Sykes
Euro 18 -
The New Colonists
by Monica Alcazar-Duarte
Euro 46 -
Plumigeri (signed)
by Lynn Savarese
sold out -
The Potemkin Village (signed)
by Gregor Sailer
sold out -
The Meadow
by Barbara Bosworth & Margot Anne Kelley
sold out
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Message from the Exterior
by Mark Ruwedel
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June (last copy)
by Ren Hang
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BACK TO BACK - From Backyard to Boulevard (signed)
by Stig De Block
Euro 50 -
Imperial Courts (signed - last copy)
by Dana Lixenberg
sold out -
One Picture Book #97: Las Trocas Angelinas, con sus Mercancía...
by Javier Carrillo
Euro 45 -
Nature of Los Angeles 2008-2013
by Bruce Davidson
sold out
Random selection from the Virtual bookshelf josefchladek.com
Vandalism
by John Divola
Photographs: John Divola
Publisher: MACK
120 pages
Year: February 2018
ISBN: 978-1-912339-00-6
Comments: Embossed paper-bound hardback, 23.5 cm x 23.5 cm
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.
John Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. Vandalism (1974-1975) is one Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car in the Desert (2004).
More books by John Divola
-
One Picture Book 81: Supermarket (signed+print - last copy)
by John Divola
Euro 149 -
Terminus (signed)
by John Divola
Euro 44
more books tagged »black and white« | >> see all
-
The Gray Friars of Canning Town
by Simon Roberts
Euro 18 -
Spasibo
by Davide Monteleone
Euro 58 -
Liberty Theater
by Rosalind Fox Solomon
sold out -
Portraits (signed)
by Bruce Davidson
sold out -
Italia (signed - last copies)
by Martin Bogren
sold out -
Jantar Mantar
by Simon Chaput
Euro 77
more books tagged »USA« | >> see all
-
Witness to Beauty
by Sage Sohier
sold out -
On the Road Again 1969 & 1971
by Homer Sykes
Euro 18 -
The New Colonists
by Monica Alcazar-Duarte
Euro 46 -
Plumigeri (signed)
by Lynn Savarese
sold out -
The Potemkin Village (signed)
by Gregor Sailer
sold out -
The Meadow
by Barbara Bosworth & Margot Anne Kelley
sold out
more books tagged »Los Angeles« | >> see all
-
Message from the Exterior
by Mark Ruwedel
Euro 55 -
June (last copy)
by Ren Hang
sold out -
BACK TO BACK - From Backyard to Boulevard (signed)
by Stig De Block
Euro 50 -
Imperial Courts (signed - last copy)
by Dana Lixenberg
sold out -
One Picture Book #97: Las Trocas Angelinas, con sus Mercancía...
by Javier Carrillo
Euro 45 -
Nature of Los Angeles 2008-2013
by Bruce Davidson
sold out
Random selection from the Virtual bookshelf josefchladek.com