Hello and Welcome to Paris (signed)
by Nikola Mihov
Photographs: Nikola Mihov
Text: Nikola Mihov
Publisher: Janet 45
2015 pages
Year: 2015
ISBN: 978-619-186-250-4
Price: 30 €
Comments: Softcover, 22 x 19cm, english, Edition of 200, signed and numbered
Breaking news such as the November 13attacks in Paris become a jackpot for the corporate media in their race for an ever-wider audience. The repetitive stream of horrifying news shapes the image of terror and converts it into a mass consumption product. Much like advertising, which twists reality in order to sell, the media overexposes negative news in order to gain audience.
The series “Hello and Welcome to Paris”, shot in the days after the attacks, explores the media approach to the “Live from Paris” broadcast. It shifts the focus from the events to the key phrases that remain imprinted in our consciousness. The language used by the media is standardized and follows the rules of the editorial routine. How alive is “Live from Paris”? Reporters act with conventional gestures and dramatic intonations, reading pre-fabricated lines written elsewhere, while the segments begin with the obligatory “Hello and Welcome to Paris.” Is this inappropriate greeting an oversight on the part of the editor or a trend in the global news industry?
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Random selection from the Virtual bookshelf josefchladek.com
Hello and Welcome to Paris (signed)
by Nikola Mihov
Photographs: Nikola Mihov
Text: Nikola Mihov
Publisher: Janet 45
2015 pages
Year: 2015
ISBN: 978-619-186-250-4
Price: 30 €
Comments: Softcover, 22 x 19cm, english, Edition of 200, signed and numbered
Breaking news such as the November 13attacks in Paris become a jackpot for the corporate media in their race for an ever-wider audience. The repetitive stream of horrifying news shapes the image of terror and converts it into a mass consumption product. Much like advertising, which twists reality in order to sell, the media overexposes negative news in order to gain audience.
The series “Hello and Welcome to Paris”, shot in the days after the attacks, explores the media approach to the “Live from Paris” broadcast. It shifts the focus from the events to the key phrases that remain imprinted in our consciousness. The language used by the media is standardized and follows the rules of the editorial routine. How alive is “Live from Paris”? Reporters act with conventional gestures and dramatic intonations, reading pre-fabricated lines written elsewhere, while the segments begin with the obligatory “Hello and Welcome to Paris.” Is this inappropriate greeting an oversight on the part of the editor or a trend in the global news industry?
More books by Nikola Mihov
more books tagged »France« | >> see all
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DEEPER SHADES #03 PARIS (book + print)
by Andreas H. Bitesnich
Euro 470 -
Atlas (signed)
by Israel Ariño
sold out -
Now and Then (english edition)
by Sarah Moon
sold out -
Mister G. (last copy)
by Gilbert Garcin
sold out -
Le nom qui efface la couleur (signed)
by Israel Ariño
Euro 33 -
à propos de Paris
by Henri Cartier-Bresson
sold out
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Makers of East London
by Charlotte Schreiber & Katie Treggiden
sold out -
she dances on Jackson (signed - last two copies)
by Vanessa Winship
sold out -
Sit-in. Guildford School of Art 1968
by John Walmsley
sold out -
Sense Of Place
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DEEPER SHADES #03 PARIS (signed)
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Euro 35 -
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Random selection from the Virtual bookshelf josefchladek.com
Hello and Welcome to Paris (signed)
by Nikola Mihov
Photographs: Nikola Mihov
Text: Nikola Mihov
Publisher: Janet 45
2015 pages
Year: 2015
ISBN: 978-619-186-250-4
Price: 30 €
Comments: Softcover, 22 x 19cm, english, Edition of 200, signed and numbered
Breaking news such as the November 13attacks in Paris become a jackpot for the corporate media in their race for an ever-wider audience. The repetitive stream of horrifying news shapes the image of terror and converts it into a mass consumption product. Much like advertising, which twists reality in order to sell, the media overexposes negative news in order to gain audience.
The series “Hello and Welcome to Paris”, shot in the days after the attacks, explores the media approach to the “Live from Paris” broadcast. It shifts the focus from the events to the key phrases that remain imprinted in our consciousness. The language used by the media is standardized and follows the rules of the editorial routine. How alive is “Live from Paris”? Reporters act with conventional gestures and dramatic intonations, reading pre-fabricated lines written elsewhere, while the segments begin with the obligatory “Hello and Welcome to Paris.” Is this inappropriate greeting an oversight on the part of the editor or a trend in the global news industry?
More books by Nikola Mihov
more books tagged »France« | >> see all
-
DEEPER SHADES #03 PARIS (book + print)
by Andreas H. Bitesnich
Euro 470 -
Atlas (signed)
by Israel Ariño
sold out -
Now and Then (english edition)
by Sarah Moon
sold out -
Mister G. (last copy)
by Gilbert Garcin
sold out -
Le nom qui efface la couleur (signed)
by Israel Ariño
Euro 33 -
à propos de Paris
by Henri Cartier-Bresson
sold out
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by AnzenbergerMasterclass 2016/2017
Euro 25 15.00 -
England Sports and Social '78-'83
by Gil Rigoulet
Euro 18 -
Makers of East London
by Charlotte Schreiber & Katie Treggiden
sold out -
she dances on Jackson (signed - last two copies)
by Vanessa Winship
sold out -
Sit-in. Guildford School of Art 1968
by John Walmsley
sold out -
Sense Of Place
by Motohashi Seiichi
Euro 48
more books tagged »Paris« | >> see all
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by Michael Wolf
sold out -
DEEPER SHADES #03 PARIS (signed)
by Andreas H. Bitesnich
Euro 70 -
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by Daido Moriyama
sold out -
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by Paul Graham
Euro 35 -
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Euro 19 -
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Random selection from the Virtual bookshelf josefchladek.com