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KIEV (signed)

by Rob Hornstra

Photographs: Rob Hornstra

Text: Rob Hornstra

Publisher: The Sochi Project

Year: 2012

Comments: Cardboard fold-out book in a photo-illustrated wrapper; 150 x 210 mm; signed copy

Sketchbook Series # 03 -The Sochi Project’s third Sketchbook depicts Sochi in the summer as well as being an ode to analogue photography. In the summer of 2011, Rob fell in love with a 40-year-old KIEV medium-format camera, which a friend gave him as a gift in the Russian resort of Sochi. Over the following days, he roamed the city with his new acquisition and photographed things that he had never seen before through the lens of his Mamiya camera. When he got home and developed the films, he found that the KIEV’s film transport system was defective.

From the accompanying text: ‘The power of analogue photography is the unpredictability, the imperfection, the setbacks that are initially so frustrating, but ultimately add unexpected dimensions to the images. It is this that gives the work its own identity. Analogue photography thus reflects real life, more than digital photography ever will.’

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look inside

KIEV (signed)

by Rob Hornstra

Photographs: Rob Hornstra

Text: Rob Hornstra

Publisher: The Sochi Project

Year: 2012

Comments: Cardboard fold-out book in a photo-illustrated wrapper; 150 x 210 mm; signed copy

Sketchbook Series # 03 -The Sochi Project’s third Sketchbook depicts Sochi in the summer as well as being an ode to analogue photography. In the summer of 2011, Rob fell in love with a 40-year-old KIEV medium-format camera, which a friend gave him as a gift in the Russian resort of Sochi. Over the following days, he roamed the city with his new acquisition and photographed things that he had never seen before through the lens of his Mamiya camera. When he got home and developed the films, he found that the KIEV’s film transport system was defective.

From the accompanying text: ‘The power of analogue photography is the unpredictability, the imperfection, the setbacks that are initially so frustrating, but ultimately add unexpected dimensions to the images. It is this that gives the work its own identity. Analogue photography thus reflects real life, more than digital photography ever will.’

More books by Rob Hornstra