Dag Madoka Miya
by Ola Rindal
Photographs: Ola Rindal
Publisher: Libraryman
66 pages
Pictures: 48
Year: 2016
ISBN: 978–91–88113–05–4
Comments: 3 publications, in total ~ 14 cm x 20 cm. Offset printed softcover. Saddle-stitched, in colored obi-band with typography in white foil.
“Nothing is like a sleeping child.” – Ola Rindal
It’s impossible to look at this body of work featuring members of Ola Rindal’s (b. 1971, Norwegian) family and not want to immediately transport yourself into their world, or feel as if you might have been magically transported there already, simply by looking in. A world where leaving is as beautiful and hopeful as arriving, a light on the path appears just before your next step, and you are always, always within 10 minutes of a warm nap.
His work here is a study in contradictions: intensely intimate yet protective of his subjects, warm and fuzzy even when you’re viewing a literal icicle. It urges you to be more inquisitive while keeping you at arm's length. Maybe in this work he is revealing to us that most sought-after thing called balance.
Balance can be messy, though. Balance is vague. Balance, for many people, is doing whatever it takes to tip the scale back in the other direction after too much indulgence or lack of discretion. Balance is a green juice after too much tequila. Balance is a silent retreat after too much noise. It's a €400 skincare treatment that might finally undo all the sun you soaked up as a teen.
But what if balance is a state of peaceful equilibrium so achievable, so within reach, that we could get there by simply shifting the way we view the world around us? What if balance has been there all along?
We should all be willing to find out, and the images herein might be a clue as to where we should look.
The book is divided into three publications - one for each family member of the author: son, wife and daughter, in alphabetical order. Each publication has an identical page count and number of images. The photographs were taken in Norway, Japan and France, where the artist's family originated from.
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Dag Madoka Miya
by Ola Rindal
Photographs: Ola Rindal
Publisher: Libraryman
66 pages
Pictures: 48
Year: 2016
ISBN: 978–91–88113–05–4
Comments: 3 publications, in total ~ 14 cm x 20 cm. Offset printed softcover. Saddle-stitched, in colored obi-band with typography in white foil.
“Nothing is like a sleeping child.” – Ola Rindal
It’s impossible to look at this body of work featuring members of Ola Rindal’s (b. 1971, Norwegian) family and not want to immediately transport yourself into their world, or feel as if you might have been magically transported there already, simply by looking in. A world where leaving is as beautiful and hopeful as arriving, a light on the path appears just before your next step, and you are always, always within 10 minutes of a warm nap.
His work here is a study in contradictions: intensely intimate yet protective of his subjects, warm and fuzzy even when you’re viewing a literal icicle. It urges you to be more inquisitive while keeping you at arm's length. Maybe in this work he is revealing to us that most sought-after thing called balance.
Balance can be messy, though. Balance is vague. Balance, for many people, is doing whatever it takes to tip the scale back in the other direction after too much indulgence or lack of discretion. Balance is a green juice after too much tequila. Balance is a silent retreat after too much noise. It's a €400 skincare treatment that might finally undo all the sun you soaked up as a teen.
But what if balance is a state of peaceful equilibrium so achievable, so within reach, that we could get there by simply shifting the way we view the world around us? What if balance has been there all along?
We should all be willing to find out, and the images herein might be a clue as to where we should look.
The book is divided into three publications - one for each family member of the author: son, wife and daughter, in alphabetical order. Each publication has an identical page count and number of images. The photographs were taken in Norway, Japan and France, where the artist's family originated from.
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by Shin Yanagisawa
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by Marianne Bjørnmyr
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Dag Madoka Miya
by Ola Rindal
Photographs: Ola Rindal
Publisher: Libraryman
66 pages
Pictures: 48
Year: 2016
ISBN: 978–91–88113–05–4
Comments: 3 publications, in total ~ 14 cm x 20 cm. Offset printed softcover. Saddle-stitched, in colored obi-band with typography in white foil.
“Nothing is like a sleeping child.” – Ola Rindal
It’s impossible to look at this body of work featuring members of Ola Rindal’s (b. 1971, Norwegian) family and not want to immediately transport yourself into their world, or feel as if you might have been magically transported there already, simply by looking in. A world where leaving is as beautiful and hopeful as arriving, a light on the path appears just before your next step, and you are always, always within 10 minutes of a warm nap.
His work here is a study in contradictions: intensely intimate yet protective of his subjects, warm and fuzzy even when you’re viewing a literal icicle. It urges you to be more inquisitive while keeping you at arm's length. Maybe in this work he is revealing to us that most sought-after thing called balance.
Balance can be messy, though. Balance is vague. Balance, for many people, is doing whatever it takes to tip the scale back in the other direction after too much indulgence or lack of discretion. Balance is a green juice after too much tequila. Balance is a silent retreat after too much noise. It's a €400 skincare treatment that might finally undo all the sun you soaked up as a teen.
But what if balance is a state of peaceful equilibrium so achievable, so within reach, that we could get there by simply shifting the way we view the world around us? What if balance has been there all along?
We should all be willing to find out, and the images herein might be a clue as to where we should look.
The book is divided into three publications - one for each family member of the author: son, wife and daughter, in alphabetical order. Each publication has an identical page count and number of images. The photographs were taken in Norway, Japan and France, where the artist's family originated from.
more books tagged » documentary« | >> see all
-
MASAHISA FUKASE
by Masahisa Fukase
sold out -
Absentia
by Laura Barrón
sold out -
Italia (signed - last copies)
by Martin Bogren
Euro 95 -
Suite Vénitienne
by Sophie Calle
sold out -
Berlin Mai 1945
by Valery Faminsky
Euro 52 -
Untitled
by Shin Yanagisawa
Euro 68 34.00
more books tagged »Norway« | >> see all
more books tagged »Norwegian« | >> see all
-
Beneath the Salt
by Marianne Bjørnmyr
Euro 42 33.60 -
The Last Testament
by Jonas Bendiksen
sold out -
An Authentic Relation (signed)
by Marianne Bjørnmyr
Euro 42 -
Now I wanna be your dog! (signed)
by Morten Andersen
Euro 16.50
more books tagged »France« | >> see all
-
Mes Nuits (signed + numbered)
by Gil Rigoulet
sold out -
Lorsque le vent viendra
by Gilbert Garcin
sold out -
Ville De Calais (last copy)
by Henk Wildschut
Euro 66 -
DEEPER SHADES #03 PARIS (signed)
by Andreas H. Bitesnich
Euro 70 -
Now and Then (german edition)
by Sarah Moon
sold out -
DEEPER SHADES #03 PARIS (book + print)
by Andreas H. Bitesnich
Euro 470
more books tagged »Japan« | >> see all
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Tokyo Compression Final Cut (last copy)
by Michael Wolf
sold out -
Sachin
by Nobuyoshi Araki
Euro 39 -
Tokyo Compression Final Cut (signed - last two copies)
by Michael Wolf
sold out -
Asphalt VI
by various photographers
Euro 25 -
Tori
by Yamamoto Masao
sold out -
Go to Become (signed)
by Jörgen Axelvall
Euro 62
more books tagged »family« | >> see all
-
Wahr Genommen (last copy)
by Branko Lenart
Euro 45 -
One Circle (review copy)
by Fred Hüning
sold out -
The Way We Were (signed - last copy)
by Richard Bartholomew, Pablo Bartholomew
Euro 49 -
HUNDERT (signed)
by Olaf Unverzart
Euro 33 -
Gregory Crewdson 1985-2005
by Gregory Crewdson
sold out -
Semi Maru (signed)
by Atsushi Fujiwara
sold out
Random selection from the Virtual bookshelf josefchladek.com